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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" article-type="research-article" dtd-version="1.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">RUDN Journal of Studies in Literature and Journalism</journal-id><journal-title-group><journal-title xml:lang="en">RUDN Journal of Studies in Literature and Journalism</journal-title><trans-title-group xml:lang="ru"><trans-title>Вестник Российского университета дружбы народов. Серия: Литературоведение. Журналистика</trans-title></trans-title-group></journal-title-group><issn publication-format="print">2312-9220</issn><issn publication-format="electronic">2312-9247</issn><publisher><publisher-name xml:lang="en">Peoples’ Friendship University of Russia named after Patrice Lumumba (RUDN University)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="publisher-id">16740</article-id><article-id pub-id-type="doi">10.22363/2312-9220-2017-22-2-203-212</article-id><article-categories><subj-group subj-group-type="toc-heading" xml:lang="en"><subject>LITERARY CRITICISM</subject></subj-group><subj-group subj-group-type="toc-heading" xml:lang="ru"><subject>Литературоведение</subject></subj-group><subj-group subj-group-type="article-type"><subject>Research Article</subject></subj-group></article-categories><title-group><article-title xml:lang="en">THE PREMIERE OF A.P. CHEKHOV’S TATYANA REPINA AT JUDSON POETS’ THEATER</article-title><trans-title-group xml:lang="ru"><trans-title>ПРЕМЬЕРА «ТАТЬЯНЫ РЕПИНОЙ» А.П. ЧЕХОВА В ТЕАТРЕ ПОЭТОВ ДЖАДСОНА</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="en"><surname>Spachil</surname><given-names>O V</given-names></name><name xml:lang="ru"><surname>Спачиль</surname><given-names>Ольга Викторовна</given-names></name></name-alternatives><bio xml:lang="en"><p>Candidate of philological sciences, associate professor, Department of English philology, Kuban State University</p></bio><bio xml:lang="ru"><p>кандидат филологических наук, доцент кафедры английской филологии Кубанского государственного университета</p></bio><email>spachil.olga0@gmail.com</email><xref ref-type="aff" rid="aff1"/></contrib></contrib-group><aff-alternatives id="aff1"><aff><institution xml:lang="en">Kuban State University</institution></aff><aff><institution xml:lang="ru">Кубанский государственный университет</institution></aff></aff-alternatives><pub-date date-type="pub" iso-8601-date="2017-12-15" publication-format="electronic"><day>15</day><month>12</month><year>2017</year></pub-date><volume>22</volume><issue>2</issue><issue-title xml:lang="en">VOL 22, NO2 (2017)</issue-title><issue-title xml:lang="ru">ТОМ 22, №2 (2017)</issue-title><fpage>203</fpage><lpage>212</lpage><history><date date-type="received" iso-8601-date="2017-09-12"><day>12</day><month>09</month><year>2017</year></date></history><permissions><copyright-statement xml:lang="en">Copyright ©; 2017, Spachil O.V.</copyright-statement><copyright-statement xml:lang="ru">Copyright ©; 2017, Спачиль О.В.</copyright-statement><copyright-year>2017</copyright-year><copyright-holder xml:lang="en">Spachil O.V.</copyright-holder><copyright-holder xml:lang="ru">Спачиль О.В.</copyright-holder><ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">http://creativecommons.org/licenses/by/4.0</ali:license_ref></license></permissions><self-uri xlink:href="https://journals.rudn.ru/literary-criticism/article/view/16740">https://journals.rudn.ru/literary-criticism/article/view/16740</self-uri><abstract xml:lang="en"><p>The materials from the New York University archives as well as the author’s interview with actress Essie Borden who took part in the play, served as the basic data for the presented article, which tells the story of A.P. Chekhov’s Tatyana Repina premiere staged by The Judson Poets’ Theater for the first time. Reverend Al Carmines who was the leading figure in Off-off Broadway movement in the 70-ies and 90ies of the XXth century was the producer of the staging. John Racin’s translation as well as his long term research on Tatyana Repina by A.S. Suvorin and A.P. Chekhov made it possible to show Tatyana Repina to English-speaking public. The full overview of all the newspaper articles dedicated to the pay allowed to draw the conclusion that the staging was well accepted by the contemporaries as an experimental show put together by a group of enthusiasts, but did not get any attention of big theater producers. Themes and problems of the drama were not of any interest for the majority of audience, the play could not be of any commercial value, so the premiere show remained the only one in the USA. The drama plays a very important role in understanding of the creative dialog between A.P. Chek-hov and A.S. Suvorin and understanding of Chekhov’s themes and innovative approaches to playma-king.</p></abstract><trans-abstract xml:lang="ru"><p>В статье на основании архивных материалов, собранных в библиотеке университета Нью Йорка, интервью автора с участницей спектакля актрисой Эсси Борден, впервые изложена полная история постановки одноактной драмы А.П. Чехова «Татьяна Репина» в Театре поэтов мемориальной церкви Джадсона в Нью Йорке, США. Постановку осуществил преподобный Ал Кармайнз, стоявший в 70-90-е годы ХХ века во главе движения офф-офф Бродвей. Пере-вод Джона Рейсина, наряду с его многолетним научным исследованием истории создания и постановок «Татьяны Репиной» А.С. Суворина и А.П. Чехова, сделали возможным появление сценического варианта пьесы в англоязычной аудитории. Полный обзор рецензий на спек-такль, появившихся в прессе, позволяет сделать вывод о том, что постановка получила высо-кую оценку современников как экспериментальный спектакль группы энтузиастов, но не вызвала интереса режиссеров больших театров. Тематика и проблематика пьесы оказались не созвучными для основной зрительской аудитории, коммерческого успеха спектаклю иметь не мог, премьерный показ так и остался по сей день единственным в США. Между тем пьеса имеет очень важное значение не только для понимания творческого диалога между А.П. Че-ховым и А.С. Сувориным, но и для раскрытия основных моментов новаторского подхода Чехова к драматургии.</p></trans-abstract><kwd-group xml:lang="en"><kwd>A.P. Chekhov</kwd><kwd>A.S. Suvorin</kwd><kwd>Tatyana Repina</kwd><kwd>Judson Poets’ Theater</kwd><kwd>Judson Memorial Church</kwd><kwd>John Racin</kwd><kwd>Al Carmines</kwd></kwd-group><kwd-group xml:lang="ru"><kwd>А.П. Чехов</kwd><kwd>А.С. Суворин</kwd><kwd>«Татьяна Репина»</kwd><kwd>Театр поэтов Джадсона</kwd><kwd>мемориальная церковь Джадсона</kwd><kwd>Джон Рейсин</kwd><kwd>Ал. Кармайнз</kwd></kwd-group><funding-group/></article-meta></front><body></body><back><ref-list><ref id="B1"><label>1.</label><mixed-citation>Blumenthal E. A new play by that old master Chekhov. The Soho Weekly News, April 6, 1978. P. 39, 49.</mixed-citation></ref><ref id="B2"><label>2.</label><mixed-citation>Castillo. J.C. Al Carmines and the Judson Poet’s Theater Musicals. Dissertation. New York University, 1979.</mixed-citation></ref><ref id="B3"><label>3.</label><citation-alternatives><mixed-citation xml:lang="en">[3] Castillo J.C. The Greenwich Village church that helped women get illegal fbortions. New York Magazine. Dec 26 2016 [cited Jan 13 2017]. Available from: http://bedfordandbowery.com/2016/12/the-church-that-helped-women-get-illegal-abortions/</mixed-citation><mixed-citation xml:lang="ru">Castillo J.C. 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