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Boris Akunin, literary critic and teacher. Book review: Akunin, B. (2022). A Russian in England: A self-instruction guide to fiction. Moscow: Alpina Publishers. (In Russ.)
Kovalenko A.G., Denisenko A.V.
Historical figures in “Fate/Grand Order”: adapting Anastasia Romanova
Yosugandi E.M., Kaprisma H.
Komponenty neoromanticheskoy syuzhetnoy skhemy v proizvedeniyakh A. Grina i L. Perutsa
Klimenko I.V.
Anton P. Chekhov and Mikhail A. Bulgakov: Chekhov’s trace in “The Master and Margarita”
Sokolov B.V.
A man as a Buddhist imaginary in L. Yuzefovich's novel “Cranes and Dwarfs”
Dubakov L.V.
The image of Eugene in the poem by A. Pushkin “The Bronze Horseman” and its comprehension in the national science
Karim B.M.
IMAGE OF MOSCOW IN RUSSIAN LITERATURE OF THE EARLY TWENTY-FIRST CENTURY
Selemeneva M.V.
Artistic addressing the «man and the war» in the A. Teppeev's novel «Heavy millstone»
Batchaeva K.K.
National stereotypes in author’s artistic world: purpose or means?
Pojhan M.A.
Faustian theme in the story by T. Tolstaya “Cleen Sheet” (Chistiy List”) in the light of the intertextual approach
Koleva I.P.
The reception of the novel by B. Pasternak “Doctor Zhivago” in China - the image of the protagonist
Zhang X.
System of the heroes in Bulgakov’s novel “Master and Margarita”: principles of polyvalence and antinomy
Abdourahmane Diallo -.
“MYSLENNYI VOLK” (“MENTAL WOLF”) BY ALEXEY VARLAMOV AS A SYMBOLIST NOVEL
Meskin V.A.
THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
Budekhin S.Y.
1 - 14 of 14 Items

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