No 4 (2009)

In the article the style organization of a A.P. Chekhov's stories with one plot base - «Long tongue» (1886) and «The Lady with the doggie» (1899) - is compared each other. Author has revealed the generality and the distinctions connected with deepening of problematics, reconsideration of characters, plot transformation, modality change, genre integration, wide use of means of stylistics.

Of the article of Khamdokhov S.Y. «The Question of the Unity of the Historical Fact and Art Invention in the Keshokov's Novel «The Broken Horse-Shoe» The article is dedicated to the one of the most significant novels of the famous Kabardinian writer of the second part of the 20th century Alim Keshokov. There are investigated the problems of the unity of the historical events and facts (the Great War Two on the North Caucasus) and the art invention, of the history of the creation of the piece of work, and the stage of the embodiment of the author's idea. By the certain knowledge of the creation of A. Keshokov in general this problem hasn't been specially analyzed yet.

This study examined the originality of psychologism in the novel «We» written by E. Zamyatin in the context of Nonclassical Prose. In the novel, E. Zamyatin connected social and psychological point of view not refusing gains of realism of 19th century. In addition, he showed protagonist's outside world as well as introspection simultaneously. Psychological basis of this study is K. Jung's theory.

In this clause the author writes about ontological categories which form concept «person». These are such categories, as «death», «life», «tenderness», «love», «creativity». The author uses actual achievements of a psychological science for studying the literature.

The article investigates the typological peculiarities of Turkish lyric post-modernizm on the example of the novel Nazli Eray «The Station of Dream» and it took one of the central places of the country. A special attention is paid to the author ̉s mask by means of which the author ̉s self-expression is realized.

This article addresses main principles of the making the messages in modern mass media by the instrumentality of photojournalism. A photo represents a text with a message which consists of signs. The order of perception of such a message depends on the composition and the accompanying verbal message which set time-space characteristics of the represented objects.

This article deals with one of the changing moments in Chinese Media activity - the period of turn to significant and extraordinary events in the life of country, including natural calamities. Author focuses on objectivity and publicity of information, as well as professional ethics of journalism.

The article examines the full range of relations between Russia and China, and especially their coverage in the Russian media and communications.