Perception of works of V. Shklovsky in China

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The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key role in studying the heritage of Shklovsky conceptual apparatus in Chinese literary criticism. Particular attention is paid to the category of estrangement, firmly included in Chinese literary studies and widely used in the analysis of works of Chinese literature and cinema, have been considered such concepts of Russian formalism as literary character, reception, since the early 80s of the 20th century adopted by the science of China. The article emphasizes that the history of the perception of the theoretical views of V. Shklovsky in China includes several stages, while a true study of his works, like Russian formalism in general, begins only in the 1980s of the 20th century. The artworks of Shklovsky in China began to pay attention only to the XXI century.

About the authors

Miaowen Liu

Lomonosov Moscow State University

Author for correspondence.

Ph.D. student of the Department of Modern Russian Literature and Contemporary Literary Process of Lomonosov Moscow State University

1 Leninskie Gory, Moscow, 119991, Russian Federation

Natalia Z. Koltsova

Lomonosov Moscow State University


Candidate of Philological Sciences, Associate Professor at the Department of Modern Russian Literature and Contemporary Literary Process of Faculty of Philology of Lomonosov Moscow State University

1 Leninskie Gory, Moscow, 119991, Russian Federation


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Copyright (c) 2019 Liu M., Koltsova N.Z.

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