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Title
Authors
Meng Jinghui’s adaptations of Vladimir Mayakovsky’s plays
Liu J., Monisova I.V.
The study on Grossman’s Life and Fate in China: history and present advance
Wang Q.
Translation and criticism of the works of Leo Tolstoy in Shanghai at the beginning of the 20th century
Yang M.
Reception of Herzen’s “From the Other Shore” in China: problems and prospects
Ji P.
100th anniversary of Anton Chekhov’s death in Barcelona
Amiraghyan H.
“After All, They Don’t Know Anything About Us...”: Russian Literature in French Periodicals of the Early 20th Century. Reviews by Valery Bryusov, Zinaida Gippius, Yakov Povolotsky
Savina A.D.
British and American Reception of The Red Laugh by Leonid Andreev
Markova E.A.
The study on Pushkin’s fairy tales in China: history and modernity
Wang Q.
Play by A. Arbuzov Old-fashioned comedy in China: Theater and Critical Reception
Wu X., Monisova I.V.
Notes from Underground by F.M. Dostoevsky in XXth Century English Criticism
Markova E.A.
Sherlock Holmes and Erast Fandorin: the peculiarities of Akunin’s dialogue with Conan Doyle
Afanasyeva O.V., Gereikhanova K.F.
The reception of the novel by M. Bulgakov “Master and Margarita” in the Ibero-American cultural space
Ramirez Ortega G.
The acceptance of I.A. Bunin in China in the context of ideological direction
Liu Y.
STALIN’S CHAPTERS AND NARRATIVE SIGNIFICANCE IN SOLZHENITSYN’S “THE FIRST CIRCLE”
Nichiporov I.B.
A. Blok in the Artistic and Literary Critical Interpretation of Boris Pasternak
Burkov I.A.
American Broadcasting during World War I: Its Strategic Military and Propaganda Significance
Malakhovsky A.K.
Biblical reception in rock-poetry: Boris Grebenshchikov
Eremin E.M.
1 - 17 of 17 Items

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