The Irony Implicity in the Semantic Space of Literary Text

Abstract

The article considers the irony implicitly in the art text from positions of asymmetric dualism of a language sign, a connotation (konnotativnost), estimation and the emotive component (emotivnost), and also as a result of specific attitude of a text producer. The author specifies that the substantial unity of the art text becomes result of integration of meanings - explicit and implicit among which the last become defining in the organization of irony semantic space.