| Issue |
Title |
File |
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Russian Modernist Poetry in English-Language Anthologies of the Twentieth Century |
(Rus)
|
|
Kuznetsova E.V.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Fedor Sologub in English-Language Anthologies: 1915-1950 |
(Rus)
|
|
Merrill J.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
John Cournos - Fedor Sologub’s Translator into English and the Role Played by Zinaida Vengerova |
(Rus)
|
|
Smith M.S., Yushkova E.V.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
British and American Reception of The Red Laugh by Leonid Andreev |
(Rus)
|
|
Markova E.A.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
French Translations and Lifetime Publications of Nikolai Goumilev: А Dialogue with the French reader. Part One |
(Rus)
|
|
Yakubovskaya K.A.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
“After All, They Don’t Know Anything About Us...”: Russian Literature in French Periodicals of the Early 20th Century. Reviews by Valery Bryusov, Zinaida Gippius, Yakov Povolotsky |
(Rus)
|
|
Savina A.D.
|
| Vol 27, No 2 (2022): THE RECEPTION OF SILVER AGE RUSSIAN LITERATURE ABROAD |
Bakhtin as a Bearer of the Russian Tradition: On the Current Status of the Reception of Bakhtin’s Thought in China |
(Rus)
|
|
Ma M.
|
| Vol 27, No 1 (2022) |
Dostoevsky’s Novel The Idiot in the 19th Century Dramatizations: The History of Censorship and Theatre Productions |
(Rus)
|
|
Babushkina P.V.
|
| Vol 27, No 1 (2022) |
Reception of F.M. Dostoevsky’s Works in Tatar Literature and Literary Criticism |
(Rus)
|
|
Galimullina A.F., Sharyafetdinov R.K.
|
| Vol 27, No 1 (2022) |
Interpretation of the poem by A.A. Akhmatova Muse |
(Rus)
|
|
Aksenova A.A.
|
| Vol 27, No 1 (2022) |
“Technogeneous” Imagery of Alexander Eryomenko’s Poetry in the Context of Evolution of his Romantic World Outlook |
(Rus)
|
|
Ankudinov K.N.
|
| Vol 27, No 1 (2022) |
Play by A. Arbuzov Old-fashioned comedy in China: Theater and Critical Reception |
(Rus)
|
|
Wu X., Monisova I.V.
|
| Vol 27, No 1 (2022) |
Historical and Cultural Processes and Periodization of Arabic Literature |
(Rus)
(Eng)
|
|
Zarytovskaya V.N.
|
| Vol 27, No 1 (2022) |
Feminine Imagery in Chinese Lyrics of the Six Dynasties |
(Rus)
|
|
Malakhevich D.E.
|
| Vol 27, No 1 (2022) |
Transformation of Artistic Images of the Past in Modern Chinese Children’s Literature |
(Rus)
|
|
Petrova S.A., Xu H.
|
| Vol 27, No 1 (2022) |
Travelling with Quichotte: Reading Rushdie’s Quixotic Reinvention of Cervantes’ Don |
(Eng)
|
|
Chakraborty A.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
The Motive of Peace in the Works of B. Pasternak and M. Bulgakov |
(Rus)
|
|
Fei L., Rudenko M.S.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
A Parodic Tale in “Sovy” (Soviet Texts) by D. Prigov |
(Rus)
|
|
Romanovskaya O.E.
|
| Vol 26, No 4 (2021): MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION |
“Faces” and “Disguises” of V. Rozanov’s SolitaryThoughts and Fallen Leaves |
(Rus)
|
|
Defye O.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Oblomov and Myshkin: Some Aspects of the Issue |
(Rus)
|
|
Belyaeva I.A.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
How to Translate Dostoevsky from French into French? “L’homme de la nature et de la vérité” and “animaux domestiques” in Notes from Underground |
(Rus)
|
|
Galtsova E.D.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
“Possible Worlds” and the Meanings of F. Dostoevsky's Providence in the Messianic Receptions of the ХХth Century |
(Rus)
|
|
Garipova G.T.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Notes from Underground by F.M. Dostoevsky in XXth Century English Criticism |
(Rus)
|
|
Markova E.A.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Russian Historiosophy of the ХXth Century in the Context of the Tradition of the Moral and Psychological Novel by F. Dostoevsky |
(Rus)
|
|
Petrukhina N.M.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Socialism and/or Christianity: F.M. Dostoevsky’s Influence on S. Lagerlöf's Novel Antichrist’s Miracles |
(Rus)
|
|
Andreichuk K.R.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Polyphony of the Silent: The Specifics of Dostoevsky’s Philosophical Discourse |
(Rus)
|
|
Krinitsyn A.B.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Conflict as a Category of Literary Studies: Analytical Research Strategies |
(Rus)
|
|
Khomyakova O.R.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Reasons for the “Non-meeting” of F.M. Dostoevsky and Leo Tolstoy |
(Rus)
|
|
Basinsky P.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
A.N. Veselovsky’s Theory of Motive and Plot in the Reflection of a Folk Tale |
(Rus)
|
|
Govenko T.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Married Dostoevsky? The History of Relations between V.V. Rozanov and A.P. Suslova |
(Rus)
|
|
Varlamov A.N.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Positivism in the Mirror of Carnival: The Rabelaisian Chronotope in the Works of E. Zola |
(Rus)
|
|
Albrekht O.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Dostoevsky in Kazakhstan: History of Study, Results, Prospects |
(Rus)
(Eng)
|
|
Matyzhanov K.S., Ananyeva S.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Chinese Text in a Poem by N. Gumilyov |
(Rus)
|
|
Kovalenko A.G., Porol P.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Ontological Motives of Home-Antihome in the Novel Demons by F.M. Dostoevsky |
(Eng)
|
|
Kulieva S.A.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Intertextual Connections between the Novels The Goat in MILK by Yu. Polyakov and The Joke of the Patron by A. Averchenko |
(Rus)
|
|
He J.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
Two Councils by A.N. Maykov in F.M. Dostoevsky’s Novel The Brothers Karamazov |
(Eng)
|
|
Sokolov B.V.
|
| Vol 26, No 3 (2021): F.M. DOSTOEVSKY: MODERN RECEPTIONS AND INTERPRETATIONS |
The Problem of Positive and Destructive Freedom: The Interpretation of the Arkady Svidrigailov Image |
(Rus)
|
|
Gorbachevsky C.A.
|
| Vol 26, No 2 (2021) |
Northern Cheyenne Exodus and Negroes Lynching: Historical Novels of Howard Fast in the USSR |
(Rus)
|
|
Scherbinina O.I.
|
| Vol 26, No 2 (2021) |
The Depths of My Africa: Travelogues on the Land of Ancestors by Claude McKay and Langston Hughes |
(Rus)
|
|
Kuzina D.D.
|
| Vol 26, No 2 (2021) |
Anton Chekhov’s Sakhalin Island: An Ongoing Commentary |
(Eng)
|
|
Spachil O.V.
|
| Vol 26, No 2 (2021) |
Chinese Gretchen in Russian Literature: on the Genesis and Attribution of M. Shkapskaya’s Poetry Book Tsa-Tsa-Tsa |
(Rus)
|
|
Litvinova O.N.
|
| Vol 26, No 2 (2021) |
Paradoxes of Historical Memory in A. Tvardovsky’s Post-War Poems |
(Rus)
|
|
Nichiporov I.B.
|
| Vol 26, No 2 (2021) |
The Role of Rhythm and Metre in the Style and Genre Formation in B. Rachmanin’s Prose |
(Rus)
|
|
Tsurueva P.S., Mineralova I.G.
|
| Vol 26, No 2 (2021) |
Creativity and Myth Making in Moscow Texts by A.S. Dolmatov |
(Rus)
|
|
Zhukova A.A.
|
| Vol 26, No 1 (2021) |
The Ontology of Death in M. Shishkin’s Novel The Letter Book |
(Rus)
|
|
Krotova D.V.
|
| Vol 26, No 1 (2021) |
The Autobiography in Paul Claudel’s MaConversion |
(Rus)
|
|
Bannikov K.V.
|
| Vol 26, No 1 (2021) |
Buffoonery in the Speech of the Character and the Issue of Historical Form in the Novel The Winter of Our Discontent by J. Steinbeck |
(Rus)
|
|
Sinegubova K.V., Aksenova A.A.
|
| Vol 26, No 1 (2021) |
The Construction of Insider - Outsider in Anglophone Writings from Northeast India |
(Eng)
|
|
Biswas D., Das R.
|
| Vol 26, No 1 (2021) |
The Calcutta Chromosome: An Acknowledgement of Indigenous Caliber and Extrapolation upon the History of Malaria Parasite Discovery |
(Eng)
|
|
Pathak M.K.
|
| Vol 26, No 1 (2021) |
Reunion with Self in Terry McMillan’s I Almost Forgot About You |
(Eng)
|
|
Pawar P.N.
|
| Vol 26, No 1 (2021) |
Poems in Prose by I.S. Turgenev: the Cycle’s Title as a Historical Literary Issue |
(Rus)
|
|
Burmistrova Y.D.
|
| Vol 26, No 1 (2021) |
A Prototype of Vadim Roshchin in the “White” Version of Alexey N. Tolstoy's Trilogy The Road to Calvary |
(Rus)
|
|
Sokolov B.V.
|
| Vol 26, No 1 (2021) |
The Story of a Drawing from Chukokkala Miscellany |
(Rus)
|
|
Anpilova L.N.
|
| Vol 25, No 1 (2020) |
Problematics and genre originality of Y. Polyakov’s novel “Gypsum Trumpeter” |
(Rus)
|
|
Ibadova N.E., Golubkov M.M.
|
| Vol 25, No 3 (2020) |
Literary searches of the poets of the Far East emigration: versification poetics of Larissa Andersen |
(Rus)
|
|
Tsmykal O.E.
|
| Vol 25, No 4 (2020) |
Translingual text within a meaning-generating context of Russian literature |
(Eng)
|
|
Kulieva S.A.
|
| Vol 25, No 1 (2020) |
“The winter of history came suddenly...”: the concept of time in the poems of Victor Krivulin |
(Rus)
|
|
Khairulin T.P.
|
| Vol 25, No 3 (2020) |
The artistic time of the Moscow text by Yuri Polyakov |
(Rus)
|
|
Ibadova N.E.
|
| Vol 25, No 4 (2020) |
Cultural connotations of the image of perception of emigrants in Chinese ethnic consciousness of the 20-40s of the 20th century based on the material of Chinese literature and publicism |
(Rus)
|
|
Liu S.
|
| Vol 25, No 1 (2020) |
Why has sci-fi literature lost its popularity in Azerbaijan after 1990? |
(Eng)
|
|
Alasgarova G.
|
| Vol 25, No 3 (2020) |
Karachay-Balkar poetry of the modern time: the problem of national artistic traditions |
(Rus)
|
|
Kerimova R.A.
|
| Vol 25, No 4 (2020) |
The concept of “neo” and the novels of G. Rodenbach: between romanticism and symbolism |
(Rus)
|
|
Litvinenko N.A.
|
| Vol 25, No 2 (2020) |
An imaginary journey to an utopian anti-world (on the example of “The Tale of Luxurious Life and Fun”) |
(Rus)
|
|
Andreeva E.A.
|
| Vol 25, No 3 (2020) |
Sherlock Holmes and Erast Fandorin: the peculiarities of Akunin’s dialogue with Conan Doyle |
(Eng)
|
|
Afanasyeva O.V., Gereikhanova K.F.
|
| Vol 25, No 4 (2020) |
Female images on historical background: victory of Omani writer Jokha al-Harti in The Man Booker International Prize - 2019 |
(Rus)
|
|
Zarytovskaya V.N., Al-Rahbi A.M.
|
| Vol 25, No 2 (2020) |
“Singing mountains” in the late Khlebnikov’s poetic manner: geognostic code in the autocommunicative model |
(Rus)
|
|
Ganin M.V.
|
| Vol 25, No 3 (2020) |
Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory |
(Eng)
|
|
Aksenova A.A.
|
| Vol 25, No 4 (2020) |
Kafkaesque motifs in Kunwar Narain’s novels |
(Rus)
|
|
Lesik K.A.
|
| Vol 25, No 2 (2020) |
At the origins of epic work (to the history of the first chapter of V.P. Astafiev’s novel “Damned and Killed”) |
(Rus)
|
|
Imennykh A.I.
|
| Vol 25, No 3 (2020) |
W. Morris’s tradition in J.R.R. Tolkien’s epic fantasy |
(Rus)
|
|
Maratova Z.Z., Nazarova T.V.
|
| Vol 25, No 4 (2020) |
Locating reality through visual narratives: Marjane Sartapi’s surfacing in “Persepolis” |
(Eng)
|
|
Gupta P.
|
| Vol 25, No 2 (2020) |
Russian and Russian-speaking prose in the situation of multiculturality: experience of Kazakhstan |
(Rus)
|
|
Ovcherenko U.V., Monisova I.V.
|
| Vol 25, No 3 (2020) |
Songwriting and functional load in the “Diary of Ephemeral Life” |
(Rus)
|
|
Gafurova K.S.
|
| Vol 25, No 4 (2020) |
Sources of Ferdowsi’s poem “Shahnāma” |
(Rus)
|
|
Bondar M.N.
|
| Vol 25, No 2 (2020) |
Dramaturgy of N. Kurilov in the Yukagir literature system |
(Rus)
|
|
Frolkina D.I.
|
| Vol 25, No 4 (2020) |
“Twisting the glory of both halves of this time...”: on the spatio-temporal and mythological manifestation in “The Lay of Igor’s Host” |
(Rus)
|
|
Porol O.A.
|
| Vol 25, No 1 (2020) |
Semiotic codes of the “new existence” myth in the novel “The Diary of Satan” by L. Andreev |
(Rus)
|
|
Garipova G.T.
|
| Vol 25, No 3 (2020) |
Specific of artistic world modeling in the Russian symbolism fiction: theory, trends, transpersonal models |
(Mlt)
|
|
Garipova G.T.
|
| Vol 25, No 4 (2020) |
Homonymous and tautological rhymes in K. Simonov’s poetry |
(Rus)
|
|
Korzhova I.N., Ledenev A.V.
|
| Vol 25, No 1 (2020) |
Portrait and landscape in Boris Zaitsev’s publicistic writings: style and ethos |
(Mlt)
|
|
Abdokova M.B.
|
| Vol 25, No 3 (2020) |
The image of Judas in the new and the newest fiction |
(Rus)
|
|
Romenskikh P.V., Meskin V.A.
|
| Vol 25, No 4 (2020) |
The English trace in the heading-final complex of Anna Akhmatova’s “Poem without a Hero” |
(Eng)
|
|
Kikhney L.G., Lamzina A.V.
|
| Vol 25, No 1 (2020) |
Self-identification in modern ironic poetry |
(Rus)
|
|
Karasik V.I.
|
| Vol 25, No 3 (2020) |
Gogol’s traditions in V. Kaverin’s novel “The Troublemaker, or Evenings on Vasilyevsky Island” |
(Rus)
|
|
Koltsova N.Z., Liu M.
|
| Vol 25, No 4 (2020) |
Orientalism poetics: story by Leonid Solovyov “The Nomad” |
(Rus)
|
|
Shafranskaya E.F., Volokhova T.V.
|
| Vol 24, No 1 (2019) |
“Dionysus Hyperborean” by A. Blok: the esthetic strategy of an unrealized idea |
(Rus)
|
|
Sarychev V.A.
|
| Vol 24, No 2 (2019) |
The influence on Mandelstam by Goethe: “The Octaves” as “The Poems on the Cognition” |
(Rus)
|
|
Kornienko S.A.
|
| Vol 24, No 4 (2019) |
From Kyzyl to Paris: the geopoetics of the modern psycho logical novel (“Rain in Paris” by R. Senchin) |
(Rus)
|
|
Nichiporov I.B.
|
| Vol 24, No 1 (2019) |
Receptive aesthetics of China’s image in poetry of K. Balmont |
(Rus)
|
|
Porol P.V.
|
| Vol 24, No 2 (2019) |
The transformation of the image of the house in the diaries of Irina Knorring |
(Rus)
|
|
Koznova N.N.
|
| Vol 24, No 4 (2019) |
Intertexts of fairy tales by Nikolai Verevochkin “Draw Me a Golden Heart” |
(Rus)
|
|
Dzholdasbekova B.U., Shanayev R.U.
|
| Vol 24, No 1 (2019) |
I.A. Bunin and S.N. Durylin: problems of creative dialogue |
(Rus)
|
|
Korshunova E.A.
|
| Vol 24, No 2 (2019) |
Philosophical aspects of literary-critical creative work of I.B. Rodnyanskaya |
(Rus)
|
|
Zenova E.M.
|
| Vol 24, No 4 (2019) |
A. Zhaksylykov’s novel “Singing Stones” in aspect of the literary domain theory |
(Rus)
|
|
Valikova O.A., Bakhtikireeva U.M.
|
| Vol 24, No 1 (2019) |
“Miraculous realism” in Zaitsev’s, Shmelev’s, Bunin’s prose (in context of magical realism, fantastic realism, mystical realism, spiritual realism, etc.) |
(Rus)
|
|
Gavrikov V.A.
|
| Vol 24, No 2 (2019) |
Event-sphere as a communicative platform for the modern poet |
(Rus)
|
|
Danilova S.A., Bilchenko E.V.
|
| Vol 24, No 4 (2019) |
The mythologem “Home” in the art discourse of Tatar and Chuvash literatures |
(Rus)
|
|
Abasheva D.V., Sharyafetdinov R.K.
|
| Vol 24, No 1 (2019) |
“I don’t want to be the slave...” To the 80 anniversary since the birth of Venedikt Erofeyev |
(Rus)
|
|
Troschinskaya-Stepushina T.E.
|
| Vol 24, No 3 (2019) |
Traditions of N.V. Gogol in the prose of S.A. Klychkov |
(Rus)
|
|
Ponomareva T.A.
|
| Vol 24, No 4 (2019) |
Axiological archetype “Home” in I. Shukhov autobiographic trilogy “Presnov Pages” |
(Rus)
|
|
Sinyachkin V.P., Demchenko A.S.
|
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