No 2 (2016)

The article discusses the origin, formation and development of a book of poems as a special over- text, metagenre form resting on a unifying principle. Changing of these principles is the story of the book of poems formation. In the Baroque ages, Simeon Polotsky composed «Orchard Color» in accordance with the concepts of the world order. In the poetry of the Classicism period the principle of genre compositions was dominated, later it replaced by chronological principle. The titles of poetry books of XVIII - early XIXth centuries reflected the growth of the individual, private in the poetry, that giving more freedom to the authors, including the structuring their books. In the XIXth century, different principles of poems association freely combined within the same book and not strictly observed. The first proper book of poems in Russian poetry is «Twilight» by E.A. Baratynsky (1842). In the second half of the XIXth century cyclization became widespread, and to the turn of the centuries book of poems is a leader in the genre system of Russian poetry.

The article presents an analysis of the poem of F.I. Tyutchev with the attraction of evangelical texts, works of the Russian religious philosophers, and such poets as A.S. Pushkin, VA. Zhukovsky, A.A. Fet, A.A. Maykov and F.I. Tyutchev himself. The stress is laid on the ideological position of the lyrical subject and features of figurative thinking that allow specifying a question of a place of the poet in the literary movement of the 2nd half of the XIXth century. It is proved that the consciousness of Tyutchev who created the poetic addressing includes the religious component participating in creation of images. In this case, the assumption is argued according to which the romantic canon of a creative phenomenon with its idealistic concept kept by Tyutchev as fidelity of tradition is in addition strengthened by the characteristic preferences that show the author’s proximity to “Pure Art”. The author arrives at such conclusions: 1) the poem “To A.V. Pl va” declares commitment to the ideas of the late-romantic school; 2) images of the miniature are created by the triad “outlook - creativity - a human ideal”; 3) the semantic dominant of the message is conviction in the value of belief for an orthodox person, and for an artist - in art, inspired by spiritual beauty; 4) the religious component of attitude of the lyrical subject interacts with a wide literary background and makes opposition to «unromantic» options of a world outlook and everyday philosophy of life.

The article considers the issue of the cinematic potential of some prosaic expressionistic works written by L. Andreev. In “The Letters On Theatre” (1912-1913) the writer expressed his views on the problems of interaction between theatre, cinema and literature, emphasized the great role of cinematograph and predicted the phenomenon of the film script. Moreover, his close collaboration with the domestic cinema producers had influenced the poetics of his artistic works and therefore provoked future multiple screening of them. Despite the fact that all film scripts made by L. Andreev were based only on his dramas, the majority of film directors turned to his prose for screening - eager to find cinematic equivalents and analogies to his expressionist style. The primary subjects of the paper are film adaptations of Andreev’s literary legacy and the patterns of intermediality used by film directors to embody their interpretations of the original texts.

The article presents an analysis of the main Russian modern poetry directions. The author explores the state of the poetic environment at the turn of the XXth and XXIst centuries and estimates the most significant changes in the poetics of the period. Conclusion is giving about the collapse of corporate connections between writers-contemporaries, and the absence of clearly expressed poetry schools and groups. The processes that originated decades ago explain the fact of the collapse.We substantiate thehypothesis that dialogical relations with classic precursors particularly of the early XX century enrich modern poetry. Sound examples of such dialogue shown in the aspect of intertextuality. The author considers to intertextuality promote the self-expression ofmodern poets and solving many of their creative tasks.The author’s reasoning and conclusions are based on accessing dozens of names famous and little- known poets, on many analytical publications in recent

The article is related to the general characteristics and the differences between “magic idealism” of Novalis and “magic reality” of Hesse. Typological community is determined by the concept of world’s subjectivity in their novels. But the distinction of their methods created two different esoteric models. In Hesse’s novels this model is determined by the synthesis of contrasts. In a contrary, in Novalis novels the disharmony of the world is decided. Despite the typological similarity of the principle of subjectivization, “magical idealism” of NOVALIS and “magical reality” by Hermann Hesse represent different models of the world. The synthesis of the psychoanalytic model of the inner life, the philosophy of Buddhism has created a unique in the European novel of the 20th century model of a world governed by law of equilibrium. Hesse’s novels illuminated Buddhist idea of eternal renewal, of eternal spiritual growth and consciousness.

We look into J. Fowles novels in relation to England and «Englishness» and come to the conclusion that one of the leading ideas of his work is the adoption of personal freedom. In the novels “the Sorcerer”, “the Collector”, “the French Lieutenant›s Mistress” Fowles says about justice and freedom. The writer doubts the objective status of the concept of “justice” and instead puts forward the notion of individual freedom. Although the national character is based on the confidence in theirs justice, Fowles speaks of inner personal freedom as the adoption of national characteristics and their overcoming in the process of personal growth.

The article investigates the method of comparative analysis of the poem on the theme of love medieval Armenian poet in Russian translation. It presents translations of Bryusov, V. MikushevichZvyagintsev, which gives them a comprehensive comparative analysis to determine how the poetry of N. Kuchak matches your originals.Translation analysis led to the conclusion that the Russian poets and translators with the utmost precision could come close to the meaning, the style of the poet, as well as convey its poetic personality, revealing at the same time and his inner spiritual world.

The article analyzes the characteristics and traits are determined by oral public monologue speech as the main form of political solemn eloquence on the basis of empirical material rhetorical speech acts renowned hierarch of the Russian Church of the XVI century Macarius - Metropolitan of Moscow, analyzes the means of speech expressiveness of speech inherent in high style; defined peculiarities of the composition construction of oratorical works of that period.Contact religious outlook and state of activity of Metropolitan Macarius left a mark on the subject and the content of his speeches. He claimed the theocratic nature of imperial power and the need for union with the Church authorities Despite the fact that the ancient theory of rhetoric speakers, themes and design techniques of oratorical works borrowed from Byzantium, Metropolitan Macarius sought in its own way to interpret events to create their tradition of oratory, most bringing them to the history of his people.

The article is on the Russian and the Japanese experience of the reasons of falling circulations online publications and analyzes the effects of the sharp increase in demand for tablet computers, which have become the fastest-growing category of personal electronics and displacing readers and e-books.We consider the “agenda” of publications continue to publish materials about the events and situations in the local life: do not read the press center in the Russian province in the belief that it is too far from the peopleThe material contains a forecast, whether the Internet will be able to occupy a niche, which are traditionally the newspaper whether he will be able to completely replace the function of the print media.

The Review is devoted to the analysis of monography book by famous researcher of Russian poetM. Voloshin. It states the final character of the book, which contains various discourses of Voloshin’s studies: his biography, analyses of poetry and his outlook. Through the context of Silver Age Culture the book gives the sketches of poetical talent, his contribution to the treasuries of World and Russian Poetry. The researcher reveals Voloshin’s significance through controversy with various views of other researchers.