Realization of the Patriotism Idea in Film Discourse Based on Russian Patriotic Cinema

Cover Page

Cite item

Abstract

In recent years due to a significant increase in the interest of the Russian film audience to the patriotism topic and the emergence of a social demand for Patriotic cinema, there has been a significant growth in the film distribution share that affects the historical and social aspects of patriotism. The reflection of the idea of patriotism in the modern Russian film discourse has a number of specific structural and semantic features, which present an extensive representative material for linguistic and cultural studies of modern discursive practices. The purpose of this article is to identify the structural and semantic features of functional and pragmatic units of the small texts of the modern Russian film discourse (movie titles, synopses and slogans) in terms of representation of the idea of patriotism and statistical processing of the data obtained as a result of the study. The research material includes 21 Russian films released in the period 2014-2019, which are directly related to the idea of patriotism in their genre and stylistic orientation. In the course of the analysis, the authors define the concept of “patriotism” as a complex sociopsychological phenomenon characterized by a high emotional saturation of semantic and pragmatic categories of representation associated with it. This article analyses the main ways of representing the idea of patriotism in the modern Russian film discourse. The paper uses methods of semantic, pragmatic, contextual, linguoculturological and statistical analysis. The object of the analysis are the functional and pragmatic elements of the film text: movie titles, slogans and synopses. The subject is syntactic-grammatical and semantic (structural-content) features of the movie titles, slogans and synopses creation. Structural analysis of parts of speech and syntactic components of functional and pragmatic units of the film text of Russian Patriotic films allowed us to identify the relationship between the structures of movie titles, synopses and slogans of the films under consideration. A distinctive feature of the structural and content characteristics of the analyzed functional and pragmatic elements of the film text is their relationship with each other within this class of elements. The idea of patriotism in the functional and pragmatic elements of the film text of the films under consideration is conveyed by means of emotionally colored vocabulary, which encourages potential viewers to be proud of their country, the feat of its outstanding citizens, and also to feel part of a great country and syntactic features, such as the chopped narrative style and the presence of exclamation and question sentences in synopsis texts and movie slogans. The special significance in transmitting the idea of patriotism in Russian Patriotic films to the audience are played by precedent names, situations and statements aimed at activating the associative ties of a potential viewer and awakening in him a sense of pride in his Homeland.

About the authors

Vladislav E. Anisimov

Peoples’ Friendship University of Russia (RUDN university)

Author for correspondence.
Email: anisimov-ve@rudn.ru
PhD, Assistant Professor of the Department of Foreign Languages, Faculty of Philology 6, Miklukho-Maklaya str., Moscow, Russian Federation, 117198

Elzara V. Gafiyatova

Kazan Federal university

Email: rg-777@yandex.ru
DSc, Associate Professor, Head of the Department of Theory and Practice of Teaching Foreign Languages, Institute of Philology and Intercultural Communication 18, Kremlyovskaya str., Kazan, Russian Federation, 420008

Ekatherina D. Kalinnikova

Peoples’ Friendship University of Russia (RUDN university)

Email: 1042210137@rudn.ru
PhD student of the Department of Foreign Languages, Faculty of Philology 6, Miklukho-Maklaya str., Moscow, Russian Federation, 117198

References

  1. Richard, A. & Danakari, R.A. (2019). Patriotism and friendship of peoples as the basic determinants of the Russian civilization. Science Journal of Volgograd State University. History. Area Studies. International Relations, 24(5), 193—204. https://doi.org/10.15688/jvolsu4.2019.5.14 (In Russ.).
  2. AVANTI. Patriotizm segodnya. URL: https://businesspatriot.ru/events/patriotizm_segodnya/ (accessed: 17.07.2020). (In Russ.).
  3. Russian Public Opinion Research Centre (VCIOM), 2019. URL: https://wciom.ru/index.php?id=236&uid=9156 (accessed: 17.07.2020). (In Russ.).
  4. Arguments and facts. Interview with M. Golovanivskaya. 02.06.2014. URL: http://www.aif.ru/society/opinion/1181183 (accessed: 17.07.2020). (In Russ.).
  5. Lavrinenko, I.M. (2012). Criteria of cinematic discourse classification. Vestnik Khar’kovskogo natsional’nogo universiteta. Diskursologiya: semantika i pragmatika, 1003, 41—44. (In Russ.).
  6. Slyshkin, G.G. & Efremova, M.A. (2004). Film Text: Experience of a Culturological Analysis. Moscow: Vodolei Publishers. (In Russ.).
  7. Ethnopsychological dictionary (1999). V.G. Krys’ko (ed.). Moscow, MPSI. URL: http://endic.ru/ethnopsychology/Patriotizm-198.html (accessed: 17.07.2020). (In Russ.).
  8. Lesnyak, V.I. & Orlov, V.B. (2006) Patriotism as a value of civil society. Yugra State University Bulletin, 2(3), 80—86. (In Russ.).
  9. Adaeva, N.V. (2012). To understanding the essence of patriotism and patriotic education of students. ‘Chelovek i obrazovanie’ (Man and Education) An academic journal, 1, 130—134. (In Russ.).
  10. Tabakova, Z.P. (2016). Patriotism as a basic concept of Russian mentality. In the world of science and art: questions of philology, art history and cultural studies: collection of articles on Mater. LX International Scientific and Practical Conference, Novosibirsk: SiBAK. Vol. 5(60). pp. 66—75. (In Russ.).
  11. Lutovinov, V.I. (2013). Current Russian patriotism: matter, features, main directions. Studia Humanitatis, 2. URL: http://st-hum.ru/content/lutovinov-vi-sovremennyy-rossiyskiy-patriotizm-sushchnost-osobennosti-osnovnye-napravleniya (accessed: 17.07.2020). (In Russ.).
  12. Ter-Minasova, S.G. (2000). Language and intercultural communication. Moscow: Slovo. (In Russ.).
  13. Duranov, I.M. (2002). On the issue of the relationship between the education of citizenship and patriotism. Vestnik of the Orenburg State University, 1, 55—58. (In Russ.).
  14. Interview with Vladimir Medinsky. Vedomosti. 20.04.2017. URL: https://www.vedomosti.ru/politics/news/2017/04/20/686681-medinskii-mid (accessed: 17.07.2020). (In Russ.).
  15. “Stalingrad” in Europe. Culture Channel. 11.11.2013. URL: https://tvkultura.ru/article/show/article_id/103003/ (date of access: 17.07.2020). (In Russ.).
  16. Vakulenko, E.A. (2018) Patriotic education in the process of becoming a teenager’s personality. “Patriotic education: from words to deeds”: Materials of the scientific and practical conference. Moscow. pp. 60—64. (In Russ.).
  17. Gorshkova, V.Е. (2014). Film Title as a Unit of Translation and a Unit of Image-Sense. PNRPU Linguistics and Pedagogy Bulletin, 10, 26—36. (In Russ.).
  18. Nelyubina, Yu.A. (2013). Kinodiskurs as an object of linguistic study. The Chelyabinsk Humanitarian Journal, 3(24), 71—74. (In Russ.).
  19. Alefirenko, N.F., Nurtazina, M.B. & Shakhputova, Z.K. (2021). Autochthonous synergy of Russian literary discourse. Russian Language Studies, 19(3), 253—270. https://doi.org/10.22363/2618-8163-2021-19-3-253-270 (In Russ.).
  20. Culture of the Russian Federation. Final report 2012—2019. URL: https://www.mkrf.ru/activities/reports/ (accessed: 17.07.2020). (In Russ.).
  21. Anisimov, V.Eu. (2020). Intertextuality of the Small Texts of the French Film Discourse. RUDN Journal of Language Studies, Semiotics and Semantics, 11(2), 357—367. https://doi.org/10.22363/2313-2299-2020-11-2-357-367 (In Russ.).
  22. Anisimov, V.E. (2020). Title, Synopsis and Slogan as Functional and Pragmatic Elements of Film Text (by the Material of the Modern French Film Discourse). Philology. Theory & Practice Manuscript, 13(1), 240—245. (In Russ.). https://doi.org/10.30853/filnauki.2020.1.48
  23. Anissimov, V.Е., Borissova, A.S. & Konson, G.R. (2019). Linguocultural Localization of Movie Titles. Russian Journal of Linguistics, 23 (2), 435—459. https://doi.org/10.22363/2312-9182-2019-23-2-435-459 (In Russ.).
  24. Larina, T. (2015). Culture-specific communicative styles as a framework for interpreting linguistic and cultural idiosyncrasies. International Review of Pragmatics, 7(5), 195—215.
  25. Sharikov, A.V. (2020). Broadcasting and views of feature films on Russian television: trends of 2018–2019. The Art and Science of Television, 16 (1), 81—160. https://doi.org/10.30628/1994-9529-2020-16.1-81-160 (In Russ.).
  26. Borisova, A.S. & Naydenova, N.S. (2013). Appellative strategies in modern French printed advertising: intercultural analysis. Russian Journal of Linguistics, 2, 80—88. (In Russ.).
  27. Zaharenko, I.V., Krasnyh, V.V., Gudkov, D.B. & Bagaeva, D.V. (1997). Precedent name and precedent statement as symbols of precedent phenomena. Jazyk. Soznanie. Kommunikacija. 1, 82—103. (In Russ.).
  28. Leonov, A. (2020). The Time of the First. My destiny is myself. Moscow: Liters. (In Russ.).

Copyright (c) 2022 Anisimov V.E., Gafiyatova E.V., Kalinnikova E.D.

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies