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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="research-article" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">RUDN Journal of Studies in Literature and Journalism</journal-id><journal-title-group><journal-title xml:lang="en">RUDN Journal of Studies in Literature and Journalism</journal-title><trans-title-group xml:lang="ru"><trans-title>Вестник Российского университета дружбы народов. Серия: Литературоведение. Журналистика</trans-title></trans-title-group></journal-title-group><issn publication-format="print">2312-9220</issn><issn publication-format="electronic">2312-9247</issn><publisher><publisher-name xml:lang="en">Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">29861</article-id><article-id pub-id-type="doi">10.22363/2312-9220-2021-26-4-697-704</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>JOURNALISM</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>Журналистика</subject></subj-group><subj-group subj-group-type="article-type"><subject>Research Article</subject></subj-group></article-categories><title-group><article-title xml:lang="en">Comparative Study on Transmedia Awareness of Traditional Media Audiences and Social Media Users in Turkey and Ukraine</article-title><trans-title-group xml:lang="ru"><trans-title>Сопоставительный анализ трансмедийной осведомленности аудиторий традиционных СМИ и социальных медиа в Турции и Украине</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-7581-9622</contrib-id><name-alternatives><name xml:lang="en"><surname>Bilgili</surname><given-names>Can</given-names></name><name xml:lang="ru"><surname>Билгили</surname><given-names>Джан</given-names></name></name-alternatives><bio xml:lang="en"><p>CEO &amp; Founder of World Experience Campus, Professor of Media and Communication, Department of Visual Communication Design</p></bio><bio xml:lang="ru"><p>генеральный директор и основатель World Experience Campus, профессор медиа и коммуникаций, факультет дизайна визуальных коммуникаций</p></bio><email>can.bilgili@gedik.edu.tr</email><xref ref-type="aff" rid="aff1"/></contrib><contrib contrib-type="author"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-8592-1022</contrib-id><name-alternatives><name xml:lang="en"><surname>Goroshko</surname><given-names>Olena I.</given-names></name><name xml:lang="ru"><surname>Горошко</surname><given-names>Елена Игоревна</given-names></name></name-alternatives><bio xml:lang="en"><p>Professor, Head of Cross-Cultural and Media Communication Department</p></bio><bio xml:lang="ru"><p>профессор, заведующая кафедрой межкультурных и медийных коммуникаций</p></bio><email>olena.goroshko1965@gmail.com</email><xref ref-type="aff" rid="aff2"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">İstanbul Gedik University</institution></aff><aff><institution xml:lang="ru">Стамбульский Гедык университет</institution></aff></aff-alternatives><aff-alternatives id="aff2"><aff><institution xml:lang="en">National Technical University “Kharkiv Polytechnic Institute”</institution></aff><aff><institution xml:lang="ru">Национальный технический университет «Харьковский политехнический институт»</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2021-12-29" publication-format="electronic"><day>29</day><month>12</month><year>2021</year></pub-date><volume>26</volume><issue>4</issue><issue-title xml:lang="en">MEDIATIZATION IN THE DIGITAL ERA: FROM TRANSITION TO TRANSGRESSION</issue-title><issue-title xml:lang="ru">МЕДИАТИЗАЦИЯ В ЦИФРОВУЮ ЭПОХУ: ОТ ТРАНЗИТА К ТРАНСГРЕССИИ</issue-title><fpage>697</fpage><lpage>704</lpage><history><date date-type="received" iso-8601-date="2021-12-29"><day>29</day><month>12</month><year>2021</year></date></history><permissions><copyright-statement xml:lang="en">Copyright ©; 2021, Bilgili C., Goroshko O.I.</copyright-statement><copyright-statement xml:lang="ru">Copyright ©; 2021, Билгили Д., Горошко Е.И.</copyright-statement><copyright-year>2021</copyright-year><copyright-holder xml:lang="en">Bilgili C., Goroshko O.I.</copyright-holder><copyright-holder xml:lang="ru">Билгили Д., Горошко Е.И.</copyright-holder><ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">http://creativecommons.org/licenses/by/4.0</ali:license_ref></license></permissions><self-uri xlink:href="https://journals.rudn.ru/literary-criticism/article/view/29861">https://journals.rudn.ru/literary-criticism/article/view/29861</self-uri><abstract xml:lang="en"><p style="text-align: justify;">The theory of mediatization focuses on discussions on the intertwining of the media with social institutions such as politics, family and religion, influencing and being affected by these structures. In general, mediatization refers to the social and cultural process in which a field or institution becomes to some extent dependent on the logic of the media (Hjarvard, 2011). Hjarvard draws attention to the processes of mediatization as a concept by cultural and social phenomena through the media, and their symbolic content is more or less under the influence of the media. The media is determinative on the fictional world with it produces and, on its audience (consumers). It influences, directs and shapes them through the discourse it produces. Mediatization is an important issue in the context of media literacy and especially transmedia methods. Because transmedia content practices and methods increase the mediatization effect and affect the orientations of the individual and society, especially when it comes to inadequacy in the context of media literacy. Therefore, this study focused on the awareness of the audience (consumers) about transmedia applications. It is seen that the studies conducted in the field of transmedia have developed in terms of content production methods, strategies and audience engagement. It is understood that there are not enough studies on subjects such as audience impacts or audience awareness. In this context and in this study, the competence of multimedia viewers who use social media and follow a traditional media tool to understand and be aware of the content transitions between different media tools has been examined. The television channel was chosen as the traditional media medium for the research study due to its widespread viewing.</p></abstract><trans-abstract xml:lang="ru"><p style="text-align: justify;">Тема трансмедиа становится все более актуальной для современных исследований медиа как с точки зрения производства контента, так и аудитории СМИ. Развитие новых медийных технологий изменило распространение контента в сфере массовых коммуникаций, а также его влияние на людей и общество. Сегодня мы продолжаем получать и генерировать социальные смыслы, имеющие коммерческие, политические или социальные цели, практически от любого средства массовой информации с разным содержанием посредством именно трансмедийного повествования. Проведенный теоретический анализ показал, что исследования в области трансмедиа, развивались интенсивно с точки зрения методов производства контента, стратегий и взаимодействия с аудиторией. Однако вопрос влияния аудитории или осведомленность аудитории и их взаимоотношения с трансмедийными историями является недостаточно изученным. Данное исследование направлено на выявление осведомленности аудитории и потребителей о содержании трансмедийных историй в контексте медиаграмотности, особенно в контексте использования традиционных и новых медиа в сопоставительном аспекте (турецко-украинские параллели).</p></trans-abstract><kwd-group xml:lang="en"><kwd>transmedia storytelling</kwd><kwd>media audiences</kwd><kwd>social media</kwd><kwd>convergence</kwd><kwd>Turkey</kwd><kwd>Ukraine</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>трансмедийное повествование</kwd><kwd>медийная аудитория</kwd><kwd>социальные медиа</kwd><kwd>конвергенция</kwd><kwd>Турция</kwd><kwd>Украина</kwd></kwd-group><funding-group/></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><mixed-citation>Crossmedia (2021). Retrieved May 7, 2021, from https://www.tlu.ee/en/node/2178</mixed-citation></ref><ref id="B2"><label>2.</label><mixed-citation>Dönmez, M., &amp; Güler, S. (2016). 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