| Issue |
Title |
File |
| Vol 25, No 1 (2020) |
The individual and the social in Annie Ernaux's autobiographical writing |
(Mlt)
|
|
Kosova Y.A., Ponomarenko E.B., Siary G.
|
| Vol 25, No 1 (2020) |
Literary representation of Jewish departure in “The Saga of Muziris” by Sethu |
(Eng)
|
|
Ok A.
|
| Vol 25, No 2 (2020) |
I. Turgenev's novel “Fathers and Sons” in Chinese literary studies |
(Rus)
|
|
Siwen G.
|
| Vol 25, No 2 (2020) |
Spatial and temporal organization of the story of I.A. Bunin “Cold Autumn” |
(Rus)
|
|
Wenyao Z.
|
| Vol 25, No 2 (2020) |
The state of researches of modern Russian female prose in Сhina |
(Rus)
|
|
Ruge J., Monisova I.V.
|
| Vol 25, No 2 (2020) |
The image of muse in the poems “Muse” of A.S. Pushkin, A.A. Akhmatova and M.S. Petrovykh |
(Rus)
|
|
Mengjiao W.
|
| Vol 25, No 2 (2020) |
Poetics of the cycle “Parting With a Friend” by Cao Zhi |
(Rus)
|
|
Stroganova N.A.
|
| Vol 25, No 2 (2020) |
Semantics of festivities in “Christmas Carol” by Ch. Dickens |
(Rus)
|
|
Bezkorovaynaya G.T., Gishkaeva L.N., Pakhsarian N.T.
|
| Vol 25, No 1 (2020) |
Honghuzi in the literary reception |
(Rus)
|
|
Guanqiong L., Solntseva N.M.
|
| Vol 25, No 1 (2020) |
The art of ceramics in the works of E.Ya. Danko: “Vase of Chinese Khan”, “Ceramic Cup” and “Chinese Secret” |
(Rus)
|
|
Arzamastseva I.N., Liping Y.
|
| Vol 25, No 1 (2020) |
“Keep silence to poetry”: “silence” in M.S. Petrovykh’s life and writing |
(Rus)
|
|
Mengjiao W., Ponomareva T.A.
|
| Vol 24, No 3 (2019) |
I. Turgenev’s novel “Rudin” in Chinese literary studies |
(Rus)
|
|
Guo S.
|
| Vol 24, No 3 (2019) |
The acceptance of I.A. Bunin in China in the context of ideological direction |
(Rus)
|
|
Liu Y.
|
| Vol 24, No 3 (2019) |
Maxim Gorky’s drama as a scientific research and creative development in China |
(Rus)
|
|
Li F., Monisova I.V.
|
| Vol 24, No 3 (2019) |
Perception of works of V. Shklovsky in China |
(Rus)
|
|
Liu M., Koltsova N.Z.
|
| Vol 24, No 4 (2019) |
The image of a dragon in the poetry of N. Gumilev: Chinese subtext |
(Rus)
|
|
Porol P.V.
|
| Vol 24, No 4 (2019) |
Contemporary Chinese poetry and Russian modernist and postmodernist poetry: influence and analogy |
(Rus)
|
|
Wang Y., Vinogradova O.V.
|
| Vol 24, No 4 (2019) |
Kiev as an artistic toponym in “The Song of Igor’s Campaign” and the Chinese translations |
(Rus)
|
|
Wang Y.
|
| Vol 24, No 2 (2019) |
Perceptions of A.A. Akhmatova and her works in China |
(Rus)
|
|
Zou L., Mikhailova M.V.
|
| Vol 24, No 2 (2019) |
Russian symbolist drama and theater in the Chinese scientific context |
(Rus)
|
|
Xiang Y., Monisova I.V.
|
| Vol 24, No 2 (2019) |
The reception of the novel by B. Pasternak “Doctor Zhivago” in China - the image of the protagonist |
(Rus)
|
|
Zhang X.
|
| Vol 24, No 3 (2019) |
The image of wolf in artistic animalism of “The Song of Igor’s Campaign” and ancient Chinese literature |
(Rus)
|
|
Wang Y.
|
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