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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="research-article" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">RUDN Journal of Studies in Literature and Journalism</journal-id><journal-title-group><journal-title xml:lang="en">RUDN Journal of Studies in Literature and Journalism</journal-title><trans-title-group xml:lang="ru"><trans-title>Вестник Российского университета дружбы народов. Серия: Литературоведение. Журналистика</trans-title></trans-title-group></journal-title-group><issn publication-format="print">2312-9220</issn><issn publication-format="electronic">2312-9247</issn><publisher><publisher-name xml:lang="en">Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">23075</article-id><article-id pub-id-type="doi">10.22363/2312-9220-2019-24-4-756-764</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>JOURNALISM</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>Журналистика</subject></subj-group><subj-group subj-group-type="article-type"><subject>Research Article</subject></subj-group></article-categories><title-group><article-title xml:lang="en">Three faces of Trickster in modern politics: Donald Trump, Alexey Navalny and Julian Assange</article-title><trans-title-group xml:lang="ru"><trans-title>Три лика Трикстера в современной политике: Дональд Трамп, Алексей Навальный и Джулиан Ассанж</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="en"><surname>Chernenko</surname><given-names>Julia A.</given-names></name><name xml:lang="ru"><surname>Черненко</surname><given-names>Юлия Александровна</given-names></name></name-alternatives><bio xml:lang="en"><p>Ph.D. in Philology, expert at the Laboratory for Educational and Youth Journalism, lecturer in the School of Media, Faculty of Communications, Media and Design</p></bio><bio xml:lang="ru"><p>кандидат филологических наук, эксперт лаборатории образовательной и молодежной журналистики, преподаватель департамента медиа, факультет коммуникаций, медиа и дизайна</p></bio><email>juchernenko@hse.ru</email><xref ref-type="aff" rid="aff1"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">National Research University “Higher School of Economics”</institution></aff><aff><institution xml:lang="ru">Национальный исследовательский университет «Высшая школа экономики»</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2019-12-15" publication-format="electronic"><day>15</day><month>12</month><year>2019</year></pub-date><volume>24</volume><issue>4</issue><issue-title xml:lang="en">VOL 24, NO4 (2019)</issue-title><issue-title xml:lang="ru">ТОМ 24, №4 (2019)</issue-title><fpage>756</fpage><lpage>764</lpage><history><date date-type="received" iso-8601-date="2020-03-03"><day>03</day><month>03</month><year>2020</year></date></history><permissions><copyright-statement xml:lang="en">Copyright ©; 2019, Chernenko J.A.</copyright-statement><copyright-statement xml:lang="ru">Copyright ©; 2019, Черненко Ю.А.</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="en">Chernenko J.A.</copyright-holder><copyright-holder xml:lang="ru">Черненко Ю.А.</copyright-holder><ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">http://creativecommons.org/licenses/by/4.0</ali:license_ref></license></permissions><self-uri xlink:href="https://journals.rudn.ru/literary-criticism/article/view/23075">https://journals.rudn.ru/literary-criticism/article/view/23075</self-uri><abstract xml:lang="en"><p>Concerning current situation and media ecology actors of political communication should be fl exible to adapt their PR strategies to the fl uid agenda and mosaic thinking of their audience. The following article aims to describe one of the most multi-faceted archetypes used in political communications - the archetype of Trickster. Using the method of case study, the author argues that concerning information society and digital culture Trickster gains better opportunities to hold a successful PR campaign and to build a solid political image. The author describes the following archetype with the address to three fi gures of international and Russian politics that appear in agenda in 2010-2018: Donald Trump, Alexey Navalny, and Julian Assange. Using the notions of narrative politics and theory of archetypes, the author concludes vast potential of Trickster archetype in modern political communications, that can be even stronger than the traditional images of Hero or Wise Ruler. The author assumes that Trickster fi gure in modern politics became wider than classical image of Fool and Jester and now is also widely used in the aspects of “noble thug” and Shaman.</p></abstract><trans-abstract xml:lang="ru"><p>Актуальность представленной статьи обусловлена многократно возросшим в условиях политики постправды интересом акторов политической коммуникации к архетипическому образу Трикстера. Автор статьи последовательно показывает преимущества и возможности политиков-Трикстеров в условиях цифровой культуры и информационного общества, когда происходит повсеместная медиатизация политики. Цель исследования - проанализировать разные варианты использования образа Трикстера в политической коммуникации в России и мире на примерах трех часто встречающихся в новостной повестке 2010-2018 гг. политических фигур: Дональда Трампа, Алексея Навального и Джулиана Ассанжа. В исследовании автор использует материалы социальных медиа, в которых ведут политическую коммуникацию указанные акторы, журналистский контент и материалы СМИ, интервью для изданий. Автор статьи приходит к выводу, что Трикстер в современной медиасреде обладает куда большим коммуникационным потенциалом, чем более традиционные архетипы Героя и Мудрого Правителя. Подчеркивается, что неоднозначность трактовки образа Трикстера, хотя и осложняет применение этого образа политическими акторами, может стать одним из факторов, благодаря которым деятель добивается успеха в политической борьбе. На материалах политической коммуникации продемонстрированы три варианта обращения к образу Трикстера: классический Трикстер (Шут, Дурак), Трикстер как Герой (Робин Гуд) и Трикстер как Шаман (Крысолов и Мессия).</p></trans-abstract><kwd-group xml:lang="en"><kwd>Trickster</kwd><kwd>post-truth</kwd><kwd>USA</kwd><kwd>Russia</kwd><kwd>Wikileaks</kwd><kwd>political communication</kwd><kwd>information society</kwd><kwd>social media</kwd><kwd>WikiLeaks</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>трикстер</kwd><kwd>постправда</kwd><kwd>США</kwd><kwd>Россия</kwd><kwd>политическая коммуникация</kwd><kwd>информационное общество</kwd><kwd>социальные медиа</kwd></kwd-group><funding-group/></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><mixed-citation>Wimmer J. et al. (Mis)Understanding Political Participation: Digital Practices, New Forms of Participation and the Reneval. 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