| Issue |
Title |
File |
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
Mukhtar Auezov and Ivan Turgenev |
(Rus)
|
|
Prali G.Z., Kunayev D.A.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
Me and Alien: Confrontation and Convergence of Images in the Character System of Modern German and Czech Childrens Literature |
(Rus)
|
|
Krasovickaya Y.V.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
Adil Yakubov’s Poetological Construction: Aesthetic Criteria and Basis of Expression |
(Eng)
|
|
Nasirov A.N., Khamidova D.O., Kholikulova G.Y., Ernazarova G.I., Oblokulov J.D., Bazarov S.B., Rakhmatullaev N.N., Ismoilova F.B., Abdukholikova Z.U.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
Peculiarities of Responses to Pushkin in Works by the Satyriconists |
(Rus)
(Eng)
|
|
Karpov N.A.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
The Bulgakovian Code of Alexander Galich’s Pushkiniana |
(Rus)
(Eng)
|
|
Aleksandrova M.A.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
The Poems of A. Pushkin in the Antologia della Poesia Russa Edited by S. Garzonio e G. Carpi (2004): The Choice of Textes, the Choice of Translators |
(Rus)
(Eng)
|
|
Jampolskaja A.V.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
“Alexander Sergeyich, I Miss You”: Pushkin - a Personage of Georgy Ivanov’s Lyrics |
(Rus)
(Eng)
|
|
Tarasova I.A.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
Pushkin in the Literary Manifestos of the 1920s |
(Rus)
|
|
Ovcharenko A.Y., Shaprinskaya E.A.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
Alexander Pushkin’s Sources of the Meaning of the People’s War in L. Tolstoy’s novel War and Peace |
(Rus)
(Eng)
|
|
Ivanitsky A.I., Nagina K.A.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
A Pushkin Quotation in Ivan Karamazov’s Poem |
(Rus)
(Eng)
|
|
Turysheva O.N.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
Pushkin and the Pushkin Myth in Contemporary Russian Literary Studies |
(Mlt)
|
|
Koroleva S.B.
|
| Vol 30, No 4 (2025): PUSHKIN IN CONTEMPORARY STUDIES |
“Verse and Prose” in an Epistle to A.N. Wolf: on the Nature of Pushkin’s Poetic “Litter” |
(Rus)
(Eng)
|
|
Grigorieva E.N., Zolotukhin V.T.
|
| Vol 30, No 1 (2025) |
Ways of Time Mythologizing in K.D. Balmont’s Lyrics |
(Rus)
(Eng)
|
|
Lazaresku O.G., Vartazarova Z.A.
|
| Vol 30, No 1 (2025) |
Socio-Cultural and Historical-Political Themes in V. Nabokov’s Novel Camera Obscura |
(Rus)
(Eng)
|
|
Mastepak T.G., Poleva E.A.
|
| Vol 30, No 1 (2025) |
Anti-nihilism in Ivan Turgenev’s Last novel Virgin Soil and Ba Jin’s Early novellas Destruction and New Life |
(Rus)
(Eng)
|
|
Wu X., Korenkova T.V.
|
| Vol 30, No 1 (2025) |
China in B. Poplavsky’s Poem Poetry |
(Rus)
|
|
Porol P.V., Porol O.A.
|
| Vol 30, No 1 (2025) |
Implementation of Socio-Utopian Ideas in Literature of 1970s: The functions and Role of Idyllic Chronotope in the novels of S. Zalygin The Commission and R. Anaya The Heart of Aztlan |
(Rus)
|
|
Voronchenko T.V., Fyodorova E.V.
|
| Vol 30, No 1 (2025) |
Main Characters in D. Tartt’s Prose: Exploring the Hero |
(Eng)
|
|
Baranova K.M., Shalimova N.S.
|
| Vol 30, No 1 (2025) |
The Genre of Rihla from the Middle Ages to Postmodernizm |
(Rus)
(Eng)
|
|
Zarytovskaya V.N., Al-Rahbi A.M.
|
| Vol 30, No 1 (2025) |
Postcolonial Ecocriticism in Ratna Indraswari Ibrahim’s Lema Tanjun |
(Eng)
|
|
Indriyanto K., Br Barus D.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
Fleeting Miracles: The Promise and Paradox of Eucatastrophe in Chekhov’s The Black Monk |
(Eng)
|
|
Sahoo A.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
The Military Prose by I.S. Shmelev and G.D. Grebenshchikov: Genre Strategies |
(Rus)
|
|
Pinaev S.M., Tsaregorodtseva S.S.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
The Etymology of the Title of A.P. Platonov’s Novel Chevengur and its Reflection in the Ideological Content of the Work |
(Rus)
(Eng)
|
|
Sokolov B.V.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
Space and Narrative in the Short Story by e.I. Zamyatin The Meeting |
(Rus)
|
|
Podolina E.S.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
The Ballad of the Little Tugboat in the Context of Brodsky’s Poetry |
(Rus)
(Eng)
|
|
Tumanova E.G.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
From Reading to Creativity: The Concept ‘Library’ in Valery Mikhailov’s Essay-Novels about Russian Poets |
(Rus)
|
|
Dzhumagalieva U.Z., Ananyeva S.V., Kalieva A.K.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
Mythopoetics of M. Mokaev: The Mountain Archetype |
(Rus)
|
|
Kerimova R.A.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
Donna Tartt’s Novel The Secret History in the Context of the Crisis of Postmodernism |
(Rus)
(Eng)
|
|
Tabakova P.A., Perevezentseva A.Y.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
American Systematic Violence as an Imputes of Muslim Oppression in Home Boy by H.M. Naqvi |
(Eng)
|
|
Fakhrulddin S.R.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
Whose Water? A Critical Analysis of Climate Change, Hydropolitics and Environmental Justice in the Indian Graphic Novel All Quiet in Vikaspuri |
(Eng)
|
|
Nisha S R., Kumar S.H.
|
| Vol 30, No 3 (2025): New Indiaʼs voice: media, culture, and communication |
The Phenomenon of Identity Stratification in the Poetics of Modernism |
(Rus)
|
|
Khetagurova D.K.
|
| Vol 30, No 2 (2025) |
The Dialectics of Faustian and Mephistophelean Principles in I.S. Turgenev’s Novella Faust |
(Rus)
(Eng)
|
|
Jingjing H.
|
| Vol 30, No 2 (2025) |
Surprise as a Chronotopic Feature of the World in the Poem by F.I. Tyutchev Exists in the Autumnal Growing... |
(Rus)
(Eng)
|
|
Aksyonova A.A.
|
| Vol 30, No 2 (2025) |
Medical Topics in Fragments of Moscow Life by A.P. Chekhov |
(Rus)
|
|
Ning S.
|
| Vol 30, No 2 (2025) |
Gorky Motives in Prose about Tramps Ai Wu |
(Rus)
(Eng)
|
|
Meskin V.A., Yiqing C.
|
| Vol 30, No 2 (2025) |
The Constance Saga in the First Half of the 14th Century: Plot and Genre Transformations |
(Rus)
(Eng)
|
|
Semyonov V.B.
|
| Vol 30, No 2 (2025) |
The Role of Architectonics in the Novel-Puzzle Trust by Hernan Diaz |
(Rus)
(Eng)
|
|
Lushnikova G.I., Osadchaia T.Y.
|
| Vol 30, No 2 (2025) |
Eliza Haywood’s Female Spectator: Between Literature and Journalism |
(Rus)
(Eng)
|
|
Yakushkina T.V.
|
| Vol 30, No 2 (2025) |
Rachel Carson’s Silent Spring: A Plea for Changing Environmental Policy |
(Eng)
|
|
Neupane R., Verkhoturov V.V.
|
| Vol 30, No 2 (2025) |
Child and Family: A Perspective on R.K. Narayan’s The Dark Room |
(Eng)
|
|
Singh S., Rencewiggn P R., S P.D.
|
| Vol 30, No 2 (2025) |
Proverbs and Sayings of the Swahili Language in Written Discourse |
(Rus)
(Eng)
|
|
Shatokhina V.S.
|
| Vol 29, No 3 (2024) |
Pushkin and Byron in British Pushkin studies: Strategies of communication and imagological mechanisms |
(Rus)
(Eng)
|
|
Koroleva S.B.
|
| Vol 29, No 3 (2024) |
Ivan Turgenev’s tale “Torrents of Spring” as a prose tragedy: Inner compulsion for mimetic competition as Sanin’s hamartia |
(Rus)
|
|
Lipke S.
|
| Vol 29, No 3 (2024) |
Dialogue of like-minded people: Letters from F.I. Tyutchev to E.F. Tyutcheva |
(Rus)
|
|
Kirichuk E.V.
|
| Vol 29, No 3 (2024) |
Deconstruction/reconstruction of Soviet myth in T. Kibirov’s poem “Love, Komsomol, and Spring” |
(Rus)
(Eng)
|
|
Kihney L.G.
|
| Vol 29, No 3 (2024) |
The emigrant prose of S.D. Dovlatov in the context of American ‘new journalism’ of the 1980s |
(Rus)
(Eng)
|
|
Poselenova E.Y., Monsh V.S.
|
| Vol 29, No 3 (2024) |
Soviet as personal: About Mikhail Elizarov’s song “Mr. Main Wind” |
(Rus)
(Eng)
|
|
Temirshina O.R.
|
| Vol 29, No 3 (2024) |
The concept of life in the late work of F.A. Iskander |
(Rus)
|
|
Kirova M.M.
|
| Vol 29, No 3 (2024) |
Artistic synthesis in the novels of A.A. Kim (genre, style, method) |
(Rus)
|
|
Assan A.K., Mineralova I.G., Nurgali K.R., Asanov K.D.
|
| Vol 29, No 3 (2024) |
Evolution of the butterfly image in Portuguese lyrics: Camões and Portuguese poets of the 18th-19th centuries |
(Rus)
|
|
Makhortova V.A., Kutyeva M.V.
|
| Vol 29, No 3 (2024) |
The role of poetry in Nguyen Xuan Khanh’s novel “Ho Quy Ly” |
(Rus)
|
|
Muralova E.O., Filimonova T.N.
|
| Vol 29, No 3 (2024) |
А. Chekhov in the works of Zhang Jie |
(Rus)
|
|
Meskin V.A., Zhang H.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Game principles of the art space's organization in D.W. Jones's novel Hexwood |
(Rus)
(Eng)
|
|
Naumchik O.S.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Magic as a tool to build rapport with new environment: Herr Röslein trilogy by Silke Lambeck |
(Rus)
(Eng)
|
|
Krasovickaya Y.V.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Meaningful miracles: Unraveling eucatastrophe in the select fantasy fiction of J.K. Rowling |
(Eng)
|
|
Metla S., Sudha Devi Y.V.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Rhythmic prose in The Lord of the Rings by J.R.R. Tolkien |
(Rus)
(Eng)
|
|
Afanasev V.A.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Post-humanist food pedagogy in Margaret Atwood’s speculative fiction: The MaddAddam Trilogy |
(Eng)
|
|
Anupama T.P., Anderleen D.L.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
The theme of the North in modern Russian folk-horror |
(Rus)
(Eng)
|
|
Safron E.A.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Stylization of history in the works of N.V. Kukolnik |
(Rus)
|
|
Kubasov A.V.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Mockery as a special type of laugher in the prose of Leonid Andreev |
(Rus)
|
|
Mytareva A.V.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz |
(Rus)
(Eng)
|
|
Dubakov L.V.
|
| Vol 29, No 4 (2024): MAGICAL AND HORRIBLE IN LITERATURE |
Artistic time in D. Keyes’ novel Flowers for Algernon |
(Eng)
|
|
Samoylova A.V., Spachil O.V.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Peasants and the “peasantly” in the focus of L. Tolstoy, A. Chekhov, P. Romanov, V. Shukshin: the problem of communication |
(Rus)
|
|
Besolova F.K.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
The controversy between M. Slonim and Z. Gippius on two branches of the development of Russian literature |
(Rus)
|
|
Sviridov V.Y.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
The history of I.A. Bunin’s short story “New Year” (1901) - from early publications to the Complete Works (1915): biographical aspect |
(Rus)
|
|
Arov Y.I.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
“The Abode” by Zakhar Prilepin: understanding the experience of Christian sacrifice in the novel |
(Rus)
|
|
Shchepalina E.A.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Reflection of the works of F.M. Dostoevsky in W. Faulkner’s novel “Absalom, Absalom!” |
(Rus)
|
|
Romanov Y.A.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
“Forking Paths” as a principle for constructing the hero’s path: variations in P. Auster’s “City of Glass” |
(Rus)
|
|
Shulyatyeva D.V.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Material detail: the communicative functions of clothing items in depicting characters by Guy de Maupassant |
(Rus)
|
|
Galay K.N., Ananyeva S.V.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Henry Miller’s “Black Spring”: a journey of sexuality from childhood to adulthood |
(Eng)
|
|
Kamat M.M.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Terry McMillan’s “It’s Not All Downhill from Here”: black women discharging interpersonal conflicts |
(Eng)
|
|
Pawar P.N.
|
| Vol 29, No 1 (2024) |
А.P. Chekhov and D.S. Merezhkovsky: controversy about the mission of the Russian intelligentsia |
(Rus)
|
|
Kirillina O.M.
|
| Vol 29, No 1 (2024) |
Author's world modeling in the genre of “Yuletide story” by Fyodor Sologub |
(Rus)
|
|
Shestakova E.Y.
|
| Vol 29, No 1 (2024) |
The image of the heart in poetic and patristic synthesis |
(Rus)
|
|
Bychkov D.M., Gushchina K.N.
|
| Vol 29, No 1 (2024) |
Semiotics of the “Samarkand text” |
(Rus)
|
|
Shafranskaya E.F., Garipova G.T., Matenova Y.U.
|
| Vol 29, No 1 (2024) |
Intertextuality in A. Salnikov’s novel “Occulttreger” |
(Rus)
|
|
Kulikova D.L.
|
| Vol 29, No 1 (2024) |
Literature and interethnic relations at the turn of the 20th-21st centuries in collections of essays by E. Goryukhina |
(Rus)
|
|
Muslimova M.S., Yakhiyaeva S.K.
|
| Vol 29, No 1 (2024) |
Neo-gothic motifs in the novel by I. Welsh “The Blade Artist” |
(Rus)
|
|
Naumenko T.A., Nazarova L.A.
|
| Vol 29, No 1 (2024) |
The peculiarities of chronotope in Kazuo Ishiguro’s stories “Crooner” and “Come Rain or Come Shine” |
(Rus)
|
|
Mikheikina A.A.
|
| Vol 29, No 1 (2024) |
From silence to speech: women’s breathing space in “The Laugh of the Medusa” |
(Eng)
|
|
Ojha S., Ojha J.K.
|
| Vol 29, No 1 (2024) |
Between fact and fiction: a detailed study of the ‘literary’ in investigative journalism with reference to Dan Morse’s “The Yoga Store Murder” |
(Eng)
|
|
Kavya T.K., Monika Nair B.B.
|
| Vol 28, No 2 (2023) |
Parable in Nikolai Gogol’s works: specifics of the author's presentation |
(Rus)
(Eng)
|
|
Demidov N.M., Kling O.A.
|
| Vol 28, No 2 (2023) |
The source of tragedy: love problems and the concept of eros in the story of L.D. Zinovieva-Annibal's “Thirty-Three Freaks” |
(Rus)
(Eng)
|
|
Wang L., Mikhailova M.V.
|
| Vol 28, No 2 (2023) |
Komponenty neoromanticheskoy syuzhetnoy skhemy v proizvedeniyakh A. Grina i L. Perutsa |
(Rus)
(Eng)
|
|
Klimenko I.V.
|
| Vol 28, No 2 (2023) |
The History of the Russian State by Boris Akunin is Grigori Chkhartishvili’s game of conspiracy? |
(Rus)
(Eng)
|
|
Elfimova M.G.
|
| Vol 28, No 2 (2023) |
Translation and criticism of the works of Leo Tolstoy in Shanghai at the beginning of the 20th century |
(Rus)
|
|
Yang M.
|
| Vol 28, No 2 (2023) |
The study on Grossman’s Life and Fate in China: history and present advance |
(Rus)
(Eng)
|
|
Wang Q.
|
| Vol 28, No 2 (2023) |
The evolution of Arabic historical literature and its current trends: canons and invariants |
(Rus)
(Eng)
|
|
Zarytovskaya V.N., Al-Rahbi A.M.
|
| Vol 28, No 2 (2023) |
Challenging Eurocentric narratives: a postcolonial feminist analysis of the lives and experiences of Third World women |
(Eng)
|
|
Rather N.A.
|
| Vol 28, No 2 (2023) |
Socially-engaged narrative in contemporary Hindi poetry |
(Rus)
(Eng)
|
|
Strelkova G.V., Lesik K.A.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
A.P. Chekhov and the eternal questions of being |
(Mlt)
|
|
Spachil O.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
The imaginary doctor and his speech mask in the works of A.P. Chekhov and in Russian humorous literature at the end of the 19th century |
(Rus)
(Eng)
|
|
Kubasov A.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Anna Karenina’s hypertexts in Chekhov’s works |
(Rus)
(Eng)
|
|
Kibalnik S.A.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Anton Chekhov’s “The Philistines” in terms of literature studies |
(Rus)
|
|
Akhmetshin R.B.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Features of the parable in the structure of A.P. Chekhov’s “A Story Without a Title” |
(Rus)
(Eng)
|
|
Bagrov Y.D.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Anton P. Chekhov and Mikhail A. Bulgakov: Chekhov’s trace in “The Master and Margarita” |
(Rus)
(Eng)
|
|
Sokolov B.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Medicine as a profession in the writer’s self-determination: the example of A.P. Chekhov (1860-1904) and J. Rizal (1891-1896) |
(Rus)
(Eng)
|
|
Lipke S.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
The epistemological aspect of conceptual sphere in the artistic world of A.P. Chekhov |
(Rus)
(Eng)
|
|
Tuimebayev Z., Joldasbekova B., Tattimbetova K., Shanayev R., Lomova E.A.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Exploring the intersection of Anton Chekhov and Haruki Murakami: a slow reading analysis of “Drive My Car” |
(Eng)
|
|
Spachil O.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
100th anniversary of Anton Chekhov’s death in Barcelona |
(Esp)
(Eng)
|
|
Amiraghyan H.
|
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