The Style and Synthesis in Valery Medvedev's Creative Heritage

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Abstract


In the article analyzes the phenomen of belles-lettres and intra-literary synthesis in the style of the children's writer V.V. Medvedev. The author comes to the conclusion that in his novel The Wedding March, as well as in the trilogy The Imaginations of Barankin, V.V. Medvedev successfully and efficiently enough uses the possibility of intra-literary synthesis, as well as belles-lettres synthesis (between different kinds of art). And as the evidence of it is associative order (system), composition, system of characters, and complex of motifs and topics (themes).

About the authors

O N Chelyukanova

Email: olga_ribakova@fromru.com

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Copyright (c) 2011 Челюканова О.Н.

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