Vol 25, No 3 (2021): HERMANN COHEN'S PHILOSOPHY AND THE FATE OF CRITICAL IDEALISM
- Year: 2021
- Articles: 15
- URL: https://journals.rudn.ru/philosophy/issue/view/1472
- DOI: https://doi.org/10.22363/2313-2302-2021-25-3
Full Issue
HERMANN COHEN'S PHILOSOPHY AND THE FATE OF CRITICAL IDEALISM
Is Hermann Cohen a Classical Philosopher?
Abstract
The article attempts to raise a question and give an answer to it regarding the evaluation of the philosophical creativity of Hermann Cohen, the German-Jewish thinker of the late XIX - early XX century. Moreover, following the philosophical style of Cohen himself, the question posed and discussed in the article is not idle, but it contains a hypothesis that forms our answer in a certain way. It is important to identify the difficulties and intellectual determinants that prevent the formation of a clear and unambiguous answer. At the same time these difficulties contain an initiating moment for opening a philosophical debate. The historical and philosophical reasons that make the very beginning of the discussion of the question more complex, are considered. The article, of course, cannot claim to be an exhaustive answer on such a fundamental topic, which is contained in the designated question. But the article itself, and the articles following it in the section devoted to the work of Herman Cohen, may be indicate that the time for this discussion has come.
Hermann Cohen and His Idea of the Logic of Pure Knowledge
Abstract
Hermann Cohen, as it is well known, criticised the Kantian notion of the thing-in-itself. And before him the Kantian thing-in-itself was criticised by Fichte and other German idealists. Probably for this reason, Hermann Cohen is sometimes regarded as a person who said things similar to Fichte. This gives a completely wrong perspective, making it impossible to understand the philosopher's ideas. The basis for his critique of the Kantian thing-in-itself is quite different from the motives, determining the criticism of Kant in the classical German Idealism. Such interpretation does not allow to see close connection of Cohen's theoretical philosophy with revolution in physics which took place at the turn of the nineteenth and twentieth centuries. The article explains how Cohen's demand that pure thinking must form its own content is connected with transformations taking place in physics and mathematics, and the peculiarity of Cohen's understanding of idealism is demonstrated: for him, correct idealism must realize that autonomous, free thinking should work seriously with sense data. The closeness of Cohen's ideas to the postpositivist thesis of the theory-ladenness of observation is explained. For Cohen, serious work with sense data is opposite to uncritical acceptance of them as given. The origin of scientific thinking is thinking itself. It responds to the challenge of sensory material by creating its own constructs. Mathematized natural science becomes for Cohen both an example and a confirmation of this thesis. For him, what is real is what is described in the language of mathematical analysis, i.e. continuous processes, in spite of the fact that any data are discrete. It is shown that the source of Cohen's assertions on this issue is in Kant's Critique of Pure Reason, namely in the doctrine of the Principles of pure natural science and, more specifically, in the Anticipations of Perception. Cohen's conviction of the constructive character of the theories of mathematized natural science is confirmed in the article by references to the authority of A. Einstein.
Guarding Thought against Self-Destruction. Contradiction and Identity in Cohen and Hegel
Abstract
Hermann Cohen's Logic of Pure Knowledge and G. W. F. Hegel's Science of Logic each use in their way the means of thought of negation and contradiction to unfold the philosophical dynamic: a fragile interplay between self-endangerment and self-preservation of thought. Here, the proximity and difference of the two authors are extended. The proximity lies in methodological negativism. The difference is in the significance of the principle of continuity. According to Cohen and Hegel as well, thinking proceeds exclusively, as Kant called it, synthetically. The exclusion of contradiction, limited to analytical judgments, has only marginal significance. But the commonality does not eliminate the differences. As Hegel puts it, contradiction is a principle of mediation and finally results in "self-dissolution"; it carries within itself a direction of logical "reconciliation." Per Cohen, contradiction is a principle of "annihilation" (annihilatio) of approaches to a determination that threatens any form of "identity." The turn Hegel put in contradiction itself, regarding in it a unity of positivity and negativity, has no direct counterpart in Cohen. Nevertheless, for him, too, the "judgment of contradiction" becomes the active basis of all cognitive thought. By exercising a contradiction-destroying "activity," the judgment of contradiction "protects," indeed "generates," the real possibility of cognition. The annihilation of the non-identical sets free the fundamental "judgment of origin" with which cognition finds its beginning. The principle of continuity taken over from Leibniz corresponds to it. Just this principle has now again no direct correspondence with Hegel.
The Artistic Representation of Jesus in Hermann Cohen's Aesthetics
Abstract
Cohen deals with the question of the possibility for art to represent God or the divine in some of his works, throughout all his philosophical production, but obviously above all in his main aesthetic work, Ästhetik des reinen Gefühls (1912). We can state that in Cohen's works this problem is posed with reference to three different religious fields: Greek polytheism, Jewish monotheism and Christianity. The topic of this essay will be Cohen's thought about the artistic representation of the divine in Christianity or in Christian art through the representation of Jesus. This topic will be examined with reference both to Kants Begründung der Ästhetik (1889) and to Ästhetik des reinen Gefühls ; whereas in Kants Begründung der Ästhetik Cohen devotes to the representation of Jesus just a short consideration in the historical introduction of the book, in Ästhetik des reinen Gefühls the representation of Jesus is object of far more attention. Here, Cohen's answer to the question of the possibility to represent the divine through the representation of Jesus is that Jesus' divinity, in the artistic representation of his figure, can only have a metaphorical value, the real meaning of which is that Jesus' story is the ideal story of the human being; in Kants Begründung der Ästhetik and in other writings of the 80s, on the contrary, the idea of incarnation and of the divinity of Jesus is object of a different appreciation by Cohen. The comparison between these different stances can be a contribution to the comprehension of the changes in Cohen's view of Christianity through the years.
Consciousness with Body and Soul: an Attempt at Cohen’s Never-Written Psychology
Abstract
There are contemporary tendencies to regard the human consciousness as an algorithm, or to reduce the human subjective to organic-natural processes or to see it as a social construction depending on cultural conditions. Such approaches pose a challenge to ethical humanism, as it seems, as if it requires new justification and groundings. How can we grasp and defend the concept of embodied subjectivity of man and its freedom to act? How can we think of its unity including thought, will and feeling, preventing it from getting lost in specialized potentials, and maintaining the person as an alert, responsible and self-founded unit? Furthermore, how is it possible to preserve the meaning of the name of the soul, since the notion of this traditional limit concept of the human subjective has fallen into disuse and likely vanished from the horizon? The essay asks for answer with the help of Hermann Cohen, the great Jewish philosopher of Neo-Kantianism, following the traces of his repeatedly stated, however never written systematic psychology. This first part of investigation confines itself to understand Cohen's early interpretation of Plato as the "primordial cell" of his psychology in order to show how the first three parts of his system of philosophy (Logic, Ethics, Aesthetics) answer to some of the questions and problems the early work had raised, with special attention to Cohen’s philosophy of religion. Self-movement of soul and its deep connection with the human body could be viewed and grasped from the unity of human culture as well as of the allness of man.
Bakhtin and Cohen: The First Stages in Building the Philosophical System
Abstract
Abstact. Although it is generally known that M.M. Bakhtin viewed himself as primarily a philosopher and not a philologist, the overwhelming majority of studies of his work belong to literary criticism. The purpose of this article, relying on the oral testimony of Bakhtin himself and his philosophical texts written in the Nevel-Vitebsk period (1919-1924), is to restore the origin of his philosophical sources and the content of his philosophical ideas of this period. The main idea is the concept of moral philosophy as a philosophical system, whose main subject is participative thinking and an answerable act as an event of being. One of the most important sources of these ideas was probably the philosophy of Neo-Kantianism represented by the teachings of H. Cohen. The article provides four examples of Bakhtin's continuity in relation to the Marburg philosopher - the idea of an answerable act concerning another person as the source of a human's self-consciousness and personal integrity, the idea of a correlative relationship between a person and his neighbor as an expression of a caring participatory being, the idea of distinguishing a moral attitude from an ethical-legal one and the idea of the philosophical system, whose subject is the process of interpersonal relations. In this case, the system consists not only in the integrity of the object but also in its openness. Revealing the continuity of Bakhtin's philosophical ideas regarding Cohen leads to a better understanding of these ideas and Bakhtin's originality of their development. It is also fruitful to compare the perception of Cohen's ideas by Bakhtin and their reception by another philosopher of dialogue, F. Rosenzweig.
PHENOMENOLOGY AND HERMENEUTICS
Historicity as a Principle of Interpretation of Analytics of Human Being in Philosophy of M. Heidegger
Abstract
Analysis of the state and possible options for the development of modern humanities gives the grounds to assert the growing importance of the idea of historicity in culture and philosophy during the 20th and early 21st centuries. In this regard, both the disclosure of the concept of historicity and the substantiation of the significance of the principle of historicity, both for the methodology of historical and philosophical knowledge and for humanitarian knowledge in general become relevant. The author of this article carries out historical and philosophical reconstruction of historical issues in the philosophy of M. Heidegger and reveals the process of converting the idea of historicity into the principle of German existentialism. It is concluded that with the help of historicity M. Heidegger was able to present his own version of phenomenology on an existential basis. Seeing an existential achievement in historicity, M. Heidegger understood by it the direction of existence to the source, tradition, on the basis of this, the intentionality of consciousness was revealed as an essential property of existence: the direction of man as a finite being to its source, which allowed the German philosopher to interpret historicity as a tradition, the existential source of man, and how the temporality of human existence. The author of this article concludes that in the philosophy of M. Heidegger historicity was transformed from an idea into a principle on the basis of which the German philosopher revealed not only the historicity of Dasein, building a fundamental ontology and hermeneutics of factuality, but also tried to solve the problem of the history of being, going beyond the existential philosophy.
Paul Ricoeur on the Recognition of Anxiety: Phenomenological Hermeneutics in Action
Abstract
The philosophical concept of anxiety, which is usually associated with Kierkegaard and Heidegger's existential philosophy, seems to be an underestimated notion in Paul Ricoeur's phenomenological hermeneutics, while its role is important - anxiety appears to serve as the grounding for hope in his hermeneutics of self. The article aims to show how the anxiety is explained in Ricoeur's philosophy through attention and recognition, and how the anxiety is reflected in the narrative forms, or descriptions of vivencia . These descriptions may be seen as the verbal explanation of the so-called affective niche or affective scaffolding , which is a form of cultural adaptation, attempting to interpret and comprehend one's state of mind and way of the perception of the world as such in the given moment. The research and further dialogue based on these narrations may become an important source to recover from anxiety disorder, by discovering its existential meaning and, at the same time, accepting personal responsibility for it. Ricoeur's phenomenological hermeneutics made an important theoretical contribution in understanding the essential aspects of anxiety and hope; but it also developed prolific methods of interpretation, that could be practically applied in health care and psychotherapy; these can be shown on the example of the psychotherapeutic method of the usage of so-called 'anxiety protocols', which aim to arrange the hermeneutical co-research to help patient/client to recognize and overcome its anxiety disorders.
The Role of Time in the Theory of Narrative Identity in the Philosophy of Paul Ricoeur
Abstract
Time has a very important function in considering the identity of a person. It is the factor that brings identity into question. The core of the problem is the question of whether the person is the same as he or she was at another time. The problem of personal identity was one of the most important issues in Paul Ricoeur’s philosophy. He considers this problem in the context of time and notes that traditional models of identity as sameness and as selfhood have been entangled in various aporias. He, therefore, proposes two new models of identity that are related in different ways to temporality: character and promise. Character is a model that changes over time through the acquisition or loss of various traits. The promise, on the other hand, is a model that resists the pressure of time attempts to keep a given word. In this way, these two different models create the framework for Ricoeur's concept of narrative identity. In this concept, time enables the development of action in a story. It allows the action to turn around, but it also allows the human being to look at the story of his or her life. Character and promise are models that allow the human being to look at his or her life as a certain temporal entity that is constantly threatened by unforeseen accidents and events but also constantly absorbs them and, through to time, gives the possibility of retrospection leading to synthesis. This synthesis allows us to look at a single life as a whole, belonging to the same person endowed with the character and challenge of keeping a promise.
STUDIES IN HISTORY OF RUSSIAN PHILOSOPHY
Timelessness of C.G. Jung and Super-Temporality of N.O. Lossky: Comparative Analysis
Abstract
The article compares views of C.G. Jung and N.O. Lossky on the nature of time, including in the context of contemporary to them physical theories - quantum mechanics by W. Pauli and relativistic physics by A. Einstein. In particular, the author points to the similarity of ideas of both thinkers that the psyche relativizes time not only subjectively, but also objectively. Jung and Lossky provide this statement with a similar empirical basis, for example, the researches of T. Flournoy, as well as similar theoretical arguments by postulating a fundamental acausal principle of the connection of all things, which is better suited for describing psychic and some physical phenomena than the classical causal explanation. In analytical psychology, such a principle is synchronicity, in hierarchical personalism - gnoseological coordination. Both concepts are genetically related to the G.W. Leibniz idea of pre-established harmony, which was reinterpreted by Jung and Lossky through different worldview foundations. Jung in his reasoning relied on the transcendental idealism of I. Kant, the principle of complementarity and the discoveries of quantum mechanics, Lossky - on intuitivism, the principle of subordination and on his own interpretation of Einstein’s theories. Jung comes to the conclusion that the psyche has a timeless character, and Lossky comes to the conclusion that it has a super-temporal character. Jung’s timelessness indicates the transcendental nature of psyche and the strive to get away from the classical causal explanation, saving it according to the principle of complementarity only to consider the phenomenal side of being and mainly physical processes. One of the pioneers of quantum mechanics Pauli was of the same opinion in general. Because of there is nothing transcendent in hierarchical personalism, Lossky’s super-temporality is of a strive to find a deeper basis for occurring in time processes, and, according to the principle of subordination, to include time in the hierarchical structure of the universe, prescribing for it a role of one of the two key forms of psychic and psycho-material processes characteristic of a certain stage of being.
Individual and Social in L.I. Petrazhitsky's Philosophy of Law
Abstract
Along with competing legal concepts of positivism and gnoseologism in the second half of the 19th century, a direction of legal psychology was formed, within which the psychological theory of law by the Russian and Polish lawyer L.I. Petrazhitsky takes a prominent place. L.I. Petrazhitsky's legal theory interprets the law as a mental phenomenon in a person's mind. The mental life forms the internal and external legal behavior. Studying the law becomes possible only by analyzing the subject's particular kind of emotional life - legal experience. Our focus on the individual's emotional world gives us reason to think of the theory as individualistic, i.e., close to the subject's mental life. At the same time, the Russian lawyer's psychological doctrine also gains explanatory potential for scrutinizing social life. It contains ideas that reveal such mechanisms of social functioning as the affirmation of the ideal of love as the ultimate goal of law-making, the priority of unofficial law in the life of society, and a specific interpretation of public and private law. The system of legal emotions is carried out on the social niveau and establishes such values as love and social order. The article reconstructs the main provisions of Petrazhitsky's psychological theory of law from the point of view of the interaction of its individual and social sides. The social potential of the Russian lawyer's theory appears capable of supplementing and explaining the ideas of socialism and sobornost discussed widely at the turn of the 19th and 20th centuries. Petrazhitsky's individualistic doctrine appears as a flexible concept, capable of fitting organically into various philosophical and sociological contexts.
Manuscript and transfers
Body and Time in Sesemann's Philosophy of Culture: Preface to the Publication of the Vasily Sesemann's Manuscript "Sport and Contemporary Culture"
Abstract
This publication presents manuscript of the famous Russian-Lithuanian philosopher Vasily Seseman (1884-1963) accompanied by a preface. The manuscript "Sport and Contemporary Culture" is the text of Seseman's manuscript collection, which is located in Vilnius University (F122-79). Manuscript is a preparatory text for the article "Time, Culture and Body" (first published in 1931 under the pen name "V. Chukhnin", and then in 1935 under his real name). In "Time, Culture and Body" Sesemann develops his ideas concerning the objectifying attitude, which leads to human's alienation towards body and time. Sesemann claims that the time is perceived as a meaningful entirety only when the time is contemplated from the point of view of work. Work is a purpose-attaining activity where subjective creativity is oriented towards an objective result in future. Working in pursuit of one's goals helps to avoid facing the emptiness of time, but at the same time it alienates the present. Work helps the subject to overcome his individual limitations and to become a part of the objective culture. By hiding behind the results of an objective activity people avoid direct contact with the time because it may appear as an interruption of meaningful relations and as a boredom. The tendency to objectify time is accompanied by the process of objectification of body. Previously, a primitive person could trust his body more than tools. In the modern culture body is gradually downgraded because tools, machinery and even separate institutions take over its functions. In this way the centre of culture is moved to the world of objects which is beyond a subject's control and body plays a merely auxiliary part. A person can overcome his alienation towards time and body only by being wakeful - here and now, by self-knowledge and self-control. Sesemann describes the self-control as the practical ability and mood, which he called "presence of mind". In this state of mind person is able to fing oneself, concentrate and mobilise all his strength to his utmost, maintain inner composure, calmness and balance of spirit.
Sport and Contemporary Culture
Abstract
This publication presents manuscript of the famous Russian-Lithuanian philosopher Vasily Seseman (1884-1963) accompanied by a preface. The manuscript "Sport and Contemporary Culture" is the text of Seseman's manuscript collection, which is located in Vilnius University (F122-79). Manuscript is a preparatory text for the article "Time, Culture and Body" (first published in 1931 under the pen name "V. Chukhnin", and then in 1935 under his real name). In "Time, Culture and Body" Sesemann develops his ideas concerning the objectifying attitude, which leads to human's alienation towards body and time. Sesemann claims that the time is perceived as a meaningful entirety only when the time is contemplated from the point of view of work. Work is a purpose-attaining activity where subjective creativity is oriented towards an objective result in future. Working in pursuit of one's goals helps to avoid facing the emptiness of time, but at the same time it alienates the present. Work helps the subject to overcome his individual limitations and to become a part of the objective culture. By hiding behind the results of an objective activity people avoid direct contact with the time because it may appear as an interruption of meaningful relations and as a boredom. The tendency to objectify time is accompanied by the process of objectification of body. Previously, a primitive person could trust his body more than tools. In the modern culture body is gradually downgraded because tools, machinery and even separate institutions take over its functions. In this way the centre of culture is moved to the world of objects which is beyond a subject's control and body plays a merely auxiliary part. A person can overcome his alienation towards time and body only by being wakeful - here and now, by self-knowledge and self-control. Sesemann describes the self-control as the practical ability and mood, which he called "presence of mind". In this state of mind person is able to fing oneself, concentrate and mobilise all his strength to his utmost, maintain inner composure, calmness and balance of spirit.
SCHOLARLY LIFE
Landscape Philosophy in Relation to the Description of Contemporary Society and its Environment
Abstract
The article discusses the features of landscape philosophy, as well as the prospects of its practical application to analyze the crises of modern society associated with the scientific and technological revolution, globalization and the massification of culture. The concept of landscape becomes particularly important in connection with the urban turn in philosophy. The analysis given in this article has shown that landscape philosophy explains the negative characteristics of colonial cognition. The interpretation of the concept of space in landscape philosophy is considered. Following S. Goryainov, we consider landscape philosophy as a philosophy of crisis. Our analysis has shown that landscape philosophy contributes to the approbation of models for solving the crisis of language and mind. Landscape philosophy and philosophical anthropology reveal existential problems. The works of M. de Unamuno, M. Scheler, M. Foucault and V. Podoroga were analyzed in this context. The significance of Unamuno's philosophy for the analysis of the role of individual creative space in the contemporary world is revealed. The applicability of Scheler's concept of spirit for the analysis of the problems of landscape philosophy is revealed. It is proved that within the framework of Podoroga's landscape philosophy, the problem of the correlation of politics and political. Using the concepts of utopia, atopia, and heterotopia, various aspects of the crisis of contemporary man man associated with the transformation of the subject's identity, the fragmentation of meanings and significance are studied. Thus, Podoroga's works are valuable for crisis philosophy because they analyze both spatial and political aspects of the crisis of contemporary society. Podoroga's works make it possible to reflect the contradictions of contemporary society, which ensures the prospects of their application for the analysis of changes in the contemporary social space.