LITERARY SOURCES OF ORNAMENTAL SUBJECT COMPOSITIONS OF FRENCH PRINTED TEXTILES OF THE END OF THE XVIII - THE BEGINNING OF THE XIX CENTURY

Cover Page

Cite item

Abstract

Printed textiles are one of the most ancient and significant branches of the design of textiles, the development of which, within the framework of the European cultural tradition, includes consideration of such questions as canonical schemes of ornamental constructions and style trends of fine art. The end of XVIII - beginning of XIX century was a period of flourishing of French applied art, its dominance in Europe as a generally recognized standard. It was also a period of rising public interest in French literature, the images of which were embodied in one of the most widely replicated types of applied art - ornamental printed textiles. The article describes the main sources of ornamental plot compositions of French printed textiles of the late XVIII early XIX century. The emergence reasons in drawings of a heel-tap of these or those characters and scenes from literary works are defined, the semantic analysis is carried out them. The technique of the translation of art and graphic language of a book illustration in language of subject textile ornamentation is revealed.

About the authors

Dmitry G Tkach

The Kosygin State University of Russia

Author for correspondence.
Email: tkach.dmitry@mail.ru

Candidate of Arts, Associate Professor at The Kosygin State University of Russia, Department of Drawing and Painting

1, Malaya Kaluzhskaya str., Moscow, Russia, 119071

References

  1. Biryukova, N.Yu. (1973). Western European printed fabrics 16—18 century. Collection of the State Hermitage. Moscow: Iskusstvo. (In Russ.).
  2. Biryukova, N.Yu. (1972). Western European applied art XVII—XVIII centuries. Leningrad: Iskusstvo. (In Russ.).
  3. D 'Allemagne, Henri-René (1984). La toile imprimé et les indiennes de traite, notices par Henry Clouzot. Paris. Vl-e MCMXLII. (In French).
  4. Jacobson, D. (2004). Chinese style. Moscow: Art-XXI Century. (In Russ.).
  5. De Moran, Henri (1982). History of arts and crafts. Moscow: Iskusstvo. (In Russ.).
  6. Jacqué, Jaqueline (1995). Les motifs imprimés sur etoffes au XVIII-ème siécle et leur fortune critique. Le cotton et la mode. Paris. (In French).
  7. Clouzot, Henri (1912). L'Ameublement français sous Louis XV. Paris: Edition Les Arts graphiques. (In French).
  8. McCorkodale, C. (2006). The decoration of the residential interior from antiquity to the present day. Moscow: Publishing house “Svarog and K”. (In Russ.).
  9. Parrot, Nicole. Dessins d'imprimés, une aventure dans le tissus. Paris: Editions SYROS, 1997. (In French).
  10. Sobolev, N.N. (1934). Essays on the history of decorating fabrics. Moscow—Leningrad: Academia. (In Russ.).
  11. Chassagne, Serge (1980). Oberkampf, un entrepreneur capitaliste au siècle des Lumières. Paris: Edition Aubier. (In French).
  12. Hardy, Alain-René (2001). Tissus Art Deco en France. Paris: Editions Langlande. (In French).
  13. Beschastnov, N.P. (2004). Graphic of textile ornament (printed drawing). Moscow: MSTU named A.N. Kosygin.
  14. Brédif, Josette (1989). Toiles de Jouy. Paris: Editions Adam Biro. (In French).
  15. Bruno, Pierre (1992). L`art decoratif en Europe. In: Grubert, A. Classique et Baroque, Vol. 2. Paris: Citadelles et Mazenod. (In French).
  16. Tourlonias, Anne & Vidal, Jack (1998). Raoul Dufy, l'œuvre en soie. Logique d'un œuvre ornemental industriel. Avignon: éditions A. Barthélemy. (In French).
  17. Gril-Mariotte, A. (2015). Les toiles de Jouy: histoire d'un art décoratif, 1760—1821. Rennes, Presses universitaires de Rennes (Arts et Société). (In French).
  18. Cousquer, Celine. (2002). Nantes une capitale française des indiennes au XVIII siècle. Coiffard librairie editeur.
  19. Lassaigne, Jacques. (1954). Dufy. Lausanne: Skira. (In French).
  20. Riffel, Mélanie & Rouart, Sophie (2003). La Toile de Jouy. Paris: Editions Citadelles et Masenod. (In French).
  21. Hugues, Patrice (1982). Langage du tissus. Colombes: Textile-Art-Langage. (In French).
  22. Hugues, Patrice (1996). Tissu et travail de civilisation. Rouen: Éd. Médianes. (In French).
  23. Tkach, D.G. (2017). Oriental origins of figurative language of the French ornamental art in XVII—XVIII centuries. RUDN Journal of Language Studies, Semiotics and Semantics, 8(2), 440—447.

Copyright (c) 2018 Tkach D.G.

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies