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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="research-article" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">RUDN Journal of Studies in Literature and Journalism</journal-id><journal-title-group><journal-title xml:lang="en">RUDN Journal of Studies in Literature and Journalism</journal-title><trans-title-group xml:lang="ru"><trans-title>Вестник Российского университета дружбы народов. Серия: Литературоведение. Журналистика</trans-title></trans-title-group></journal-title-group><issn publication-format="print">2312-9220</issn><issn publication-format="electronic">2312-9247</issn><publisher><publisher-name xml:lang="en">Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">40033</article-id><article-id pub-id-type="doi">10.22363/2312-9220-2024-29-1-135-151</article-id><article-id pub-id-type="edn">HBALMC</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>JOURNALISM</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>Журналистика</subject></subj-group><subj-group subj-group-type="article-type"><subject>Research Article</subject></subj-group></article-categories><title-group><article-title xml:lang="en">TV channels in a period of turbulence: content strategies in social media</article-title><trans-title-group xml:lang="ru"><trans-title>Телеканалы в период турбулентности: контент-стратегии в социальных медиа</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-5022-4772</contrib-id><name-alternatives><name xml:lang="en"><surname>Kruglova</surname><given-names>Lyudmila A.</given-names></name><name xml:lang="ru"><surname>Круглова</surname><given-names>Людмила Алексеевна</given-names></name></name-alternatives><bio xml:lang="en"><p>Candidate of Philology, Associate Professor, Associate Professor at the Department of Television and Radio Broadcasting, Faculty of Journalism</p></bio><bio xml:lang="ru"><p>кандидат филологических наук, доцент кафедры телевидения и радиовещания, факультет журналистики</p></bio><email>abiljo@mail.ru</email><xref ref-type="aff" rid="aff1"/></contrib><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-0339-1188</contrib-id><name-alternatives><name xml:lang="en"><surname>Shchepilova</surname><given-names>Galina G.</given-names></name><name xml:lang="ru"><surname>Щепилова</surname><given-names>Галина Германовна</given-names></name></name-alternatives><bio xml:lang="en"><p>Doctor of Philology, Professor, Head of the Department of Tele- vision and Radio Broadcasting, Faculty of Journalism</p></bio><bio xml:lang="ru"><p>доктор филологических наук, профессор, заведующая кафедрой телевидения и радиовещания, факультет журналистики</p></bio><email>shgg@yandex.ru</email><xref ref-type="aff" rid="aff1"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">Lomonosov Moscow State University</institution></aff><aff><institution xml:lang="ru">Московский государственный университет имени М.В. Ломоносова</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2024-06-30" publication-format="electronic"><day>30</day><month>06</month><year>2024</year></pub-date><volume>29</volume><issue>1</issue><issue-title xml:lang="en">VOL 29, NO1 (2024)</issue-title><issue-title xml:lang="ru">ТОМ 29, №1 (2024)</issue-title><fpage>135</fpage><lpage>151</lpage><history><date date-type="received" iso-8601-date="2024-07-15"><day>15</day><month>07</month><year>2024</year></date></history><permissions><copyright-statement xml:lang="en">Copyright ©; 2024, Kruglova L.A., Shchepilova G.G.</copyright-statement><copyright-statement xml:lang="ru">Copyright ©; 2024, Круглова Л.А., Щепилова Г.Г.</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="en">Kruglova L.A., Shchepilova G.G.</copyright-holder><copyright-holder xml:lang="ru">Круглова Л.А., Щепилова Г.Г.</copyright-holder><ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">https://creativecommons.org/licenses/by-nc/4.0</ali:license_ref></license></permissions><self-uri xlink:href="https://journals.rudn.ru/literary-criticism/article/view/40033">https://journals.rudn.ru/literary-criticism/article/view/40033</self-uri><abstract xml:lang="en"><p>The results of the examination of six Russian TV channels (Channel One, Rossiya 1, NTV, STS, TNT, Friday!) are presented, the peculiarities of their work with social media VKontakte and Odnoklassniki are revealed. An attempt was made to identify the changed digital content strategies of TV channels in turbulent conditions. The effectiveness of TV accounts in social media during four weeks of 2022 and 2023 has been studied. The following parameters were analysed: number of posts, user comments, views and likes. Based on audience and channel activity, the Engagement Rate of users in the published content was determined. The most popular publications among the audience were identified, their formats and thematic focus were reviewed. The return of interest to the Odnoklassniki resource was noted. The tendency of the past years when TV channels duplicated content in their accounts of various social networks was also recorded. During the period of changes in the media landscape and social turbulence, the audience demand for news agenda, on the one hand, and entertainment, or rather “distracting” content, on the other hand, was noted.</p></abstract><trans-abstract xml:lang="ru"><p>Представлены результаты экспертизы шести российских телеканалов (Первый канал, «Россия 1», НТВ, СТС, ТНТ, «Пятница!»), выявлены особенности их работы с социальными медиа «ВКонтакте» и «Одноклассники». Сделана попытка определить изменившиеся цифровые контент-стратегии телеканалов в условиях турбулентности. Изучена эффективность ТВ-аккаунтов в социальных сетях в течение четырех недель 2022 и 2023 гг. Проанализированы следующие параметры: количество постов, комментариев пользователей, просмотров и лайков. На основании аудиторных и канальных активностей определен коэффициент вовлеченности пользователей в публикуемый контент (Engagement Rate). Обозначены наиболее востребованные у аудитории публикации, рассмотрены их форматы и тематическая направленность. Отмечен вернувшийся интерес к ресурсу «Одноклассники». Также зафиксирована тенденция прошлых лет, когда телевизионные каналы дублировали контент в своих аккаунтах различных социальных сетей. В период изменения медиаландшафта и социальной турбулентности отмечен аудиторный запрос, с одной стороны, на новостную повестку, с другой - на развлекательный, а точнее «отвлекающий» контент.</p></trans-abstract><kwd-group xml:lang="en"><kwd>TV</kwd><kwd>entertainment content</kwd><kwd>engagement rate</kwd><kwd>user activity</kwd><kwd>media consumption</kwd><kwd>media landscape</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>телевидение</kwd><kwd>развлекательный контент</kwd><kwd>коэффициент вовлеченности</kwd><kwd>активность пользователей</kwd><kwd>медиапотребление</kwd><kwd>медиаландшафт</kwd></kwd-group><funding-group/></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><citation-alternatives><mixed-citation xml:lang="en">Chobanyan, K. (2020). Up for a challenge? Digital practices of 24-hour news channels. World of Media. 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