| Issue |
Title |
File |
| Vol 23, No 2 (2018) |
THE NOVEL “THE UNWOMALNY FACE OF WAR” OF S. ALEXIEVICH AS A CYCLIC DOCUMENTARY-FICTIONAL PROSE: STRUCTURE AND POETICS |
(Rus)
|
|
Górska K.
|
| Vol 23, No 4 (2018) |
Functions of the anthroponyms in the novels by Dina Rubina “Belaya golubka Kordovy” (The white dove of Cordoba”) and “Sindrom Petrushki” (The Punch Syndrome) |
(Rus)
|
|
Kikhney L.G., Silcheva A.G.
|
| Vol 23, No 1 (2018) |
About theatrical prose of the post-revolution era (on the works be E. Zamyatin and A. Green) |
(Rus)
|
|
Koltsova N.Z., Monisova I.V.
|
| Vol 23, No 2 (2018) |
THE ROLE OF THE MOTIF OF MONEY IN THE F.M. DOSTOEVSKY’S NOVEL “TEENAGER” |
(Rus)
|
|
Shlapakova E.V.
|
| Vol 22, No 3 (2017) |
GAME STRATEGY OF “THE SPY NOVEL” BY BORIS AKUNIN |
(Rus)
|
|
Tang Shi -.
|
| Vol 22, No 1 (2017) |
ACTUALIZATION OF THE INNER FORM OF OLZHAS SULEOMENIV’ WORLD” |
(Rus)
|
|
Utepova R.I.
|
| Vol 22, No 2 (2017) |
FROM SPECTATOR TO READER: READING REFLECTION IN MARGUERITE DURAS’S OEUVRES |
(Rus)
|
|
Shulyatyeva D.V.
|
| Vol 22, No 3 (2017) |
MODERN RUSSIAN AUTOBIOGRAPHICAL PROSE IN THE TIME SYSTEM |
(Rus)
|
|
Wang Jiao -.
|
| Vol 22, No 2 (2017) |
THE PREMIERE OF A.P. CHEKHOV’S TATYANA REPINA AT JUDSON POETS’ THEATER |
(Eng)
|
|
Spachil O.V.
|
| Vol 22, No 3 (2017) |
MEDITATING ON THE PERSONALITY OF J. BRODSKY (ON THE MEMORIES OF KARL PROFFER) |
(Rus)
|
|
Kolobaeva L.A.
|
| Vol 22, No 1 (2017) |
A.P. CHEKHOV AS A READER |
(Rus)
|
|
Nikoletic S.
|
| Vol 22, No 3 (2017) |
MEDIEVAL CONCEPT OF TIME REFLECTION IN E. VODOLAZKIN’S NOVELS “LAURUS” AND “THE AVIATOR” |
(Rus)
|
|
Bochkina M.V.
|
| Vol 22, No 2 (2017) |
“I’m interested not in a man but his attitude to Mystery” (symbolism of early Andrei Bely: theurgy and ethics of the artist) |
(Rus)
|
|
Sarychev V.A.
|
| Vol 22, No 3 (2017) |
“JUDICIAL INVESTIGATOR” IN THE RUSSIAN DETECTIVE LITERATURE OF 1860-1880 FROM ALEXANDER SHKLYAREVSKY TO CHEKHOV |
(Rus)
|
|
Kibalnik S.A.
|
| Vol 22, No 1 (2017) |
THE MOTIF OF CULTURAL MEMORY AND THE IDYLLIC DISCOURSE OF BUNIN, GUMILEV AND IVAN SAVIN |
(Rus)
|
|
Zavelskaya D.A.
|
| Vol 22, No 3 (2017) |
THE MEANINFUL DOMINANT IN THE FEATURE FILM “THE LATE CHILD” (BASED ON THE STORY WRITEN BY A. ALEXIN) |
(Rus)
|
|
Chelyukanova O.N.
|
| Vol 22, No 2 (2017) |
THE HISTORIOSOPHICAL ATTITUDES IN THE WORKS OF M.A. VOLOSHIN |
(Rus)
|
|
Melnikov E.S.
|
| Vol 22, No 3 (2017) |
LAW AND LEGALITY CONCEPT IN A.S. PUSHKIN’S TRAGEDY “BORIS GODUNOV” |
(Rus)
|
|
Gavrilchenko O.V.
|
| Vol 22, No 1 (2017) |
THE “ITALIAN CYCLE” IN NIKOLAI GUMILEV’S POETRY |
(Rus)
|
|
Golovchenko I.F.
|
| Vol 22, No 3 (2017) |
M OTIF COMPLEX OF WOMEN WORLD IN SYLVIA PLATH’S POETRY |
(Rus)
|
|
Danilova S.A.
|
| Vol 22, No 2 (2017) |
Epic genre in modern prose. Epic and history in tetralogy “Judgment days” by Andrei Volos |
(Rus)
|
|
Meskin V.A.
|
| Vol 22, No 3 (2017) |
ALEXANDER KUPRIN AND SASHA CHERNY: FRIENDLY AND CREATIVE DIALOGUE |
(Rus)
|
|
Zhirkova M.A.
|
| Vol 22, No 1 (2017) |
LYRICS OF “THE INNER VOICE” IN THE MODERN LITERATURE |
(Rus)
|
|
Meskin V.A., Zinurova E.A.
|
| Vol 22, No 3 (2017) |
ARTISCTIC CONFLICT IN PFILOSOPHICAL LIRICS BY MMIGUEL DE UNAMUNO: AGONIST AND WANDERER CONSEPT |
(Rus)
|
|
Izmodenova A.S.
|
| Vol 22, No 2 (2017) |
THE PEDAGOGICAL NOVEL IN THE RUSSIAN CHILDREN LITERATURE OF THE SECOND THIRD OF THE XX CENTURY |
(Rus)
|
|
Meskin V.A., Zolotukhina A.V.
|
| Vol 22, No 3 (2017) |
CATEGORY OF LYRICISM IN THE PROSE OF I.A. BUNIN (LINGUO-POETHICAL ASPECT) |
(Rus)
|
|
Luo Sichen -.
|
| Vol 22, No 1 (2017) |
CONTEMPORARY RUSSIAN HISTORICAL PROSE IN THE CONTEXT OF THE LITERARY PROCESS OF 2000-2010th |
(Rus)
|
|
Soldatkina Y.V.
|
| Vol 22, No 2 (2017) |
INTERTEXTUALITY IN THE MODERN RUSSIAN POETRY |
(Rus)
|
|
Zinurova E.S.
|
| Vol 22, No 3 (2017) |
THE LITERARY TRAVEL IN O. MANDELSHTAM’S ESSAY “SEVAN”: THE ALLUSIONS TO EDGAR POE’S STORY “THE FACTS IN THE CASE OF M. VALDEMAR” |
(Rus)
|
|
Golovchenko I.F.
|
| Vol 22, No 1 (2017) |
“MYSLENNYI VOLK” (“MENTAL WOLF”) BY ALEXEY VARLAMOV AS A SYMBOLIST NOVEL |
(Rus)
|
|
Meskin V.A.
|
| Vol 22, No 2 (2017) |
THE ETHIC POSITION OF THE AUTHOR IN THE NOVEL BY G. VLADIMOV “THE GENERAL AND HIS ARMY” |
(Rus)
|
|
Chistyakov A.V., Denisenko A.V.
|
| Vol 22, No 3 (2017) |
AUTHOR STRATEGIES IN RYURIK IVNEV’S “SUN IN THE COFFIN”. BOOK OF POEMS |
(Rus)
|
|
Isaev G.G.
|
| Vol 22, No 1 (2017) |
BOYAN AND «THE POET OF THE REGIMENT OF IGOR» IN THE SAME CYCLE OF SONNETS BY VLADIMIR PALCHIKOV |
(Rus)
|
|
Fedotov O.I., Shelemova A.O.
|
| Vol 22, No 2 (2017) |
THE MARGINAL HERO IN THE PROSE OF R. SENCHIN |
(Rus)
|
|
Ponomareva T.A.
|
| Vol 22, No 3 (2017) |
GENRE MODIFICATION IN G. IVANOV’S MEMOIR «PETERSBURG WINTERS» |
(Rus)
|
|
Rogovsky A.A.
|
| Vol 22, No 1 (2017) |
THE DICHOTOMY OF “CITY AND VILLAGE” IN STORIES OF V.M SHUKSHIN AND PHANISHWARNATH RENU |
(Rus)
|
|
Thakur S.K.
|
| Vol 22, No 2 (2017) |
THE IMAGE OF IRINA TOMCHAK IN KUBAN CHAPTERS IN THE EPIC NOVEL “THE RED WEEL” BY A.I. SOLZHENITSYN |
(Rus)
|
|
Bi J.
|
| Vol 22, No 3 (2017) |
MOTIV EMPTINESS IN NOVEL V.O. PELEVIN’S NOVEL “CHAPAYEV AND PUSTOTA” |
(Rus)
|
|
Seydashova A.B.
|
| Vol 22, No 1 (2017) |
«WE DIE HERE»: SOVIET RUSSIA IN CREATION OF AYN RAND |
(Rus)
|
|
Sergeeva M.O., Savastenko R.A.
|
| Vol 22, No 2 (2017) |
THE WORK OF SVETLANA ALEXIEVICH IN THE CONTEXT OF THE HISTORY OF DOCUMENTARY FICTIONAL PROSE (“BOYS IN ZINC”) |
(Rus)
|
|
Górska K.
|
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