On the principles of the organizaion of text in udarniks' sketches of the late 1920 - early 1930

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The author analyzes the composition of the text of the udarnik's sketch to demonstrate the realization of the principle of cinematographicness (one of the basic principles of poetics of the late 1920 - early 1930) in the literary text. An explanation of dominance of this principle in the art of those years is suggested.

About the authors

O S Zavjalova

Peoples' Friendship University of Russia

Email: zavjalova_olga@mail.ru <mailto:zavjalova_olga@mail.ru>
Кафедра русского языка и методики его преподавания; Российский университет дружбы народов; Peoples' Friendship University of Russia


Copyright (c) 2012 Завьялова О.С.

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