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Malay folk genre pantun: traditions and modernity
Bartosh D.K., Kotova E.O., Kytina V.V., Kharlamova M.V.
The source of tragedy: love problems and the concept of eros in the story of L.D. Zinovieva-Annibal's “Thirty-Three Freaks”
Wang L., Mikhailova M.V.
The fruit of the Paradise tree: the problem of cognition in the works of Yu.P. Kuznetsov
Ilinykh A.V.
“After All, They Don’t Know Anything About Us...”: Russian Literature in French Periodicals of the Early 20th Century. Reviews by Valery Bryusov, Zinaida Gippius, Yakov Povolotsky
Savina A.D.
Fedor Sologub in English-Language Anthologies: 1915-1950
Merrill J.
A. PUSHKIN IN LITERARY CRITICISM OF F. SOLOGUB: TYPOLOGY OF POETRY
Meskin V.A.
G. IVANOV’S COLLECTED POEMS OF THE 1910S: THE DEVELOPMENT OF ARTISTIC SELF-DETERMINATION
Semina A.A.
MILESTONES OF THE FORMATION OF FRENCH SYMBOLISM AND ITS REFLECTION IN THE FRENCH CRITIQUE AT THE TURN OF THE ХХ CENTURY
Kuntsevich D.V.
A. Blok in the Artistic and Literary Critical Interpretation of Boris Pasternak
Burkov I.A.
Mythopoetics in the book of Sergei Gorodetsky “Wild will”
Shcherbakova T.V.
The concept of “neo” and the novels of G. Rodenbach: between romanticism and symbolism
Litvinenko N.A.
The metaphor secret garden in Klychkov's early lyric poetry
Demidenko E.A.
“I’m interested not in a man but his attitude to Mystery” (symbolism of early Andrei Bely: theurgy and ethics of the artist)
Sarychev V.A.
“MYSLENNYI VOLK” (“MENTAL WOLF”) BY ALEXEY VARLAMOV AS A SYMBOLIST NOVEL
Meskin V.A.
1 - 14 of 14 Items

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