No 3 (2015)

In this article, the methodological bases of the conception of causal text typology developed by O.I. Valentinova as a means of tracing the change of consciousness as a result of the change of a relationship between the sign and the meaning are realized in the research of the empirical material which is of great significance for the understanding of Russian culture - historically new contexts emerging in Pushkin’s literary experience. The algorithm of action proposed by the author leads to semiotically significant conclusions that the irreversibility of changes of consciousness is expressed in the change of the principle of organization of the semantic structure of the word, that the semantic structure of the language and word reflects a sharp reduction of the ethical basis in secular consciousness

The genre form of the crown of sonnets is a supertextual level phenomenon, the unity of which is provided by various kinds of cross-textual connections. In particular, we examine the cross-textual coherence a) between the master-sonnet and 14 texts of the main corpus (the ring of sonnets) and b) between the poetic texts of the main corpus. A special attention is given to the cross-textual repetition as the most characteristic form of connections within the supertextual unit. Two functional types of cross-textual connections in the corona structure, the obligatory and the complementary one, are revealed. The first type provides the cohesion of each of the fourteen texts with the master sonnet, and besides, the circular organization of the main corpus; the second one determines the coherence degree between the texts of the main corpus

The article discusses the issue of M. Proust’s influence on V. Nabokov and a group of younger Russian Emigre writers. During the 1930s Nabokov struggles to find his own style, and to take the best from his “literary teachers”. Nabokov manages to assimilate some Proust’s literary devices, but at the same time he ironically ridicules the intention of his contemporaries, authors of “Chisla” journal, to become “Russian versions of Proust”. He shows examples of pastiche and parody on different levels of text ranging from plot to “proustian” syntax. He wants to distance himself from blind imitation of Proust (in which he was accused by his rivals from “Chisla”) and to assimilate best parts of his style. That is the main artistic function of “proustian” chapter in the novel “Kamera Obscura”

In article A. Platonov’s stories about the Great Patriotic War in the light of creative strategy of the writer are analyzed. Specifics of an art reflection of the writer about the past and the future of the Russian people, discrepancy of the discourse realized in military prose of A. Platonov with ideology and practice of the Soviet press, a ratio of an art and propaganda discourse become clear. Ways of an embodiment «opinions national», values of democratic consciousness are investigated. A subject of the analysis is the art prognostics of the writer in the conditions of a subacceptable narration

Research is devoted to one of the central problems of modern literary criticism - the interaction of literature and myth. The article seeks to prove that the image of the main character in the novel “Angel’s bite” by Petersburg writer Pavel Krusanov sprouting from the myth of the Culture hero. Analyzes the major stages of the formation of the protagonist, the main of which is a initiation rite that has mythological roots, as well as the motive of incest as one of the central themes in archaic texts. During the research the author found that novel “Angel’s bite” by P. Krusanov contains mythological components. Learning mythopoetics of novel “ Angel’s bite “ will enter Krusanov’s work in the overall context of contemporary art mythologism

This article is about interrelation of the Mongolian literature and the literatures of other nations and some of their influences. In the article the author highlights Russian literature. Because the Mongolian literature of the twentieth century had exclusive relationship with the Russian literature due to historicalcircumstances and fact that both nations` literature were placed in a common condition of artistic and aesthetic development. The author brings examples of poetic elements of the Mongolian literature, particularly poetries with elements adopted under influence of Russian classics. It also emphasizes that the new elements are marked not only in poetry, but also in other genres, including performing arts. The research may attract researchers` interest in the field of comparative literature

The current article is the short analytical issue of political, social-economic conditions, which led to appearance of radio business market in post-Soviet Russia. This work envelops phases and circumstances of its step by step emerging and structurisation as well and also main players of that market business segment - namely new radio stations, created at the beginning of 90-ies last century. The author considers important in the process of formation of the radio market in the country, the privatization of existing broadcasting structures, the emergence of fundamentally new, taken for a basis the work in a new format and commercialization. However, the article emphasizes that the activities of new radio stations - not just a business or a form of existence in the market conditions, but also the function of promoting new values in the mass consciousness and the formation of a certain model of reality inherent in the global information society

The article is devoted to current trends of development of television and journalism in general. It includes change in sociocultural role of journalism and transition from communication type «one-to-many» through polylogue «many-to-many» to dialog «one-to-one». Nowadays spectators get a possibility to create the news product and even affect the agenda. They are don`t only get a wider access to information, they are also able to create the news. New technologies effects the speed of information exchange and hypertext becomes one of the basic formats of television news content. It means media gains hypertext properties, which are distinguishing feature of web-journalism along with the interactivity

In the article problems of journalists’ speech and safety in former Soviet years in Republic Kazakhstan are explored. The Constitution of Republic states liberty of Media action which is necessary to reflect social processes. Unfortunately freedom of information which is formally consolidated by law is not provided by real mechanism of realization. It affects on functioning of large quantity of media and directly reflected at getting more frequent attack against journalists and also at closing of magazines and adoption of the new amendments to the Criminal Code of RK is caused by this as well.

The article reveals main periods of biography of well-known Russian researcher of Russian Literature professor A.S. Kaprov. List of his most important achievements and main works are given. The description of his role and activity for new generation of literary researchers is being launched. His biography starting at the end of 1950th is tightly connected with the mainstream of literary criticism of the epoch