| Issue |
Title |
File |
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Terry McMillan’s “It’s Not All Downhill from Here”: black women discharging interpersonal conflicts |
(Eng)
|
|
Pawar P.N.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Peasants and the “peasantly” in the focus of L. Tolstoy, A. Chekhov, P. Romanov, V. Shukshin: the problem of communication |
(Rus)
|
|
Besolova F.K.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
The controversy between M. Slonim and Z. Gippius on two branches of the development of Russian literature |
(Rus)
|
|
Sviridov V.Y.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
The history of I.A. Bunin’s short story “New Year” (1901) - from early publications to the Complete Works (1915): biographical aspect |
(Rus)
|
|
Arov Y.I.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
“The Abode” by Zakhar Prilepin: understanding the experience of Christian sacrifice in the novel |
(Rus)
|
|
Shchepalina E.A.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Reflection of the works of F.M. Dostoevsky in W. Faulkner’s novel “Absalom, Absalom!” |
(Rus)
|
|
Romanov Y.A.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
“Forking Paths” as a principle for constructing the hero’s path: variations in P. Auster’s “City of Glass” |
(Rus)
|
|
Shulyatyeva D.V.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Material detail: the communicative functions of clothing items in depicting characters by Guy de Maupassant |
(Rus)
|
|
Galay K.N., Ananyeva S.V.
|
| Vol 29, No 2 (2024): African media in the new reality: re-positioning of media studies |
Henry Miller’s “Black Spring”: a journey of sexuality from childhood to adulthood |
(Eng)
|
|
Kamat M.M.
|
| Vol 29, No 1 (2024) |
The peculiarities of chronotope in Kazuo Ishiguro’s stories “Crooner” and “Come Rain or Come Shine” |
(Rus)
|
|
Mikheikina A.A.
|
| Vol 29, No 1 (2024) |
From silence to speech: women’s breathing space in “The Laugh of the Medusa” |
(Eng)
|
|
Ojha S., Ojha J.K.
|
| Vol 29, No 1 (2024) |
Between fact and fiction: a detailed study of the ‘literary’ in investigative journalism with reference to Dan Morse’s “The Yoga Store Murder” |
(Eng)
|
|
Kavya T.K., Monika Nair B.B.
|
| Vol 29, No 1 (2024) |
А.P. Chekhov and D.S. Merezhkovsky: controversy about the mission of the Russian intelligentsia |
(Rus)
|
|
Kirillina O.M.
|
| Vol 29, No 1 (2024) |
Author's world modeling in the genre of “Yuletide story” by Fyodor Sologub |
(Rus)
|
|
Shestakova E.Y.
|
| Vol 29, No 1 (2024) |
The image of the heart in poetic and patristic synthesis |
(Rus)
|
|
Bychkov D.M., Gushchina K.N.
|
| Vol 29, No 1 (2024) |
Semiotics of the “Samarkand text” |
(Rus)
|
|
Shafranskaya E.F., Garipova G.T., Matenova Y.U.
|
| Vol 29, No 1 (2024) |
Intertextuality in A. Salnikov’s novel “Occulttreger” |
(Rus)
|
|
Kulikova D.L.
|
| Vol 29, No 1 (2024) |
Literature and interethnic relations at the turn of the 20th-21st centuries in collections of essays by E. Goryukhina |
(Rus)
|
|
Muslimova M.S., Yakhiyaeva S.K.
|
| Vol 29, No 1 (2024) |
Neo-gothic motifs in the novel by I. Welsh “The Blade Artist” |
(Rus)
|
|
Naumenko T.A., Nazarova L.A.
|
| Vol 28, No 4 (2023): Media and Crisis – Reversible Paradigms |
Reception of Herzen’s “From the Other Shore” in China: problems and prospects |
(Rus)
|
|
Ji P.
|
| Vol 28, No 2 (2023) |
The History of the Russian State by Boris Akunin is Grigori Chkhartishvili’s game of conspiracy? |
(Rus)
(Eng)
|
|
Elfimova M.G.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Anton P. Chekhov and Mikhail A. Bulgakov: Chekhov’s trace in “The Master and Margarita” |
(Rus)
(Eng)
|
|
Sokolov B.V.
|
| Vol 28, No 4 (2023): Media and Crisis – Reversible Paradigms |
Meng Jinghui’s adaptations of Vladimir Mayakovsky’s plays |
(Rus)
|
|
Liu J., Monisova I.V.
|
| Vol 28, No 2 (2023) |
Translation and criticism of the works of Leo Tolstoy in Shanghai at the beginning of the 20th century |
(Rus)
|
|
Yang M.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Medicine as a profession in the writer’s self-determination: the example of A.P. Chekhov (1860-1904) and J. Rizal (1891-1896) |
(Rus)
(Eng)
|
|
Lipke S.
|
| Vol 28, No 4 (2023): Media and Crisis – Reversible Paradigms |
V. Khlebnikov’s “Bobaobi sang lips...” in Chinese reception |
(Rus)
|
|
Liu C., Kuzmishcheva N.M.
|
| Vol 28, No 2 (2023) |
The study on Grossman’s Life and Fate in China: history and present advance |
(Rus)
(Eng)
|
|
Wang Q.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
The epistemological aspect of conceptual sphere in the artistic world of A.P. Chekhov |
(Rus)
(Eng)
|
|
Tuimebayev Z., Joldasbekova B., Tattimbetova K., Shanayev R., Lomova E.A.
|
| Vol 28, No 4 (2023): Media and Crisis – Reversible Paradigms |
Historical figures in “Fate/Grand Order”: adapting Anastasia Romanova |
(Eng)
|
|
Yosugandi E.M., Kaprisma H.
|
| Vol 28, No 2 (2023) |
The evolution of Arabic historical literature and its current trends: canons and invariants |
(Rus)
(Eng)
|
|
Zarytovskaya V.N., Al-Rahbi A.M.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Exploring the intersection of Anton Chekhov and Haruki Murakami: a slow reading analysis of “Drive My Car” |
(Eng)
|
|
Spachil O.V.
|
| Vol 28, No 2 (2023) |
Challenging Eurocentric narratives: a postcolonial feminist analysis of the lives and experiences of Third World women |
(Eng)
|
|
Rather N.A.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
100th anniversary of Anton Chekhov’s death in Barcelona |
(Esp)
(Eng)
|
|
Amiraghyan H.
|
| Vol 28, No 2 (2023) |
Socially-engaged narrative in contemporary Hindi poetry |
(Rus)
(Eng)
|
|
Strelkova G.V., Lesik K.A.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
A.P. Chekhov: Selected stories (1905): the first collection of Anton Chekhov's novellas and stories in Croatian |
(Rus)
|
|
Nikoletić S.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
A.P. Chekhov and the eternal questions of being |
(Mlt)
|
|
Spachil O.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Restoration of time: Henry Bergson and Vladimir Nabokov |
(Rus)
(Eng)
|
|
Berezhnov D.A., Ledevev A.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
The imaginary doctor and his speech mask in the works of A.P. Chekhov and in Russian humorous literature at the end of the 19th century |
(Rus)
(Eng)
|
|
Kubasov A.V.
|
| Vol 28, No 4 (2023): Media and Crisis – Reversible Paradigms |
The role of verbal painting in Leonid Leonov’s novel “Russian Forest” |
(Rus)
|
|
Shi L., Mineralova I.G.
|
| Vol 28, No 2 (2023) |
Parable in Nikolai Gogol’s works: specifics of the author's presentation |
(Rus)
(Eng)
|
|
Demidov N.M., Kling O.A.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Anna Karenina’s hypertexts in Chekhov’s works |
(Rus)
(Eng)
|
|
Kibalnik S.A.
|
| Vol 28, No 4 (2023): Media and Crisis – Reversible Paradigms |
The ballad genre and its transformation in A. Galich’s song “Queen of the Mainland” |
(Rus)
|
|
Markov A.V., Golubkov M.M.
|
| Vol 28, No 2 (2023) |
The source of tragedy: love problems and the concept of eros in the story of L.D. Zinovieva-Annibal's “Thirty-Three Freaks” |
(Rus)
(Eng)
|
|
Wang L., Mikhailova M.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Anton Chekhov’s “The Philistines” in terms of literature studies |
(Rus)
|
|
Akhmetshin R.B.
|
| Vol 28, No 4 (2023): Media and Crisis – Reversible Paradigms |
The functions of Buddhist practices in the works of L. Yuzefovich |
(Rus)
|
|
Dubakov L.V.
|
| Vol 28, No 2 (2023) |
Komponenty neoromanticheskoy syuzhetnoy skhemy v proizvedeniyakh A. Grina i L. Perutsa |
(Rus)
(Eng)
|
|
Klimenko I.V.
|
| Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time |
Features of the parable in the structure of A.P. Chekhov’s “A Story Without a Title” |
(Rus)
(Eng)
|
|
Bagrov Y.D.
|
| Vol 28, No 1 (2023) |
Path to Viy: features of the artistic conflict |
(Rus)
|
|
Khomyakova O.R.
|
| Vol 28, No 1 (2023) |
Fyodor Dostoevsky vs. Nikolai Kostomarov: genesis of Smerdyakov's сharacter in The Brothers Karamazov |
(Rus)
(Eng)
|
|
Sokolov B.V.
|
| Vol 28, No 1 (2023) |
Phebi claro...: the multilayered ambivalence of the “bilingual alba” |
(Rus)
|
|
Semyonov V.B.
|
| Vol 28, No 1 (2023) |
Between Taoism and Confucianism: tendencies in lyric poetry of the Western Jin period |
(Rus)
|
|
Malakhevich D.E.
|
| Vol 28, No 1 (2023) |
Food culture in Oonya Kempadoo’s All Decent Animals and Buxton Spice |
(Eng)
|
|
Banerjee I., Dubey R.
|
| Vol 28, No 1 (2023) |
Malay folk genre pantun: traditions and modernity |
(Eng)
|
|
Bartosh D.K., Kotova E.O., Kytina V.V., Kharlamova M.V.
|
| Vol 28, No 1 (2023) |
The way of discursive cognition of the ancient Chinese treatise Tao Te Ching in Russia |
(Rus)
|
|
Wang S., Zolotykh L.G.
|
| Vol 28, No 1 (2023) |
When verbal and visual arts share the same plot: artistic worlds of Bakhyt Kenzheyev's poem Hunters in the Snow and the painting by Peter Brueghel the Elder |
(Rus)
(Eng)
|
|
Sinegubova K.V., Aksionova A.A.
|
| Vol 27, No 4 (2022) |
Paradoxes of chronology in the novel “Doctor Zhivago” by B.L. Pasternak |
(Rus)
|
|
Zou W., Kolomytseva O.N.
|
| Vol 27, No 4 (2022) |
The fruit of the Paradise tree: the problem of cognition in the works of Yu.P. Kuznetsov |
(Rus)
|
|
Ilinykh A.V.
|
| Vol 27, No 4 (2022) |
A man as a Buddhist imaginary in L. Yuzefovich's novel “Cranes and Dwarfs” |
(Rus)
|
|
Dubakov L.V.
|
| Vol 27, No 4 (2022) |
Destruction of tolerance in Olzhas Zhanaydarov's play “Aldar” |
(Rus)
|
|
Nechaeva A.L.
|
| Vol 27, No 4 (2022) |
The picture of the world in the novel by Yu. Polyakov “Sovchildhood” |
(Rus)
|
|
He J.
|
| Vol 27, No 4 (2022) |
Feminine discourse in the works of Evgeniya Nekrasova |
(Rus)
|
|
Korochkina D.N., Kovalenko A.G.
|
| Vol 27, No 4 (2022) |
Jack London and George P. Brett (Macmillan): economics and ethics of “one of the greatest publisher-writer duos” |
(Rus)
(Eng)
|
|
Kesharpu E.V.
|
| Vol 27, No 4 (2022) |
Gynocentrism in Langston Hughes selected poetic works |
(Eng)
|
|
Prathap Chandran R., Kumaresan P.
|
| Vol 27, No 4 (2022) |
Can Xue: the poetics of anti-aesthetics |
(Rus)
|
|
Tian F.
|
| Vol 27, No 3 (2022) |
Diasporic consciousness in contemporary Indian women’s fiction in English: at a glance |
(Eng)
|
|
Kadam D.M.
|
| Vol 27, No 3 (2022) |
Cosmogonoeschatological and Easter archetypes in the work of Daniil Kharms in the 1930s |
(Rus)
|
|
Korneev A.V.
|
| Vol 27, No 3 (2022) |
Russophone literature |
(Rus)
|
|
Nefedova N.I.
|
| Vol 27, No 3 (2022) |
The genre features of the novels by Marina Paley |
(Rus)
|
|
Ledneva D.M.
|
| Vol 27, No 3 (2022) |
Cubo-futuristic poetics in the poem “Night” by V. Mayakovsky in the interpretation of Chinese translators |
(Rus)
|
|
Liu C., Kuzmishcheva N.M.
|
| Vol 27, No 3 (2022) |
Russian formalists and Russian literature |
(Rus)
|
|
Berezhnaya Y.P.
|
| Vol 27, No 3 (2022) |
Mimetic desire, competition between father and son and traumatic experience in Ivan Turgenev’s novella “First Love” |
(Rus)
|
|
Lipke S.
|
| Vol 27, No 3 (2022) |
Sleep paralysis: at intersection of biology and folklore |
(Rus)
|
|
Povetkina P.B.
|
| Vol 27, No 3 (2022) |
The Soviet Union in two Arab novels |
(Eng)
|
|
Suvorov M.N.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
French Translations and Lifetime Publications of Nikolai Goumilev: А Dialogue with the French reader. Part One |
(Rus)
|
|
Yakubovskaya K.A.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
“After All, They Don’t Know Anything About Us...”: Russian Literature in French Periodicals of the Early 20th Century. Reviews by Valery Bryusov, Zinaida Gippius, Yakov Povolotsky |
(Rus)
|
|
Savina A.D.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Bakhtin as a Bearer of the Russian Tradition: On the Current Status of the Reception of Bakhtin’s Thought in China |
(Rus)
|
|
Ma M.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Russian Modernist Poetry in English-Language Anthologies of the Twentieth Century |
(Rus)
|
|
Kuznetsova E.V.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Fedor Sologub in English-Language Anthologies: 1915-1950 |
(Rus)
|
|
Merrill J.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
John Cournos - Fedor Sologub’s Translator into English and the Role Played by Zinaida Vengerova |
(Rus)
|
|
Smith M.S., Yushkova E.V.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
British and American Reception of The Red Laugh by Leonid Andreev |
(Rus)
|
|
Markova E.A.
|
| Vol 27, No 1 (2022) |
Interpretation of the poem by A.A. Akhmatova Muse |
(Rus)
|
|
Aksenova A.A.
|
| Vol 27, No 1 (2022) |
“Technogeneous” Imagery of Alexander Eryomenko’s Poetry in the Context of Evolution of his Romantic World Outlook |
(Rus)
|
|
Ankudinov K.N.
|
| Vol 27, No 1 (2022) |
Play by A. Arbuzov Old-fashioned comedy in China: Theater and Critical Reception |
(Rus)
|
|
Wu X., Monisova I.V.
|
| Vol 27, No 1 (2022) |
Historical and Cultural Processes and Periodization of Arabic Literature |
(Rus)
(Eng)
|
|
Zarytovskaya V.N.
|
| Vol 27, No 1 (2022) |
Feminine Imagery in Chinese Lyrics of the Six Dynasties |
(Rus)
|
|
Malakhevich D.E.
|
| Vol 27, No 1 (2022) |
Transformation of Artistic Images of the Past in Modern Chinese Children’s Literature |
(Rus)
|
|
Petrova S.A., Xu H.
|
| Vol 27, No 1 (2022) |
Travelling with Quichotte: Reading Rushdie’s Quixotic Reinvention of Cervantes’ Don |
(Eng)
|
|
Chakraborty A.
|
| Vol 27, No 1 (2022) |
Dostoevsky’s Novel The Idiot in the 19th Century Dramatizations: The History of Censorship and Theatre Productions |
(Rus)
|
|
Babushkina P.V.
|
| Vol 27, No 1 (2022) |
Reception of F.M. Dostoevsky’s Works in Tatar Literature and Literary Criticism |
(Rus)
|
|
Galimullina A.F., Sharyafetdinov R.K.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
“Faces” and “Disguises” of V. Rozanov’s SolitaryThoughts and Fallen Leaves |
(Rus)
|
|
Defye O.V.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
The Motive of Peace in the Works of B. Pasternak and M. Bulgakov |
(Rus)
|
|
Fei L., Rudenko M.S.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
A Parodic Tale in “Sovy” (Soviet Texts) by D. Prigov |
(Rus)
|
|
Romanovskaya O.E.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Polyphony of the Silent: The Specifics of Dostoevsky’s Philosophical Discourse |
(Rus)
|
|
Krinitsyn A.B.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Conflict as a Category of Literary Studies: Analytical Research Strategies |
(Rus)
|
|
Khomyakova O.R.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Reasons for the “Non-meeting” of F.M. Dostoevsky and Leo Tolstoy |
(Rus)
|
|
Basinsky P.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
A.N. Veselovsky’s Theory of Motive and Plot in the Reflection of a Folk Tale |
(Rus)
|
|
Govenko T.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Married Dostoevsky? The History of Relations between V.V. Rozanov and A.P. Suslova |
(Rus)
|
|
Varlamov A.N.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Positivism in the Mirror of Carnival: The Rabelaisian Chronotope in the Works of E. Zola |
(Rus)
|
|
Albrekht O.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Dostoevsky in Kazakhstan: History of Study, Results, Prospects |
(Rus)
(Eng)
|
|
Matyzhanov K.S., Ananyeva S.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Chinese Text in a Poem by N. Gumilyov |
(Rus)
|
|
Kovalenko A.G., Porol P.V.
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