THE MEANINFUL DOMINANT IN THE FEATURE FILM “THE LATE CHILD” (BASED ON THE STORY WRITEN BY A. ALEXIN)

Abstract


The article touches upon the peculiarities of the screen version of the story “The Late Child” after A. Alexin. The author comes to the conclusion that the film demonstration to the public some ways of meditation upon the text, based on visual symbols, cinema messages, presupposing a deep and multisemantic reading of the original text. Multidimential synthesis allows to transfers the deep psychological and artistic value of the story, enriching the plot, adding and meanings. The involvements of music, art and architectural images demonstrate the interaction of creative principals of the writer and the director of the film.


O N Chelyukanova

Principal contact for editorial correspondence.
ecc.0708@mail.ru
Nizhny Novgorod state university of N.I. Lobachevsky, Arzamas branch K. Marx str., 36, Nizhny Novgorod region, Arzamas, Russia, 607220

Chelyukanova Olga Nikolaevna, Doctor of Philology, Nizhny Novgorod state university named by N.I. Lobachevsky, Arzamas branch.

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