Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works

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This article analyses the «silence» as a part of audiovisual image in Hiroshima mon amour (film by Alain Resnais based on the script by Marguerite Duras). «Silence» is regarded as a communicative technic in its spatial, historical and rhetorical perspectives and dimensions.

About the authors

D V Shulyatyeva

Lomonosov Moscow State University

Department of General Theory of Literature (theory of discourse and communication) Faculty of Philology


Copyright (c) 2015 Шулятьева Д.В.

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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