Polylinguality and Transcultural PracticesPolylinguality and Transcultural PracticesПолилингвиальность и транскультурные практики2618-897X2618-8988Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)2080710.22363/2618-897X-2019-16-1-63-72LITERARY SPACEХудожественное измерениеResearch ArticleSelf-Identification of Ravil Bukharayev’s Lyrical Subject (as seen in A Wreath of Wild-Growing Sonnets)Пути самоидентификации лирического субъекта Р. Бухараева (на материале цикла «Венок дикорастущих сонетов»)AminevaVenera RАминеваВенера РудалевнаDoctor of Philology, Associate Professor, Associate professor of the Russian and Foreign Literature Department of “Kazan (Volga) federal university”. Leading researcher at А.M. Gorky Institute of World Literature of the Russian Academy of Sciencesдоктор филологических наук, доцент, доцент кафедры русской и зарубежной литературы Казанского (Приволжского) федерального университета, ведущий научный сотрудник Институт мировой литературы им. М. Горького РАНamineva1000@list.ruYuzmukhametovaLandysh NЮзмухаметоваЛандыш НургаяновнаCandidate of Philology, Associate professor of the Department of Foreign languages for the Social and Humanitarian Direction at the Institute of the International Relations of “Kazan (Volga) federal university”.кандидат филологических наук, доцент кафедры иностранных языков социально-гуманитарного направления Института международных отношений Казанского (Приволжского) федерального университетаland_yz@mail.ruKazan (Volga Region) Federal UniversityКазанский (Приволжский) федеральный университет15122019161VOL 16, NO1 (2019)ТОМ 16, №1 (2019)637227032019Copyright ©; 2019, Amineva V.R., Yuzmukhametova L.N.Copyright ©; 2019, Аминева В.Р., Юзмухаметова Л.Н.2019Amineva V.R., Yuzmukhametova L.N.Аминева В.Р., Юзмухаметова Л.Н.https://creativecommons.org/licenses/by-nc/4.0https://journals.rudn.ru/polylinguality/article/view/20807The works by Ravil Bukharayev (1951-2012) - who created his poetic texts in Russian, Tatar, English, and Hungarian and was involved in the Tatar literature and culture - possess a special art and esthetic nature, which demands evidence-based and adequate esthetic assessment. An attempt to reveal the functioning features of this genre and strophe form is made for the first timein the modern Russianspeaking poetry on the material of A Wreath of Wild - Growing Sonnets , a cycle of poems by R. Bukharayev. The methodical studying system of the works, which are created on a joint of cultures, thus embodying new forms of a “hybrid” identity, relies on the doctrine about the dialogical nature of art creativity and on the theory of a trans-level of culture developed in foreign and domestic literary criticism. The conclusion is drawn that the wreath of sonnets stops being a static form in R. Bukharayev’s lyrics, and its genre semantics is formed only by its composite structure. The art integrity of this genre and strophe system is created not only by a “chained” design of a wreath connecting the end and the beginning of all cyclic context in general, but also by a concentric principle of the main subject development. It is defined that the subjective architectonics of this sonnet cycle is formed by the relations of the lyrical hero and special-type supersubjects - personified images of foreign culture. The main ways of overcoming the border between “own” and “other” are described in the article as follows: to study Hungarian which performs a replaceable function and to study the works. They are allocated with mythological features and find one-to-one correspondences: nature and person, “own” and “other”, silence and a word, lines of a sonnet and flowers in a bouquet. The received results are significant for understanding the art and esthetic nature of the “boundary” phenomena in the modern literary process.Цикла формируется отношениями лирического героя и сверхсубъектов особого типа - персонифицированных образов чужой культуры. В статье описываются основные способы преодоления границы между «своим» и «чужим»: рутинное/креативное общение на венгерском языке, выполняющее заместительную функцию. Творчество наделяется мифологическими чертами и обнаруживает взаимно однозначные соответствия природы и человека, «своего» и «чужого», молчания и слова, строчек сонета и цветов в букете.Russian literaturehybrid identity“own”“other”genre poeticssubject architectonicsрусскоязычная литературагибридная идентичность«свое»«чужое»поэтика жанрасубъектная архитектоника[Bukharayev, R.R. 2011. Selected Works: Book of Verses. Kazan: Magarif - Wakyt. 415 p. Print.][Bukharayev, R. 2001. Infinite Train: Chosen Verses and Poems. Kazan: Magarif. 319 p. Print.][Bondarenko, V.A. 2011. Slavic Stock to a Turkic Savage. Kazan: Magarif - Wakyt: 373-389. Print.][Ibragimov, M.I. 2016. “Chronotope and Identity (on the example of a cycle of verses of Ravil Bukharayev “The Kazan Snow”)”. Literature at school. 6: 41-43. Print.][Bukharayeva, L. Hungarian Measurement of Creativity of Ravil Bukharayev, Web. //http://kazanjournal.ru/pages/item/5129-buharaev (Date of the address: 01.06.2018).][Lozhkova, A.V. 2012. “Sonnet as a Lyric Genre”. Ural philological journal. 6: 5-18. Print.][Ostankovich, A.V. 2008. “Genre Specifics, Principles and Regularities of Cyclic Communication of Sonnets”. Journal of the Stavropol State University. 5: 39-44. Print.][Talysbayeva, Zh.Zh. 2015. “About the Nature of Transformations of a Wreath of Sonnets in Poetry of the 20-21st centuries”. The Siberian philological journal. 1: 133-139. Print.][Tlostanova, M.V. 2004. Post-Soviet Literature and Esthetics of a Transculture. To Live Never, to Write from Nowhere. Moscow: URRS. 2004. 416 p. Print.][Bakhtikireeva, U.M. 2005. Art Bilingual and Features of the Russian Art Text of the Writer Bilingual. ADD philol. sciences. Moscow. 35 p. Print.][Bhabha, H. 1994. The Location of Culture. New York. 408 p. Print.][Berry, Е., and M. Epstein. 1999. Transcultural Experiments: Russian and American Models of Creative Communication. New York: St. Martin’s Press, 340 p. Print.][Korman, B.O. 2006. Chosen Works. Theory of Literature. Izhevsk: Institute of computer researches. 552 p. Print.][Broytman, S.N. 2001. Historical Poetics. Study Guide. Moscow: Russian State Humanitarian University. 320 p. Print.][Khan, A. 2001. Poetic Universe. Analysis of the Poem of B. Pasternak “Definition of poetry”: Preliminary Results to the Analysis of the Cycle “Engagement in Philosophy”. Studia Russica. 19: 169-188. Print.][Yarantsev, V. “…We will make out the friend in the light of God”. Web. //http://www.sibogni.ru/ content/buharaev-ravil-kazanskie-snega-stihi-kazan-magarif-2004 (Date of the address: 01.06.2018)]