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About theatrical prose of the post-revolution era (on the works be E. Zamyatin and A. Green)
- Authors: Koltsova N.Z.1, Monisova I.V.1
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Affiliations:
- MSU Lomonosov
- Issue: Vol 23, No 1 (2018)
- Pages: 50-58
- Section: LITERARY CRITICISM
- URL: https://journals.rudn.ru/literary-criticism/article/view/18154
- DOI: https://doi.org/10.22363/2312-9220-2018-23-1-50-58
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Abstract
In article the report at the International scientific conference “the Theatre of revolution” (Cold read - 2017). We are talking about specific theatricalisation of reality, characteristic for the revolutionary and totalitarian era, as well as on the reflection and prediction of these processes in early Soviet prose. Found a “mystery code” and “code ballet” as a genre Dominante individual scenes or the text as a whole in the works of E. Zamyatin and A. green. The staging of a particular type determines the form of expression of author’s position and overall artistic language epic of the analyzed texts.
About the authors
Nataliya Zinovjevna Koltsova
MSU Lomonosov
Author for correspondence.
Email: koltsovaru@rambler.ru
PHD of Philology, associate professor of the department of history of the newest Russian literature and modern literary process of philological faculty
Leninskie Gory, 1/51 Moscow,Russia, 119991Irina Vladimirovna Monisova
MSU Lomonosov
Email: monisova2008@yandex.ru
PHD of Philology, associate professor of the department of history of the newest Russian literature and modern literary process of philological faculty
Leninskie Gory, 1/51 Moscow,Russia, 119991References
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