Komponenty neoromanticheskoy syuzhetnoy skhemy v proizvedeniyakh A. Grina i L. Perutsa

Abstract

The functioning of the components of the neoromantic plot scheme “an ordinary person in unusual circumstances” in the works by A. Grin, who is traditionally recognized as a neoromantic, and in the works by a representative of another artistic movement L. Perutz, is compared. This kind of comparison seems to be productive as it allows defining the differential features of a neoromantic plot. The thesis is expressed about the rethinking of the plot scheme in the novel by the Austrian writer. In the works by A. Grin the main character reveals his best qualities by dealing with unusual circumstances and coping with himself, however in the novel by L. Perutz, circumstances make the character to overcome himself to no avail, because he is deprived of the necessary spiritual qualities. Changing of points of view functions both in stories by A. Grin and in the Perutz’s novel as a plot-forming and compositional device and it is also used in creating images of characters. A. Grin focuses on the opposition between the character’s inner point of view and the point of view which is external to him. In the novel by L. Perutz the main character tries to find himself coping with external points of view. The interaction between the neoromantic and modernistic features of the novel is analyzed. L. Perutz solves the issue of the human existence reality/unreality, the fragility of the human self-boundaries by modifying neoromantic plot scheme. Integrity of A. Grin’s characters helps them to cope with circumstances and with themselves in circumstances whereas the L. Perutz’s character acquires integrity only on the verge of death.

About the authors

Irina V. Klimenko

Lomonosov Moscow State University

Author for correspondence.
Email: klim.irishka4797@rambler.ru
ORCID iD: 0000-0003-4393-4527

postgraduate student, Department of Theory of Literature, Faculty of Philology

1 Leninskiye Gory, Moscow, 119991, Russian Federation

References

  1. Carter, W.H. (2006). Souverän meiner Zeit: Opportunity cost in Leo Perutz’s “Zwischen neun und neun”. Colloquia Germanica, 39(2), 97-116.
  2. Chekhlova, L.A. (2015). Austrian science-fiction novel of the first third of the 20th century: А. Kubin, G. Meyrink, L. Perutz (Candidate dissertation). Elabuga. (In Russ.)
  3. Gurevich, R.V. (2009). Leo Perutz. The History of Austrian Literature of the Twentieth Century (vol. 1, pp. 502-541). Moscow: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences.
  4. Kudryavtseva, T.V. (2017). The literary process in Germany at the turn of the 19th and 20th centuries: The interaction of artistic movements. Studia Litterarum, 2(3), 46-73. (In Russ.)
  5. Larkin, E.T. (2006). Leo Perutz’s “Zwischen neun und neun”: Freedom, immigrants, and Nomadic identity. Colloquia Germanica, 39(2), 117-141.
  6. Lukov, V.A. (2009). French neoromaticism. Moscow. (In Russ.)
  7. Lukov, V.A. (2012). Neoromanticism. Znanie. Ponimanie. Umenie, (2), 309-312. (In Russ.)
  8. Martinez, M. (2007). Das Sterben erzählen - Über Leo Perutz’ Roman Zwischen neun und neun. Leo Perutz' Romane (pp. 23-34). Max Niemeyer Verlag. https://doi.org/10.1515/9783110971842.23
  9. Moskvina, E.V. (2017). Symbolic reality: Articles on German and Austrian literature. Translations. Moscow: GlobalKom Publ., Yazyki Slavyanskoi Kultury Publ. (In Russ.)
  10. Schmidt, G. (2010). Performing in Handcuffs: Leo Perutz’s “Zwischen neun und neun”. Modern Austrian Literature, 43(1), 1-22.

Copyright (c) 2023 Klimenko I.V.

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies