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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="research-article" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">RUDN Journal of Studies in Literature and Journalism</journal-id><journal-title-group><journal-title xml:lang="en">RUDN Journal of Studies in Literature and Journalism</journal-title><trans-title-group xml:lang="ru"><trans-title>Вестник Российского университета дружбы народов. Серия: Литературоведение. Журналистика</trans-title></trans-title-group></journal-title-group><issn publication-format="print">2312-9220</issn><issn publication-format="electronic">2312-9247</issn><publisher><publisher-name xml:lang="en">Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">4381</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>ARTICLES</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>СТАТЬИ</subject></subj-group><subj-group subj-group-type="article-type"><subject>Research Article</subject></subj-group></article-categories><title-group><article-title xml:lang="en">The esthetique of paradoxe in the absurd theatre</article-title><trans-title-group xml:lang="ru"><trans-title>Эстетика парадокса в театре абсурда</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="en"><surname>Shervashidze</surname><given-names>V V</given-names></name><name xml:lang="ru"><surname>Шервашидзе</surname><given-names>Вера Вахтанговна</given-names></name></name-alternatives><email>literatura1@mail.ru</email><xref ref-type="aff" rid="aff1"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">Peoples’ Friendship University of Russia</institution></aff><aff><institution xml:lang="ru">Российский университет дружбы народов</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2013-03-15" publication-format="electronic"><day>15</day><month>03</month><year>2013</year></pub-date><issue>3</issue><issue-title xml:lang="en">NO3 (2013)</issue-title><issue-title xml:lang="ru">№3 (2013)</issue-title><fpage>5</fpage><lpage>8</lpage><history><date date-type="received" iso-8601-date="2016-09-07"><day>07</day><month>09</month><year>2016</year></date></history><permissions><copyright-statement xml:lang="ru">Copyright ©; 2013, Шервашидзе В.В.</copyright-statement><copyright-year>2013</copyright-year><copyright-holder xml:lang="ru">Шервашидзе В.В.</copyright-holder><ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">http://creativecommons.org/licenses/by/4.0</ali:license_ref></license></permissions><self-uri xlink:href="https://journals.rudn.ru/literary-criticism/article/view/4381">https://journals.rudn.ru/literary-criticism/article/view/4381</self-uri><abstract xml:lang="en">The experimental search of the new theatre has destroyed the semantic of the reality. The rupture of the sign and his sense changed the structure and the artistic language of the absurd theatre. The sense is arising between the signs without significance on the text to be created.</abstract><trans-abstract xml:lang="ru">Театр абсурда — новая модель драматургии. Идея разрыва знака и его смысла рождает логику парадокса. Поэтика театра абсурда построена на принципе демонстративного выворачивания структур реальности. Кризисность жанра стимулировала дальнейшую эволюцию театральных форм. Современный театр находится в вечном поиске обновления.</trans-abstract><kwd-group xml:lang="en"><kwd>absurd</kwd><kwd>rupture</kwd><kwd>sign</kwd><kwd>alienation eternal recurrence</kwd><kwd>identity</kwd><kwd>grotesque</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>абсурд</kwd><kwd>парадокс</kwd><kwd>метафора</kwd><kwd>гротеск</kwd><kwd>марионетка</kwd><kwd>миметический персонаж</kwd><kwd>знак</kwd></kwd-group></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><mixed-citation>Husserl E. La Crise des sciences européenne et la phénoménology transcendante. — P., 1987.</mixed-citation></ref><ref id="B2"><label>2.</label><mixed-citation>Beckett S. Théâtre. — SPb., 1999.</mixed-citation></ref><ref id="B3"><label>3.</label><mixed-citation>Ionesco E. Les rinocéros. — SPb., 1999.</mixed-citation></ref><ref id="B4"><label>4.</label><mixed-citation>Basbier Ch. L’homme mot et l’acteur pneumatique // Theaters. — 2003. — № 11, Nov.-dec. — P. 42.</mixed-citation></ref></ref-list></back></article>
