| Issue |
Title |
File |
| Vol 25, No 3 (2020) |
The image of Judas in the new and the newest fiction |
(Rus)
|
|
Romenskikh P.V., Meskin V.A.
|
| Vol 25, No 3 (2020) |
Gogol’s traditions in V. Kaverin’s novel “The Troublemaker, or Evenings on Vasilyevsky Island” |
(Rus)
|
|
Koltsova N.Z., Liu M.
|
| Vol 25, No 3 (2020) |
Literary searches of the poets of the Far East emigration: versification poetics of Larissa Andersen |
(Rus)
|
|
Tsmykal O.E.
|
| Vol 25, No 3 (2020) |
The artistic time of the Moscow text by Yuri Polyakov |
(Rus)
|
|
Ibadova N.E.
|
| Vol 25, No 3 (2020) |
Karachay-Balkar poetry of the modern time: the problem of national artistic traditions |
(Rus)
|
|
Kerimova R.A.
|
| Vol 25, No 3 (2020) |
Sherlock Holmes and Erast Fandorin: the peculiarities of Akunin’s dialogue with Conan Doyle |
(Eng)
|
|
Afanasyeva O.V., Gereikhanova K.F.
|
| Vol 25, No 3 (2020) |
Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory |
(Eng)
|
|
Aksenova A.A.
|
| Vol 25, No 3 (2020) |
W. Morris’s tradition in J.R.R. Tolkien’s epic fantasy |
(Rus)
|
|
Maratova Z.Z., Nazarova T.V.
|
| Vol 25, No 3 (2020) |
Songwriting and functional load in the “Diary of Ephemeral Life” |
(Rus)
|
|
Gafurova K.S.
|
| Vol 25, No 4 (2020) |
“Twisting the glory of both halves of this time...”: on the spatio-temporal and mythological manifestation in “The Lay of Igor’s Host” |
(Rus)
|
|
Porol O.A.
|
| Vol 25, No 4 (2020) |
Homonymous and tautological rhymes in K. Simonov’s poetry |
(Rus)
|
|
Korzhova I.N., Ledenev A.V.
|
| Vol 25, No 4 (2020) |
The English trace in the heading-final complex of Anna Akhmatova’s “Poem without a Hero” |
(Eng)
|
|
Kikhney L.G., Lamzina A.V.
|
| Vol 25, No 4 (2020) |
Orientalism poetics: story by Leonid Solovyov “The Nomad” |
(Rus)
|
|
Shafranskaya E.F., Volokhova T.V.
|
| Vol 25, No 4 (2020) |
Translingual text within a meaning-generating context of Russian literature |
(Eng)
|
|
Kulieva S.A.
|
| Vol 25, No 4 (2020) |
Cultural connotations of the image of perception of emigrants in Chinese ethnic consciousness of the 20-40s of the 20th century based on the material of Chinese literature and publicism |
(Rus)
|
|
Liu S.
|
| Vol 25, No 4 (2020) |
The concept of “neo” and the novels of G. Rodenbach: between romanticism and symbolism |
(Rus)
|
|
Litvinenko N.A.
|
| Vol 25, No 4 (2020) |
Female images on historical background: victory of Omani writer Jokha al-Harti in The Man Booker International Prize - 2019 |
(Rus)
|
|
Zarytovskaya V.N., Al-Rahbi A.M.
|
| Vol 25, No 4 (2020) |
Kafkaesque motifs in Kunwar Narain’s novels |
(Rus)
|
|
Lesik K.A.
|
| Vol 25, No 4 (2020) |
Locating reality through visual narratives: Marjane Sartapi’s surfacing in “Persepolis” |
(Eng)
|
|
Gupta P.
|
| Vol 25, No 4 (2020) |
Sources of Ferdowsi’s poem “Shahnāma” |
(Rus)
|
|
Bondar M.N.
|
| Vol 24, No 1 (2019) |
“Dionysus Hyperborean” by A. Blok: the esthetic strategy of an unrealized idea |
(Rus)
|
|
Sarychev V.A.
|
| Vol 24, No 1 (2019) |
Receptive aesthetics of China’s image in poetry of K. Balmont |
(Rus)
|
|
Porol P.V.
|
| Vol 24, No 1 (2019) |
I.A. Bunin and S.N. Durylin: problems of creative dialogue |
(Rus)
|
|
Korshunova E.A.
|
| Vol 24, No 1 (2019) |
“Miraculous realism” in Zaitsev’s, Shmelev’s, Bunin’s prose (in context of magical realism, fantastic realism, mystical realism, spiritual realism, etc.) |
(Rus)
|
|
Gavrikov V.A.
|
| Vol 24, No 1 (2019) |
“I don’t want to be the slave...” To the 80 anniversary since the birth of Venedikt Erofeyev |
(Rus)
|
|
Troschinskaya-Stepushina T.E.
|
| Vol 24, No 1 (2019) |
The image of the time in the book of S. Alexievich “Second-hand Time”: the originality of the artistic conflict |
(Rus)
|
|
Gurska K., Kovalenko A.G.
|
| Vol 24, No 1 (2019) |
Cycle “Travel from Russia” of A. Bitov as an artistic whole (structure and poetics) |
(Rus)
|
|
Elrashid Ali M.A.
|
| Vol 24, No 1 (2019) |
“The World, More or Less” by Jean Rouaud: between novel and autofiction |
(Rus)
|
|
Siary G., Kosova Y.A.
|
| Vol 24, No 1 (2019) |
Women’s issue in Su Tong’s novel “Wives and Concubines” |
(Eng)
|
|
Lobova A.A.
|
| Vol 24, No 2 (2019) |
Christian motives in the tale of people’s militia in 1611-1612 in the New Chronicler |
(Rus)
|
|
Tufanova O.A.
|
| Vol 24, No 2 (2019) |
The poetics of survival: experience of the first months of emigration in N.A. Teffi’s “Istanbul and the Sun” collection of short stories |
(Rus)
|
|
Ledenev A.V., Romanova K.S.
|
| Vol 24, No 2 (2019) |
The influence on Mandelstam by Goethe: “The Octaves” as “The Poems on the Cognition” |
(Rus)
|
|
Kornienko S.A.
|
| Vol 24, No 2 (2019) |
The transformation of the image of the house in the diaries of Irina Knorring |
(Rus)
|
|
Koznova N.N.
|
| Vol 24, No 2 (2019) |
Philosophical aspects of literary-critical creative work of I.B. Rodnyanskaya |
(Rus)
|
|
Zenova E.M.
|
| Vol 24, No 2 (2019) |
Event-sphere as a communicative platform for the modern poet |
(Rus)
|
|
Danilova S.A., Bilchenko E.V.
|
| Vol 24, No 3 (2019) |
Traditions of N.V. Gogol in the prose of S.A. Klychkov |
(Rus)
|
|
Ponomareva T.A.
|
| Vol 24, No 3 (2019) |
Novel “Doctor Zhivago” by B.L. Pasternak: the specifics of the issue of the cultural hero |
(Rus)
|
|
Morozov S.V.
|
| Vol 24, No 3 (2019) |
Russian historical novel in a new way: “Tobol” by Alexey Ivanov |
(Rus)
|
|
Kolobaeva L.A.
|
| Vol 24, No 3 (2019) |
Theatricality in the postmodern novel “Quest” by B. Akunin |
(Rus)
|
|
Tang S.
|
| Vol 24, No 3 (2019) |
“The Gray House” by Mariam Petrosyan in the context of the literary tradition of magical realism |
(Rus)
|
|
Meskin V.A., Gaidash L.V.
|
| Vol 24, No 3 (2019) |
Features of bilingualism in modern Karachay-Balkar poetry |
(Rus)
|
|
Kerimova R.A.
|
| Vol 24, No 4 (2019) |
The narrative structure in the N. Abgaryan trilogy “Manyunya” |
(Rus)
|
|
Kikhney L.G., Osipova O.I.
|
| Vol 24, No 4 (2019) |
From Kyzyl to Paris: the geopoetics of the modern psycho logical novel (“Rain in Paris” by R. Senchin) |
(Rus)
|
|
Nichiporov I.B.
|
| Vol 24, No 4 (2019) |
Intertexts of fairy tales by Nikolai Verevochkin “Draw Me a Golden Heart” |
(Rus)
|
|
Dzholdasbekova B.U., Shanayev R.U.
|
| Vol 24, No 4 (2019) |
A. Zhaksylykov’s novel “Singing Stones” in aspect of the literary domain theory |
(Rus)
|
|
Valikova O.A., Bakhtikireeva U.M.
|
| Vol 24, No 4 (2019) |
The mythologem “Home” in the art discourse of Tatar and Chuvash literatures |
(Rus)
|
|
Abasheva D.V., Sharyafetdinov R.K.
|
| Vol 24, No 4 (2019) |
Axiological archetype “Home” in I. Shukhov autobiographic trilogy “Presnov Pages” |
(Rus)
|
|
Sinyachkin V.P., Demchenko A.S.
|
| Vol 24, No 4 (2019) |
Internaliterary synthesis as genre-forming factor in the story of S. Georgievskaya “Love and Cybernetic” |
(Rus)
|
|
Chelyukanova O.N.
|
| Vol 24, No 4 (2019) |
“The Kashmir poems” of Qudsi Mashhadi (1582-1646): the problem of genre definition |
(Rus)
|
|
Akimushkina E.O.
|
| Vol 23, No 1 (2018) |
Remembering him through the blood in my vein (A.L. Blok in A.A. Blok’s life and literary career) |
(Rus)
|
|
Sarychev V.A.
|
| Vol 23, No 1 (2018) |
J.W. Goethe’s “Faust” code in A. Akhmstova’s poem “Without a hero” |
(Eng)
|
|
Kikhney L.G., Kornienko S.A.
|
| Vol 23, No 1 (2018) |
The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin |
(Rus)
|
|
Solnceva N.M., Khlebus M.A.
|
| Vol 23, No 1 (2018) |
The archetypal complex ship in Russian literature: mortal subtext |
(Rus)
|
|
Dudareva M.A.
|
| Vol 23, No 1 (2018) |
About theatrical prose of the post-revolution era (on the works be E. Zamyatin and A. Green) |
(Rus)
|
|
Koltsova N.Z., Monisova I.V.
|
| Vol 23, No 1 (2018) |
The image of the teenager in the novels of Chingiz Aitmatov of the 1970-th |
(Rus)
|
|
Meskin V.A., Zolotukhina A.V.
|
| Vol 23, No 1 (2018) |
Contemporary children’s literature, myth or reality? |
(Rus)
|
|
Petrova S.A.
|
| Vol 23, No 1 (2018) |
The Novel of A. Bitov “Armenia Lessons” as a genre of travel in the context of Russian prose of the second half of the XX-th century |
(Rus)
|
|
Elrashid Ali M.A.
|
| Vol 23, No 1 (2018) |
Variations of grotesque in the novels pf Charles Dickens |
(Rus)
|
|
Mokhova T.Y.
|
| Vol 23, No 2 (2018) |
THE GAME AS THE WAY OF DEPICTING THE WORLD IN POETRY OF A.N. VERTINSKY |
(Rus)
|
|
Bryzgalova E.N.
|
| Vol 23, No 2 (2018) |
PERSONALITY AND LITERARY WORKS OF M.A. SHOLOKHOV AS PART OF CONTEMPORARY RUSSIAN PROSE: THE BASIC TRENDS OF PERCEPTION |
(Rus)
|
|
Soldatkina Y.V.
|
| Vol 23, No 2 (2018) |
IMAGES OF LIGHT AND SILENCE IN OLEG VOLKOV’S AUTOBIOGRAPHICAL EPIC “PLUNGE INTO DARKNESS” |
(Rus)
|
|
Abdokova M.B.
|
| Vol 23, No 2 (2018) |
THE THEME OF POWER IN WORKS OF ALEXANDER BASHLACHEV: THE IMAGES OF STALIN AND NAPOLEON |
(Rus)
|
|
Gavrikov V.A., Klyachenkov E.A.
|
| Vol 23, No 2 (2018) |
THE CONCEPTS OF HISTORICAL AND NON-HISTORICAL IN AESTHETIC AND PHILOSOPHICAL SYSTEM OF THE NOVEL “THE AVIATOR” BY E. VODOLAZKIN |
(Rus)
|
|
Bochkina M.V., Golubkov M.M.
|
| Vol 23, No 2 (2018) |
THE NOVEL “THE UNWOMALNY FACE OF WAR” OF S. ALEXIEVICH AS A CYCLIC DOCUMENTARY-FICTIONAL PROSE: STRUCTURE AND POETICS |
(Rus)
|
|
Górska K.
|
| Vol 23, No 2 (2018) |
THE ROLE OF THE MOTIF OF MONEY IN THE F.M. DOSTOEVSKY’S NOVEL “TEENAGER” |
(Rus)
|
|
Shlapakova E.V.
|
| Vol 23, No 3 (2018) |
DESPARATE ROMANTICS: THE EVOLUTION OF HADES AND PERSEPHONE’S MYTH FROM ANCIENT GREEKS TO PRE-RAFAELITES AND A. BELIY |
(Rus)
|
|
Kononova N.O., Temirshina O.R.
|
| Vol 23, No 3 (2018) |
THE MOTHER ARCHETYPE IN THE POETRY OF N.A. KLYUEV |
(Rus)
|
|
Ponomareva T.A.
|
| Vol 23, No 3 (2018) |
POETRY ON THE VERGE OF SILENCE: POETICAL ASCETICISM OF ANATOLII SHTEIGER - METAPHYSICAL CONTEXT |
(Rus)
|
|
Abdokova M.B.
|
| Vol 23, No 3 (2018) |
MOTIVES OF CRIME, GUILT AND PUNISHMENT IN SH. IDIYATULLIN’S NOVEL “THE CITY OF BREZHNEV” |
(Rus)
|
|
Kolyadich T.M.
|
| Vol 23, No 3 (2018) |
DIVERSITY OF THE MODERN RUSSIAN POETRY |
(Rus)
|
|
Zinurova E.S.
|
| Vol 23, No 3 (2018) |
THE FEATURES OF THE LATE WORKS OF NAGUIB MAHFOUZ (ANALYSIS OF THE NOVELS “THE JOURNEY OF IBN FATTOUMA” AND “WEDDING SONG”) |
(Rus)
|
|
Zarytovskaya V.N.
|
| Vol 23, No 4 (2018) |
Autobiografical elements and narrator-protagonist in the novel of Gaito Gazdanov “An evening with Claire” |
(Rus)
|
|
El Ghamry M.A., Gab Allah M.A.
|
| Vol 23, No 4 (2018) |
The Moscow housing problem of 1920s in the stories and feuilletons of Mikhail Bulgakov |
(Deu)
|
|
Mikhaylovski A.
|
| Vol 23, No 4 (2018) |
Reflections about revolution in A. Varlamov and E. Vodolazkin’s creativity (“Mental wolf” and “Aviator”) |
(Rus)
|
|
Krotova D.V.
|
| Vol 23, No 4 (2018) |
Functions of the anthroponyms in the novels by Dina Rubina “Belaya golubka Kordovy” (The white dove of Cordoba”) and “Sindrom Petrushki” (The Punch Syndrome) |
(Rus)
|
|
Kikhney L.G., Silcheva A.G.
|
| Vol 22, No 1 (2017) |
A.P. CHEKHOV AS A READER |
(Rus)
|
|
Nikoletic S.
|
| Vol 22, No 1 (2017) |
THE MOTIF OF CULTURAL MEMORY AND THE IDYLLIC DISCOURSE OF BUNIN, GUMILEV AND IVAN SAVIN |
(Rus)
|
|
Zavelskaya D.A.
|
| Vol 22, No 1 (2017) |
THE “ITALIAN CYCLE” IN NIKOLAI GUMILEV’S POETRY |
(Rus)
|
|
Golovchenko I.F.
|
| Vol 22, No 1 (2017) |
LYRICS OF “THE INNER VOICE” IN THE MODERN LITERATURE |
(Rus)
|
|
Meskin V.A., Zinurova E.A.
|
| Vol 22, No 1 (2017) |
CONTEMPORARY RUSSIAN HISTORICAL PROSE IN THE CONTEXT OF THE LITERARY PROCESS OF 2000-2010th |
(Rus)
|
|
Soldatkina Y.V.
|
| Vol 22, No 1 (2017) |
“MYSLENNYI VOLK” (“MENTAL WOLF”) BY ALEXEY VARLAMOV AS A SYMBOLIST NOVEL |
(Rus)
|
|
Meskin V.A.
|
| Vol 22, No 1 (2017) |
BOYAN AND «THE POET OF THE REGIMENT OF IGOR» IN THE SAME CYCLE OF SONNETS BY VLADIMIR PALCHIKOV |
(Rus)
|
|
Fedotov O.I., Shelemova A.O.
|
| Vol 22, No 1 (2017) |
THE DICHOTOMY OF “CITY AND VILLAGE” IN STORIES OF V.M SHUKSHIN AND PHANISHWARNATH RENU |
(Rus)
|
|
Thakur S.K.
|
| Vol 22, No 1 (2017) |
«WE DIE HERE»: SOVIET RUSSIA IN CREATION OF AYN RAND |
(Rus)
|
|
Sergeeva M.O., Savastenko R.A.
|
| Vol 22, No 1 (2017) |
ACTUALIZATION OF THE INNER FORM OF OLZHAS SULEOMENIV’ WORLD” |
(Rus)
|
|
Utepova R.I.
|
| Vol 22, No 2 (2017) |
THE PREMIERE OF A.P. CHEKHOV’S TATYANA REPINA AT JUDSON POETS’ THEATER |
(Eng)
|
|
Spachil O.V.
|
| Vol 22, No 2 (2017) |
“I’m interested not in a man but his attitude to Mystery” (symbolism of early Andrei Bely: theurgy and ethics of the artist) |
(Rus)
|
|
Sarychev V.A.
|
| Vol 22, No 2 (2017) |
THE HISTORIOSOPHICAL ATTITUDES IN THE WORKS OF M.A. VOLOSHIN |
(Rus)
|
|
Melnikov E.S.
|
| Vol 22, No 2 (2017) |
Epic genre in modern prose. Epic and history in tetralogy “Judgment days” by Andrei Volos |
(Rus)
|
|
Meskin V.A.
|
| Vol 22, No 2 (2017) |
THE PEDAGOGICAL NOVEL IN THE RUSSIAN CHILDREN LITERATURE OF THE SECOND THIRD OF THE XX CENTURY |
(Rus)
|
|
Meskin V.A., Zolotukhina A.V.
|
| Vol 22, No 2 (2017) |
INTERTEXTUALITY IN THE MODERN RUSSIAN POETRY |
(Rus)
|
|
Zinurova E.S.
|
| Vol 22, No 2 (2017) |
THE ETHIC POSITION OF THE AUTHOR IN THE NOVEL BY G. VLADIMOV “THE GENERAL AND HIS ARMY” |
(Rus)
|
|
Chistyakov A.V., Denisenko A.V.
|
| Vol 22, No 2 (2017) |
THE MARGINAL HERO IN THE PROSE OF R. SENCHIN |
(Rus)
|
|
Ponomareva T.A.
|
| Vol 22, No 2 (2017) |
THE IMAGE OF IRINA TOMCHAK IN KUBAN CHAPTERS IN THE EPIC NOVEL “THE RED WEEL” BY A.I. SOLZHENITSYN |
(Rus)
|
|
Bi J.
|
| Vol 22, No 2 (2017) |
THE WORK OF SVETLANA ALEXIEVICH IN THE CONTEXT OF THE HISTORY OF DOCUMENTARY FICTIONAL PROSE (“BOYS IN ZINC”) |
(Rus)
|
|
Górska K.
|
| Vol 22, No 2 (2017) |
FROM SPECTATOR TO READER: READING REFLECTION IN MARGUERITE DURAS’S OEUVRES |
(Rus)
|
|
Shulyatyeva D.V.
|
| Vol 22, No 3 (2017) |
MEDITATING ON THE PERSONALITY OF J. BRODSKY (ON THE MEMORIES OF KARL PROFFER) |
(Rus)
|
|
Kolobaeva L.A.
|
| Vol 22, No 3 (2017) |
“JUDICIAL INVESTIGATOR” IN THE RUSSIAN DETECTIVE LITERATURE OF 1860-1880 FROM ALEXANDER SHKLYAREVSKY TO CHEKHOV |
(Rus)
|
|
Kibalnik S.A.
|
| Vol 22, No 3 (2017) |
LAW AND LEGALITY CONCEPT IN A.S. PUSHKIN’S TRAGEDY “BORIS GODUNOV” |
(Rus)
|
|
Gavrilchenko O.V.
|
| Vol 22, No 3 (2017) |
ALEXANDER KUPRIN AND SASHA CHERNY: FRIENDLY AND CREATIVE DIALOGUE |
(Rus)
|
|
Zhirkova M.A.
|
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