| Issue |
Title |
File |
| Vol 28, No 2 (2023) |
Parable in Nikolai Gogol’s works: specifics of the author's presentation |
(Rus)
(Eng)
|
|
Demidov N.M., Kling O.A.
|
| Vol 28, No 2 (2023) |
The source of tragedy: love problems and the concept of eros in the story of L.D. Zinovieva-Annibal's “Thirty-Three Freaks” |
(Rus)
|
|
Wang L., Mikhailova M.V.
|
| Vol 28, No 2 (2023) |
Komponenty neoromanticheskoy syuzhetnoy skhemy v proizvedeniyakh A. Grina i L. Perutsa |
(Rus)
(Eng)
|
|
Klimenko I.V.
|
| Vol 28, No 2 (2023) |
The History of the Russian State by Boris Akunin is Grigori Chkhartishvili’s game of conspiracy? |
(Rus)
|
|
Elfimova M.G.
|
| Vol 28, No 2 (2023) |
Translation and criticism of the works of Leo Tolstoy in Shanghai at the beginning of the 20th century |
(Rus)
|
|
Yang M.
|
| Vol 28, No 2 (2023) |
The study on Grossman’s Life and Fate in China: history and present advance |
(Rus)
|
|
Wang Q.
|
| Vol 28, No 2 (2023) |
The evolution of Arabic historical literature and its current trends: canons and invariants |
(Rus)
(Eng)
|
|
Zarytovskaya V.N., Al-Rahbi A.M.
|
| Vol 28, No 2 (2023) |
Challenging Eurocentric narratives: a postcolonial feminist analysis of the lives and experiences of Third World women |
(Eng)
|
|
Rather N.A.
|
| Vol 28, No 2 (2023) |
Socially-engaged narrative in contemporary Hindi poetry |
(Rus)
(Eng)
|
|
Strelkova G.V., Lesik K.A.
|
| Vol 28, No 1 (2023) |
Path to Viy: features of the artistic conflict |
(Rus)
|
|
Khomyakova O.R.
|
| Vol 28, No 1 (2023) |
Fyodor Dostoevsky vs. Nikolai Kostomarov: genesis of Smerdyakov's сharacter in The Brothers Karamazov |
(Rus)
(Eng)
|
|
Sokolov B.V.
|
| Vol 28, No 1 (2023) |
Phebi claro...: the multilayered ambivalence of the “bilingual alba” |
(Rus)
|
|
Semyonov V.B.
|
| Vol 28, No 1 (2023) |
Between Taoism and Confucianism: tendencies in lyric poetry of the Western Jin period |
(Rus)
|
|
Malakhevich D.E.
|
| Vol 28, No 1 (2023) |
Food culture in Oonya Kempadoo’s All Decent Animals and Buxton Spice |
(Eng)
|
|
Banerjee I., Dubey R.
|
| Vol 28, No 1 (2023) |
Malay folk genre pantun: traditions and modernity |
(Eng)
|
|
Bartosh D.K., Kotova E.O., Kytina V.V., Kharlamova M.V.
|
| Vol 28, No 1 (2023) |
The way of discursive cognition of the ancient Chinese treatise Tao Te Ching in Russia |
(Rus)
|
|
Wang S., Zolotykh L.G.
|
| Vol 28, No 1 (2023) |
When verbal and visual arts share the same plot: artistic worlds of Bakhyt Kenzheyev's poem Hunters in the Snow and the painting by Peter Brueghel the Elder |
(Rus)
(Eng)
|
|
Sinegubova K.V., Aksionova A.A.
|
| Vol 27, No 4 (2022) |
Gynocentrism in Langston Hughes selected poetic works |
(Eng)
|
|
Prathap Chandran R., Kumaresan P.
|
| Vol 27, No 4 (2022) |
Can Xue: the poetics of anti-aesthetics |
(Rus)
|
|
Tian F.
|
| Vol 27, No 4 (2022) |
Paradoxes of chronology in the novel “Doctor Zhivago” by B.L. Pasternak |
(Rus)
|
|
Zou W., Kolomytseva O.N.
|
| Vol 27, No 4 (2022) |
The fruit of the Paradise tree: the problem of cognition in the works of Yu.P. Kuznetsov |
(Rus)
|
|
Ilinykh A.V.
|
| Vol 27, No 4 (2022) |
A man as a Buddhist imaginary in L. Yuzefovich's novel “Cranes and Dwarfs” |
(Rus)
|
|
Dubakov L.V.
|
| Vol 27, No 4 (2022) |
Destruction of tolerance in Olzhas Zhanaydarov's play “Aldar” |
(Rus)
|
|
Nechaeva A.L.
|
| Vol 27, No 4 (2022) |
The picture of the world in the novel by Yu. Polyakov “Sovchildhood” |
(Rus)
|
|
He J.
|
| Vol 27, No 4 (2022) |
Feminine discourse in the works of Evgeniya Nekrasova |
(Rus)
|
|
Korochkina D.N., Kovalenko A.G.
|
| Vol 27, No 4 (2022) |
Jack London and George P. Brett (Macmillan): economics and ethics of “one of the greatest publisher-writer duos” |
(Rus)
(Eng)
|
|
Kesharpu E.V.
|
| Vol 27, No 3 (2022) |
Mimetic desire, competition between father and son and traumatic experience in Ivan Turgenev’s novella “First Love” |
(Rus)
|
|
Lipke S.
|
| Vol 27, No 3 (2022) |
Sleep paralysis: at intersection of biology and folklore |
(Rus)
|
|
Povetkina P.B.
|
| Vol 27, No 3 (2022) |
The Soviet Union in two Arab novels |
(Eng)
|
|
Suvorov M.N.
|
| Vol 27, No 3 (2022) |
Diasporic consciousness in contemporary Indian women’s fiction in English: at a glance |
(Eng)
|
|
Kadam D.M.
|
| Vol 27, No 3 (2022) |
Cosmogonoeschatological and Easter archetypes in the work of Daniil Kharms in the 1930s |
(Rus)
|
|
Korneev A.V.
|
| Vol 27, No 3 (2022) |
Russophone literature |
(Rus)
|
|
Nefedova N.I.
|
| Vol 27, No 3 (2022) |
The genre features of the novels by Marina Paley |
(Rus)
|
|
Ledneva D.M.
|
| Vol 27, No 3 (2022) |
Cubo-futuristic poetics in the poem “Night” by V. Mayakovsky in the interpretation of Chinese translators |
(Rus)
|
|
Liu C., Kuzmishcheva N.M.
|
| Vol 27, No 3 (2022) |
Russian formalists and Russian literature |
(Rus)
|
|
Berezhnaya Y.P.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Fedor Sologub in English-Language Anthologies: 1915-1950 |
(Rus)
|
|
Merrill J.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
John Cournos - Fedor Sologub’s Translator into English and the Role Played by Zinaida Vengerova |
(Rus)
|
|
Smith M.S., Yushkova E.V.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
British and American Reception of The Red Laugh by Leonid Andreev |
(Rus)
|
|
Markova E.A.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
French Translations and Lifetime Publications of Nikolai Goumilev: А Dialogue with the French reader. Part One |
(Rus)
|
|
Yakubovskaya K.A.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
“After All, They Don’t Know Anything About Us...”: Russian Literature in French Periodicals of the Early 20th Century. Reviews by Valery Bryusov, Zinaida Gippius, Yakov Povolotsky |
(Rus)
|
|
Savina A.D.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Bakhtin as a Bearer of the Russian Tradition: On the Current Status of the Reception of Bakhtin’s Thought in China |
(Rus)
|
|
Ma M.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Russian Modernist Poetry in English-Language Anthologies of the Twentieth Century |
(Rus)
|
|
Kuznetsova E.V.
|
| Vol 27, No 1 (2022) |
Dostoevsky’s Novel The Idiot in the 19th Century Dramatizations: The History of Censorship and Theatre Productions |
(Rus)
|
|
Babushkina P.V.
|
| Vol 27, No 1 (2022) |
Reception of F.M. Dostoevsky’s Works in Tatar Literature and Literary Criticism |
(Rus)
|
|
Galimullina A.F., Sharyafetdinov R.K.
|
| Vol 27, No 1 (2022) |
Interpretation of the poem by A.A. Akhmatova Muse |
(Rus)
|
|
Aksenova A.A.
|
| Vol 27, No 1 (2022) |
“Technogeneous” Imagery of Alexander Eryomenko’s Poetry in the Context of Evolution of his Romantic World Outlook |
(Rus)
|
|
Ankudinov K.N.
|
| Vol 27, No 1 (2022) |
Play by A. Arbuzov Old-fashioned comedy in China: Theater and Critical Reception |
(Rus)
|
|
Wu X., Monisova I.V.
|
| Vol 27, No 1 (2022) |
Historical and Cultural Processes and Periodization of Arabic Literature |
(Rus)
(Eng)
|
|
Zarytovskaya V.N.
|
| Vol 27, No 1 (2022) |
Feminine Imagery in Chinese Lyrics of the Six Dynasties |
(Rus)
|
|
Malakhevich D.E.
|
| Vol 27, No 1 (2022) |
Transformation of Artistic Images of the Past in Modern Chinese Children’s Literature |
(Rus)
|
|
Petrova S.A., Xu H.
|
| Vol 27, No 1 (2022) |
Travelling with Quichotte: Reading Rushdie’s Quixotic Reinvention of Cervantes’ Don |
(Eng)
|
|
Chakraborty A.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
“Faces” and “Disguises” of V. Rozanov’s SolitaryThoughts and Fallen Leaves |
(Rus)
|
|
Defye O.V.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
The Motive of Peace in the Works of B. Pasternak and M. Bulgakov |
(Rus)
|
|
Fei L., Rudenko M.S.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
A Parodic Tale in “Sovy” (Soviet Texts) by D. Prigov |
(Rus)
|
|
Romanovskaya O.E.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
How to Translate Dostoevsky from French into French? “L’homme de la nature et de la vérité” and “animaux domestiques” in Notes from Underground |
(Rus)
|
|
Galtsova E.D.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
“Possible Worlds” and the Meanings of F. Dostoevsky's Providence in the Messianic Receptions of the ХХth Century |
(Rus)
|
|
Garipova G.T.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Notes from Underground by F.M. Dostoevsky in XXth Century English Criticism |
(Rus)
|
|
Markova E.A.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Russian Historiosophy of the ХXth Century in the Context of the Tradition of the Moral and Psychological Novel by F. Dostoevsky |
(Rus)
|
|
Petrukhina N.M.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Socialism and/or Christianity: F.M. Dostoevsky’s Influence on S. Lagerlöf's Novel Antichrist’s Miracles |
(Rus)
|
|
Andreichuk K.R.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Polyphony of the Silent: The Specifics of Dostoevsky’s Philosophical Discourse |
(Rus)
|
|
Krinitsyn A.B.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Conflict as a Category of Literary Studies: Analytical Research Strategies |
(Rus)
|
|
Khomyakova O.R.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Reasons for the “Non-meeting” of F.M. Dostoevsky and Leo Tolstoy |
(Rus)
|
|
Basinsky P.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
A.N. Veselovsky’s Theory of Motive and Plot in the Reflection of a Folk Tale |
(Rus)
|
|
Govenko T.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Married Dostoevsky? The History of Relations between V.V. Rozanov and A.P. Suslova |
(Rus)
|
|
Varlamov A.N.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Positivism in the Mirror of Carnival: The Rabelaisian Chronotope in the Works of E. Zola |
(Rus)
|
|
Albrekht O.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Dostoevsky in Kazakhstan: History of Study, Results, Prospects |
(Rus)
(Eng)
|
|
Matyzhanov K.S., Ananyeva S.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Chinese Text in a Poem by N. Gumilyov |
(Rus)
|
|
Kovalenko A.G., Porol P.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Ontological Motives of Home-Antihome in the Novel Demons by F.M. Dostoevsky |
(Eng)
|
|
Kulieva S.A.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Intertextual Connections between the Novels The Goat in MILK by Yu. Polyakov and The Joke of the Patron by A. Averchenko |
(Rus)
|
|
He J.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Two Councils by A.N. Maykov in F.M. Dostoevsky’s Novel The Brothers Karamazov |
(Eng)
|
|
Sokolov B.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Problem of Positive and Destructive Freedom: The Interpretation of the Arkady Svidrigailov Image |
(Rus)
|
|
Gorbachevsky C.A.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Oblomov and Myshkin: Some Aspects of the Issue |
(Rus)
|
|
Belyaeva I.A.
|
| Vol 26, No 2 (2021) |
The Depths of My Africa: Travelogues on the Land of Ancestors by Claude McKay and Langston Hughes |
(Rus)
|
|
Kuzina D.D.
|
| Vol 26, No 2 (2021) |
Anton Chekhov’s Sakhalin Island: An Ongoing Commentary |
(Eng)
|
|
Spachil O.V.
|
| Vol 26, No 2 (2021) |
Chinese Gretchen in Russian Literature: on the Genesis and Attribution of M. Shkapskaya’s Poetry Book Tsa-Tsa-Tsa |
(Rus)
|
|
Litvinova O.N.
|
| Vol 26, No 2 (2021) |
Paradoxes of Historical Memory in A. Tvardovsky’s Post-War Poems |
(Rus)
|
|
Nichiporov I.B.
|
| Vol 26, No 2 (2021) |
The Role of Rhythm and Metre in the Style and Genre Formation in B. Rachmanin’s Prose |
(Rus)
|
|
Tsurueva P.S., Mineralova I.G.
|
| Vol 26, No 2 (2021) |
Creativity and Myth Making in Moscow Texts by A.S. Dolmatov |
(Rus)
|
|
Zhukova A.A.
|
| Vol 26, No 2 (2021) |
Northern Cheyenne Exodus and Negroes Lynching: Historical Novels of Howard Fast in the USSR |
(Rus)
|
|
Scherbinina O.I.
|
| Vol 26, No 1 (2021) |
Buffoonery in the Speech of the Character and the Issue of Historical Form in the Novel The Winter of Our Discontent by J. Steinbeck |
(Rus)
|
|
Sinegubova K.V., Aksenova A.A.
|
| Vol 26, No 1 (2021) |
The Construction of Insider - Outsider in Anglophone Writings from Northeast India |
(Eng)
|
|
Biswas D., Das R.
|
| Vol 26, No 1 (2021) |
The Calcutta Chromosome: An Acknowledgement of Indigenous Caliber and Extrapolation upon the History of Malaria Parasite Discovery |
(Eng)
|
|
Pathak M.K.
|
| Vol 26, No 1 (2021) |
Reunion with Self in Terry McMillan’s I Almost Forgot About You |
(Eng)
|
|
Pawar P.N.
|
| Vol 26, No 1 (2021) |
Poems in Prose by I.S. Turgenev: the Cycle’s Title as a Historical Literary Issue |
(Rus)
|
|
Burmistrova Y.D.
|
| Vol 26, No 1 (2021) |
A Prototype of Vadim Roshchin in the “White” Version of Alexey N. Tolstoy's Trilogy The Road to Calvary |
(Rus)
|
|
Sokolov B.V.
|
| Vol 26, No 1 (2021) |
The Story of a Drawing from Chukokkala Miscellany |
(Rus)
|
|
Anpilova L.N.
|
| Vol 26, No 1 (2021) |
The Ontology of Death in M. Shishkin’s Novel The Letter Book |
(Rus)
|
|
Krotova D.V.
|
| Vol 26, No 1 (2021) |
The Autobiography in Paul Claudel’s MaConversion |
(Rus)
|
|
Bannikov K.V.
|
| Vol 25, No 3 (2020) |
The artistic time of the Moscow text by Yuri Polyakov |
(Rus)
|
|
Ibadova N.E.
|
| Vol 25, No 4 (2020) |
Cultural connotations of the image of perception of emigrants in Chinese ethnic consciousness of the 20-40s of the 20th century based on the material of Chinese literature and publicism |
(Rus)
|
|
Liu S.
|
| Vol 25, No 1 (2020) |
Why has sci-fi literature lost its popularity in Azerbaijan after 1990? |
(Eng)
|
|
Alasgarova G.
|
| Vol 25, No 3 (2020) |
Karachay-Balkar poetry of the modern time: the problem of national artistic traditions |
(Rus)
|
|
Kerimova R.A.
|
| Vol 25, No 4 (2020) |
The concept of “neo” and the novels of G. Rodenbach: between romanticism and symbolism |
(Rus)
|
|
Litvinenko N.A.
|
| Vol 25, No 2 (2020) |
An imaginary journey to an utopian anti-world (on the example of “The Tale of Luxurious Life and Fun”) |
(Rus)
|
|
Andreeva E.A.
|
| Vol 25, No 3 (2020) |
Sherlock Holmes and Erast Fandorin: the peculiarities of Akunin’s dialogue with Conan Doyle |
(Eng)
|
|
Afanasyeva O.V., Gereikhanova K.F.
|
| Vol 25, No 4 (2020) |
Female images on historical background: victory of Omani writer Jokha al-Harti in The Man Booker International Prize - 2019 |
(Rus)
|
|
Zarytovskaya V.N., Al-Rahbi A.M.
|
| Vol 25, No 2 (2020) |
“Singing mountains” in the late Khlebnikov’s poetic manner: geognostic code in the autocommunicative model |
(Rus)
|
|
Ganin M.V.
|
| Vol 25, No 3 (2020) |
Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory |
(Eng)
|
|
Aksenova A.A.
|
| Vol 25, No 4 (2020) |
Kafkaesque motifs in Kunwar Narain’s novels |
(Rus)
|
|
Lesik K.A.
|
| Vol 25, No 2 (2020) |
At the origins of epic work (to the history of the first chapter of V.P. Astafiev’s novel “Damned and Killed”) |
(Rus)
|
|
Imennykh A.I.
|
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