RUDN Journal of Studies in Literature and JournalismRUDN Journal of Studies in Literature and Journalism2312-92202312-9247Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)1675010.22363/2312-9220-2017-22-2-302-311Research ArticleFROM SPECTATOR TO READER: READING REFLECTION IN MARGUERITE DURAS’S OEUVRESShulyatyevaD V<p>PhD student, Department of General Theory of Philology, Philological faculty, Lomonosov Moscow state university</p>dsh64@yandex.ruLomonosov Moscow State University1512201722230231112092017Copyright © 2017, Shulyatyeva D.V.2017<p>The article is focused on the specificity of perception of literary and cinematic works by Marguerite Duras, in which the spectator becomes a reader in terms of literary readings model of perception. This process is based on the recreation of characteristics of literary reading in films. As a result, the spectator of Durass films is intended to produce a reflection both on literary and cinematic medium and finds himself involved in a process of progressive drift from spectator to reader.</p>M. DurasreaderreadingspectatorcinemaМ. Дюрасчитательчтениезрителькино[Rivett J., Narbony J. Margaret Duras: razrusheniya i slovo. Chast 1 [Maragaret Duras: Distraction and Word] // Cineticle, интернет-журнал об авторском кино. URL: http://www.cineticle.com/inerviews/1172-duras-narboni-rivette-part1.html (accessed: 5.12.2016).][Cléder J. Ce que le cinéma fait de la littérature // Fabula-LhT, n° 2, décembre 2006, URL: http://www.fabula.org/lht/2/cleder.html (accessed: 5.12.2016).][Duras M. Les yeux verts. Paris: “Cahiers du Cinéma”, 1987. P. 107—108.]