THE PREMIERE OF A.P. CHEKHOV’S TATYANA REPINA AT JUDSON POETS’ THEATER

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Abstract

The materials from the New York University archives as well as the author’s interview with actress Essie Borden who took part in the play, served as the basic data for the presented article, which tells the story of A.P. Chekhov’s Tatyana Repina premiere staged by The Judson Poets’ Theater for the first time. Reverend Al Carmines who was the leading figure in Off-off Broadway movement in the 70-ies and 90ies of the XXth century was the producer of the staging. John Racin’s translation as well as his long term research on Tatyana Repina by A.S. Suvorin and A.P. Chekhov made it possible to show Tatyana Repina to English-speaking public. The full overview of all the newspaper articles dedicated to the pay allowed to draw the conclusion that the staging was well accepted by the contemporaries as an experimental show put together by a group of enthusiasts, but did not get any attention of big theater producers. Themes and problems of the drama were not of any interest for the majority of audience, the play could not be of any commercial value, so the premiere show remained the only one in the USA. The drama plays a very important role in understanding of the creative dialog between A.P. Chek-hov and A.S. Suvorin and understanding of Chekhov’s themes and innovative approaches to playma-king.

About the authors

O V Spachil

Kuban State University

Author for correspondence.
Email: spachil.olga0@gmail.com

Candidate of philological sciences, associate professor, Department of English philology, Kuban State University

Stavropol skaya str., 149, Krasnodar, Russia, 350040

References

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  2. Castillo. J.C. Al Carmines and the Judson Poet’s Theater Musicals. Dissertation. New York University, 1979.
  3. Castillo J.C. The Greenwich Village church that helped women get illegal fbortions. New York Magazine. Dec 26 2016 [cited Jan 13 2017]. Available from: http://bedfordandbowery.com/2016/12/the-church-that-helped-women-get-illegal-abortions/
  4. Chekhov M.P. Anton Chekhov, teatr, aktery i Tat’yana Repina. Petrograd: Izdaniye avtora, 1924.
  5. Eder R. Play: Chekhov’s Tatyana Repina. The New York Times. April 5, 1978. P. 23.
  6. Feingold M. Grateful for the undead. Village Voice, April 17, 1978.
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  8. Humanifesto. Judson Memorial Church [homepage on the Internet]. No date. [cited 2016 Dec 20] Available from: http://www.judson.org/judson-arts-wed/
  9. Judson Memorial Church Archive >> Series A: Arts >>Subseries 3: Judson Poet’s Theater >> The Fales Library and Special Collections. MSS 094, Box 13, Folder 7.
  10. Judson Memorial Church Archive >> Series A: Arts >>Subseries 3: Judson Poet’s Theater >> The Fales Library and Special Collections. MSS 094, Box 81, Media ID: 094.0021.
  11. Judson Memorial Church Archive >> Series A: Arts >>Subseries 3: Judson Poet’s Theater >> The Fales Library and Special Collections. MSS 094, Box 7, Folder 24.
  12. Kenneth T. Jackson, ed., The Encyclopedia of New York City. New Haven & London: Yale University Press for The New York Historical Society, 2010, 2d. ed. P. 688—689.
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  14. My interview with Essie Borden took place in New York on August 8, 2016.
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  16. Odesskaya M.M. Tatyana Repina. Two Translated Texts by Aleksei Suvorin and Anton Chekhov. Chekhovskiy Vestnik, 1999. No. 5. Pp. 44—49.
  17. Racin J. Chekhov’s use of church ritual in Tatyana Repina. In: Themes in Drama. (Cambridge, London, New York, New Rochelle, Melbourne, Sydney: Cambridge University Press, 1983). P. 1—19.
  18. Racin J., trans. and ed., Tatyana Repina, Two Translated Texts: The 1888 Four-Act Tatyana Repina by Alexei Suvorin and Anton Chekhov’s 1889 One-Act Continuation. North Carolina, and London: McFarland & Company, Inc., Publishers Jefferson, 1999.
  19. The WPA Guide to New York City: The Federal Writers’ Project Guide to 1930s with an introduction by William H. Whyte. New York: The New Press, 1995. P. 131—135.

Copyright (c) 2017 Spachil O.V.

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