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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="research-article" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">RUDN Journal of Psychology and Pedagogics</journal-id><journal-title-group><journal-title xml:lang="en">RUDN Journal of Psychology and Pedagogics</journal-title><trans-title-group xml:lang="ru"><trans-title>Вестник Российского университета дружбы народов. Серия: Психология и педагогика</trans-title></trans-title-group></journal-title-group><issn publication-format="print">2313-1683</issn><issn publication-format="electronic">2313-1705</issn><publisher><publisher-name xml:lang="en">Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">40391</article-id><article-id pub-id-type="doi">10.22363/2313-1683-2023-20-4-883-895</article-id><article-id pub-id-type="edn">YAYTUT</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>PERSONALITY AND ENVIRONMENT: NATURE, CITY, SOCIETY</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>ЛИЧНОСТЬ И ОКРУЖАЮЩАЯ СРЕДА: ПРИРОДА, ГОРОД, СОЦИУМ</subject></subj-group><subj-group subj-group-type="article-type"><subject>Research Article</subject></subj-group></article-categories><title-group><article-title xml:lang="en">Where Beauty Meets Truth: Ballet Dancers at Fordham University</article-title><trans-title-group xml:lang="ru"><trans-title>Там, где красота встречается с истиной: танцоры балета в Университете Фордхем</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0008-3988-3687</contrib-id><name-alternatives><name xml:lang="en"><surname>Zeller</surname><given-names>Lilian</given-names></name><name xml:lang="ru"><surname>Зеллер</surname><given-names>Лилиан</given-names></name></name-alternatives><bio xml:lang="en"><p>dancer and undergraduate at Fordham University Lincoln Center. At the time of this report she is a rising senior pursuing a BS in Psychology</p></bio><bio xml:lang="ru"><p>артистка балета и студентка Линкольн-центра Университета Фордхэм (Нью-Йорк, Соединенные Штаты Америки). На момент написания данной статьи - выпускница бакалавриата по психологии</p></bio><email>lzeller1@fordham.edu</email><xref ref-type="aff" rid="aff1"/></contrib><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-2309-9184</contrib-id><name-alternatives><name xml:lang="en"><surname>Takooshian</surname><given-names>Harold</given-names></name><name xml:lang="ru"><surname>Гарольд</surname><given-names>Такушьян</given-names></name></name-alternatives><bio xml:lang="en"><p>PhD in Psychology, is Professor of Psychology and Organizational Leadership, Fordham University (New York, United States of America); Editor of the Psychology Coalition at the United Nations (PCUN) book series on international psychology</p></bio><bio xml:lang="ru"><p>профессор психологии и организационного лидерства, Университет Фордхэм (Нью-Йорк, Соединенные Штаты Америки). Редактор серии книг Коалиции психологов при Организации Объединенных Наций (PCUN) по интернациональной психологии</p></bio><email>takoosh@aol.com</email><xref ref-type="aff" rid="aff1"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">Fordham University</institution></aff><aff><institution xml:lang="ru">Фордхемский университет</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2023-12-15" publication-format="electronic"><day>15</day><month>12</month><year>2023</year></pub-date><volume>20</volume><issue>4</issue><issue-title xml:lang="en">VOL 20, NO4 (2023)</issue-title><issue-title xml:lang="ru">ТОМ 20, №4 (2023)</issue-title><fpage>883</fpage><lpage>895</lpage><history><date date-type="received" iso-8601-date="2024-08-12"><day>12</day><month>08</month><year>2024</year></date></history><permissions><copyright-statement xml:lang="en">Copyright ©; 2023, Zeller L., Takooshian H.</copyright-statement><copyright-statement xml:lang="ru">Copyright ©; 2023, Зеллер Л., Гарольд Т.</copyright-statement><copyright-year>2023</copyright-year><copyright-holder xml:lang="en">Zeller L., Takooshian H.</copyright-holder><copyright-holder xml:lang="ru">Зеллер Л., Гарольд Т.</copyright-holder><ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">https://creativecommons.org/licenses/by-nc/4.0</ali:license_ref></license></permissions><self-uri xlink:href="https://journals.rudn.ru/psychology-pedagogics/article/view/40391">https://journals.rudn.ru/psychology-pedagogics/article/view/40391</self-uri><abstract xml:lang="en"><p style="text-align: justify;">From its origin in 1968, one unique mission of Fordham University’s new campus in Lincoln Center for the Performing Arts has been to educate performing artists, including ballet dancers. What is these dancers’ experience with Fordham? This study offers: (a) a concise history of this “marriage of beauty with truth” in Lincoln Center; (b) how the unique educational needs of dancers were addressed by the university; (c) a quantitative assessment using an 80-point student satisfaction survey found 28 NYCB dancers scored significantly higher (mean = 58.5) than 1,365 other Fordham Lincoln Center students (mean = 53.2, t- test, p &lt;. 001); (d) a qualitative assessment revealed different paths that 20 acclaimed NYCB dancers took to apply their Fordham education to second careers in a wide array of specialties: from dance and the arts to management, education, law, psychology, and medicine.</p></abstract><trans-abstract xml:lang="ru"><p style="text-align: justify;">С момента создания в 1968 г. одной из уникальных задач нового кампуса Фордхемского университета в Линкольн-центре исполнительских искусств было обучение артистов-исполнителей, в том числе танцоров балета. Исследование посвящено опыту и впечатлениям, получаемым танцорами в Фордхэме. Рассмотрена краткая история «брака красоты с истиной» в Линкольн-центре. Проанализированы способы удовлетворения уникальных образовательных потребностей танцоров. Осуществлена количественная оценка с использованием 80-балльного опроса удовлетворенности студентов, показавшая, что 28 танцоров Нью-Йоркского городского балета (NYCB) набрали значительно более высокие баллы (среднее значение 58,5), чем 1365 других студентов кампуса Фордхемского университета в Линкольн-центре (среднее значение 53,2; t -критерий; p &lt; 0,001). Качественная оценка выявила различные пути, выбранные 20 известными танцорами NYCB для применения полученного в Фордхэме образования ко второй карьере в широком спектре специальностей: от танцев и искусства до менеджмента, образования, права, психологии и медицины.</p></trans-abstract><kwd-group xml:lang="en"><kwd>dancers</kwd><kwd>Fordham University</kwd><kwd>New York City Ballet</kwd><kwd>urban education</kwd><kwd>360-degree feedback</kwd><kwd>student attitudes</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>танцоры</kwd><kwd>Университет Фордхэм</kwd><kwd>Нью-Йоркский городской балет</kwd><kwd>городское образование</kwd><kwd>обратная связь «360 градусов»</kwd><kwd>аттитюды студентов</kwd></kwd-group><funding-group/></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><mixed-citation>Formozova, A., &amp; Urmanche, A., (2014, Spring). Using 360-degree feedback to compare Russian and American university students. 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