Stylistic Syntax of the Middle French Poetical Literary Composition

The study suggests some evidence of studying the “poetic style” of the initial stage. The stage corresponds to the mediaeval European period. The actual character of the work is determined by the stable interest to the category under study in the scientific society as well as by the unstable character of the contents of its meaningful volume. The analytical procedure being realized on the literary heritage of troubadours and trouvères, contributes to the research challenge of the paper. The analysis made is aimed at the study of the specific features of the style generating processes on the poetic texts in the universal context of the medieval culture. The purpose of the work makes necessary solving a number of particular tasks, namely, clarifying and description the poetic style connections with its original roots, the role of the literary-stylistic traditions and medieval aesthetic conceptions in the style generating processes, stylistic traditional and individual proportion. Thus, the study contributes to the number of complex investigations of textual categories within the scope of diachrony and synchrony to be expanded. To achieve the tasks traditional methods are used, i.e., descriptive-analytical, contextual, philological interpretation of the text. Ancient texts study, a case of particular practical applying of the triad “text - style - discourse”, causes the address to the idea of particular and universal discourses. Style, the materialized aesthetic emotion, is considered as the result of the materialization of courtois ideals by means of a certain set of stylistic devices, differentiated in the literary compositions of the courtois Provençal school. Syntactic segment gains in the course of time the etalon status. Due to the volatility of particular discourses of the universal courtois cultural discourse the courtois etalon of the mature stage of the courtois lyrics development, under some altering turned into the etalon of the Northern courtois modification, close to the Provençal one. The analysis also confirms the fact of some existence courtois universalia modified in the courtois discourse.