Vol 23, No 3 (2019)

The paper deals with the non-usual interpretation of the main works of an-Niffary (Iraqi Sufi, X century) as an original and specific guide in the Sufi terminology. The specific character of the text (which expresses in the direct dialog between God and the mystique and the translation through him the divine definitions of the basic Sufi and Islamic values) obliges a reader to treat the text more attentively that to the ordinary texts created by the human being. The most famous Sufi treatises on Sufism and its terminology are Qushayri and Hudjwiri's works,which contain definitions of most important Sufi terms and notions. Niffary works are not so well-known, but they also can be regarded in a sense as a specific guidebook on Sufi terminology. The paper deals with the peculiarities of understanding by those three mystics the Sufi term “ma'arifa” (mystical knowledge), which sometimes is mistranslated as gnosis. One of the basic distinction in such an understanding is that for Niffary (in contrast with Qushairy and Hujawiri) there is no outward sign of successful attainment of mystical knowledge. Further both Qushayri and Hudjwiri point out that the Sufi practice can not contradict the Sunna. Meanwhile Niffary says that Sunna is significant only if there is ma'arifa, not vice versa.

The specificity of tantric soteriology consists of a combination of three basic principles - unity, salvation, and bliss. This article explores the principle of salvation. Spiritual liberation implies the final overcoming of obstacles hindering the new worldview. Unlike the principle of unity, the principle of salvation focuses on difference, not on identity, drawing a sharp line between the desired state of liberation and the present state of dependence. The main obstacles to spiritual liberation are expressed in the well-known triad “avidyā - karma - saṃsāra”. The principle of salvation appears in Tantrism in two interrelated forms, the ascetic and śaktic ones. Both of them agree with each other in rejection of spiritual ignorance. Spiritual ignorance is the main “negative goal”; without deliverance from it there is no freedom. The state of ignorance is existential one and endowed with powerful protective “forces”. The principle of salvation implies the deliverance not only from everything that is usually considered negative (passions, sensual desires, suffering, etc.), but also of “positive” things (virtue). In the śaktic mode of the principle of salvation, it is assumed that an incorrect view of reality is eliminated by a correct view of it. Due to the fact that, according to the tantric adepts, the energies of the divine Śakti act in the world, the understanding of this fact leads the adept to stop perceiving himself as a dependent being even in the midst of an infinite variety of processes and events of the world. Life is then perceived as an unconditioned, spontaneous “divine play”, a stream of divine pleasure. Ascetic form can be reduced to an ontological interpretation of the principle of salvation, and śaktic form to a cognitive one.

This paper describes the concept of corporeality in the context of science art and the role of technology in contemporary culture. Human corporeality is a body endowed with soul and meaning. It results from personal and social experience, historical development, or cultural context and its implicit impacts. The subject of this research is corporeal code that organize the nature of modern artistic productions and human being identity. Contemporary artists use the strategies of participation and interaction, forms of interventions to make art an agent of social change and to become active drivers for the new identity process activation. Problems of identity make up a significant layer in contemporary art. The identification process develops in them in various directions. We can characterize its evolution as a change of identities. Recognizing the role and intense impact of technology on contemporary culture, we can trace two main directions: one involves extension of human senses and abilities by creating new solutions, software and tools, that let us get advanced understanding of the reality, and the second one is based on presupposed physical capacities of the human corporeality. According this approach the understanding of reality as a reality given in sensations is disappearing. The virtual world comes to replace it, our essence becomes involved in the process of mixing and indistinguishability until its complete disappearance.

Death is an invariant of human existence, a kind of its “omega point”. At the same time, the attitude towards it is not a constant, but rather undergoes changes, being incorporated in a wide sociocultural context. The mail goal of the article is an analysis of the nature of these changes at the present stage specifically under the influence of rapid biotechnological progress and dilemmas generated by these changes. Firstly, there is a tendency of increasing optimism: some theorists tend to perceive death not as an inevitable reality, but rather as a problem and a challenge. At the same time a radical direction arises, believing that death can be overcome only through the complete separation of man from its body substrate. The utopian nature of this project forces more moderate theorists to look for indirect way, which consists in a “war” with aging as the main predecessor of death, up to attempts of its complete abolition. Gradually, the formation of scientific immortology as a kind of opposition for thanatology takes place. At the same time, many theorists, and even more ordinary people remain skeptical position about the prospects for victory over death. It can be concluded that biomedical progress actualizes general human intention for self-preservation and death avoidance, but science requires an assessment of not only the objective possibilities for overcoming death but also both ontological and anthropological (including moral) consequences of it.

The article considers the history of bioethics formation as a human rights movement aimed at establishing patient autonomy and limiting the practice of uncontrolled medical manipulation of human body, biomedical experimentation on people in the name of science, “public good” and other values. It is shown that the forms of expression and content of the statements of the protesting bioethical expert and the content turned out to be extremely diverse and based on conflicting ethical principles, actually demonstrating total rejection and confrontation of various conceptual arguments and often not contributing to the development of a universal, acceptable to all stakeholders ethical position. The article considers the peculiarities of bioethical protest and philosophical reasoning in connection with the emergence in the field of modern medicine of the diagnosis of brain death and gives a general idea of the intense public perception of this diagnosis.

The purpose of the article is to study the importance of Pushkin's work in the age of scientific and technological progress, to identify and analyze the moral values that accompany the work and personality of Alexander Pushkin and are particularly relevant to our time. The article discusses the moral values of honor and dignity, the ratio between good and evil, concepts of duty, justice, love and friendship, happiness, freedom, creativity, patriotism, national idea, peoples’ friendship and the problem of preserving Russian language in modern Russia. The article is written through the prism of interpretation of Pushkin’s creativity by Russian philosophers abroad and modern philosophers. The article deals with the problem of using neural networks that make it possible to reproduce the style of A. S. Pushkin. The author concludes about the relevance of the work of A. S. Pushkin in our days. The issues of preserving spirituality, moral values, national identity, and optimistic Renaissance perception of the world, of understanding the beauty of life, remain relevant and in demand in modern age of rapid scientific and technical progress, both in Russia and in the world.

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