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When verbal and visual arts share the same plot: artistic worlds of Bakhyt Kenzheyev's poem Hunters in the Snow and the painting by Peter Brueghel the Elder
Sinegubova K.V., Aksionova A.A.
The concept of the revolution in A.A. Ganin’s works (on the example of lyrics of 1910s-1920s)
Krotova D.V.
Anton Chekhov’s “The Philistines” in terms of literature studies
Akhmetshin R.B.
The Concept of “the other” and self-perspective in literature works of G. García Márquez in the 1990s
Pluzhnikova K.N.
The Ontology of Death in M. Shishkin’s Novel The Letter Book
Krotova D.V.
«Orpheus n't to descend after Eurydice»: the dichotomy of life and death in the interpretation of the antique myth by M. Tsvetaeva
Estekhina K.V.
ORIGINALITY OF THE MOSCOW TEXT BY ALEXANDER ILICHEVSKY
Selemeneva M.V.
Dramaturgy of N. Kurilov in the Yukagir literature system
Frolkina D.I.
MILESTONES OF THE FORMATION OF FRENCH SYMBOLISM AND ITS REFLECTION IN THE FRENCH CRITIQUE AT THE TURN OF THE ХХ CENTURY
Kuntsevich D.V.
The question of the unity of the historical fact and art invention in the Keshokov's novel «The broken horse-shoe»
Khamdokhov S.Y.
“The reliable exercise of the scientist man”: literature translation in the first Russian journal
Gotovtseva A.G.
The mass literature as a globalisation product (observation of genre-variety of the modern Turkish prose)
Sofronova L.V.
DESTINATION OF ART: VARLAM SHALAMOV’S CONCEPT
Krotova D.V.
Female images on historical background: victory of Omani writer Jokha al-Harti in The Man Booker International Prize - 2019
Zarytovskaya V.N., Al-Rahbi A.M.
Poetry of E.A. Blaginina: main themes and images
Oktyabrskaya O.S.
The poetics of death in the novel of Louis Ferdinand Celine «Journey to the end of the night»
Ninidze A.D.
The concept of “neo” and the novels of G. Rodenbach: between romanticism and symbolism
Litvinenko N.A.
“WE ARE LIKE HOAH’S CHILDREN’: RELIGIOUS MOTIFS WORKS DURING THE “PEER CENTURY”
Ovcharenko A.Y.
Aspects of development of the person in the context the foreign literature and XXth century psychology
Hlystova A.V.
The Translation of the Russian Literature in Taiwan, Yesterday and Today
Hsiung Tsung-huei -.
The perception of Dostoevsky in contemporary russian prose: basic tendencies and types
Trunin S.E.
Russian and Russian-speaking prose in the situation of multiculturality: experience of Kazakhstan
Ovcherenko U.V., Monisova I.V.
From Kyzyl to Paris: the geopoetics of the modern psycho logical novel (“Rain in Paris” by R. Senchin)
Nichiporov I.B.
TO THE QUESTION OF THE LOCAL TEXT AND ITS FUNCTIONS(on the example of the almaty local text)
Bayanbayeva Z.A.
Literary representation of Jewish departure in “The Saga of Muziris” by Sethu
Ok A.
The archetypal complex ship in Russian literature: mortal subtext
Dudareva M.A.
IMAGE OF MOSCOW IN RUSSIAN LITERATURE OF THE EARLY TWENTY-FIRST CENTURY
Selemeneva M.V.
TYNYANOV AND OPOYAZ
Berezhnaya E.P.
Problem of a genre of the novel of E.N. Chirikova «Animal from a chasm»
Morgunov R.V.
On the issue of lieutenants' prose origins (K.D. Vorobyov's short novel They are we, Lord!..)
Shchelokova L.I.
The “Big Twenties” in the History of Russian Literature of the 20th Century: to the Сentenary of the Magazine Krasnaya Nov
Ovcharenko A.Y.
The image of wolf in artistic animalism of “The Song of Igor’s Campaign” and ancient Chinese literature
Wang Y.
Emirati novel in the 1990s: features of polystadiality
Suvorov M.N.
Poetics of the cycle “Parting With a Friend” by Cao Zhi
Stroganova N.A.
“The Gray House” by Mariam Petrosyan in the context of the literary tradition of magical realism
Meskin V.A., Gaidash L.V.
Carnivalesque of images of children and adults in screenwriting of Ilya Nusinov and Semion Lungin (based on the screenplays “Bez strakha i upreka”, “Vnimaniye, cherepakha!” and “Telegramma”)
Artemyeva E.A.
THE CONCEPTS OF HISTORICAL AND NON-HISTORICAL IN AESTHETIC AND PHILOSOPHICAL SYSTEM OF THE NOVEL “THE AVIATOR” BY E. VODOLAZKIN
Bochkina M.V., Golubkov M.M.
Intrahistoria of drama of Unamuno
Guseva T.K.
1 - 38 of 38 Items

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