No 2 (2016)

Articles
FORMATION OF THE BOOK OF POEMS PHENOMENON IN RUSSIAN POETRY OF THE ХVII-ХІХ-TH CENTURIES
Verina U.J.
Abstract
The article discusses the origin, formation and development of a book of poems as a special over- text, metagenre form resting on a unifying principle. Changing of these principles is the story of the book of poems formation. In the Baroque ages, Simeon Polotsky composed «Orchard Color» in accordance with the concepts of the world order. In the poetry of the Classicism period the principle of genre compositions was dominated, later it replaced by chronological principle. The titles of poetry books of XVIII - early XIXth centuries reflected the growth of the individual, private in the poetry, that giving more freedom to the authors, including the structuring their books. In the XIXth century, different principles of poems association freely combined within the same book and not strictly observed. The first proper book of poems in Russian poetry is «Twilight» by E.A. Baratynsky (1842). In the second half of the XIXth century cyclization became widespread, and to the turn of the centuries book of poems is a leader in the genre system of Russian poetry.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):7-14
views
ON SPECIFITY OF THE LOVESTORYLINE IN DOSTOYEVSKY’S NOVELS
Krinitsyn A.B.
Abstract
The article looks at novels from Dostoevsky’s Pentateuch, focusing on peculiarities of love storyline and its role in the structure of the plot, which is considered as an established poetic system. The love storyline can never be the only basis of a plot construction, but it adds to the ideological line and the harmonization (matching) of the two lines was always a problem to Dostoevsky. The love storyline is always dramatic, even catastrophic, but since the characters’ feelings are not reciprocal over most of the story time, the development of any psychological confrontation is ruled out. The love story is discrete: it’s not a continuous line, but a series of culmination episodes, in which only a decisive tête-à-tête scene between protagonists is given in detail. Basing on social motives - an opposition of a glamorous-scandalous marriages - the love story line never assumes social forms: it results neither in marriage nor in cohabitation of the two characters. Characters either part or - in case of a harmonious, happy unit - its depiction always remains beyond the formal final of the plot.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):15-28
views
RELIGIOUS, PHILOSOPHICAL AND LITERARY CONTEXTS OF F.I. TYUTCHEV’S POEM «TO A.V. PL <ETNYO> VA»
Gavrilenko T.A.
Abstract
The article presents an analysis of the poem of F.I. Tyutchev with the attraction of evangelical texts, works of the Russian religious philosophers, and such poets as A.S. Pushkin, VA. Zhukovsky, A.A. Fet, A.A. Maykov and F.I. Tyutchev himself. The stress is laid on the ideological position of the lyrical subject and features of figurative thinking that allow specifying a question of a place of the poet in the literary movement of the 2nd half of the XIXth century. It is proved that the consciousness of Tyutchev who created the poetic addressing includes the religious component participating in creation of images. In this case, the assumption is argued according to which the romantic canon of a creative phenomenon with its idealistic concept kept by Tyutchev as fidelity of tradition is in addition strengthened by the characteristic preferences that show the author’s proximity to “Pure Art”. The author arrives at such conclusions: 1) the poem “To A.V. Pl va” declares commitment to the ideas of the late-romantic school; 2) images of the miniature are created by the triad “outlook - creativity - a human ideal”; 3) the semantic dominant of the message is conviction in the value of belief for an orthodox person, and for an artist - in art, inspired by spiritual beauty; 4) the religious component of attitude of the lyrical subject interacts with a wide literary background and makes opposition to «unromantic» options of a world outlook and everyday philosophy of life.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):29-39
views
THE PROBLEM OF ADDRESSEE IN MARINA TSVETAEVA’S CYCLE “POEMS TO PUSHKIN”
Kikhney L.G., Kruglova T.S.
Abstract
The article reveals the specifics of the lyrical dialogue of Marina Tsvetaeva with Pushkin. It is hypothesized that addressee factor becomes the organizing factor of artistic consciousness in poetic communication of Tsvetaeva. Marina Tsvetaeva debunks ideological myth about Pushkin and offers her own mythical image of the poet, the main features of which are freedom and “vitality”. The authors prove that in her interpretation of the genius Tsvetaeva closely follows the Pushkin’s concept of the poet, i.e. while creating her myth about Pushkin Tsvetaeva based on the myth of the poet created by Pushkin, which included a “spontaneous vitality”. This communication strategy chosen by Marina Tsvetaeva determines the specificity of genre addressed to Pushkin’s poems. And Pushkin becomes the “providential” (implicit) addressee and the Tsvetaeva’s contemporaries who are doing an icon of Pushkin become the explicit addressee.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):40-48
views
THE EXPRESSIONISM OF L.ANDREEV’S PROSE IN CINEMA
Vysochanskaya A.M., Ledenev A.V.
Abstract
The article considers the issue of the cinematic potential of some prosaic expressionistic works written by L. Andreev. In “The Letters On Theatre” (1912-1913) the writer expressed his views on the problems of interaction between theatre, cinema and literature, emphasized the great role of cinematograph and predicted the phenomenon of the film script. Moreover, his close collaboration with the domestic cinema producers had influenced the poetics of his artistic works and therefore provoked future multiple screening of them. Despite the fact that all film scripts made by L. Andreev were based only on his dramas, the majority of film directors turned to his prose for screening - eager to find cinematic equivalents and analogies to his expressionist style. The primary subjects of the paper are film adaptations of Andreev’s literary legacy and the patterns of intermediality used by film directors to embody their interpretations of the original texts.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):49-55
views
BUDDHISTIC CONNOTATIONS IN THE WORKS BY G.GAZDANOV
Sorokina G.A.
Abstract
The article analyzes the reception and interpretation of Buddhistic ideas in the works by G. Gazdanov - one of the most famous writers of the young generation of Russian literature abroad. The main feature of Gazdanov’s prose lies in the fact that Buddhistic ideas and images are included in the context of Western culture of the XX-th century. Gazdanov applies to such Buddhistic conceptions as ego, reincarnation, karma, illusory of the world and others. These conceptions are represented in a variety of interpretations. The author of the article considers Buddhistic connotations of the works by Gazdanov in the context of his biography and underlines that his Buddhistic ideas and images have philosophical, but not religious character. In Russia the works by Gazdanov became widely known only in the 1990-ies.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):56-68
views
RUSSIAN POETRY AT THE TURN OF THE XX-XXI CENTURY: DEVELOPMENT VECTORS
Zinurova E.S.
Abstract
The article presents an analysis of the main Russian modern poetry directions. The author explores the state of the poetic environment at the turn of the XXth and XXIst centuries and estimates the most significant changes in the poetics of the period. Conclusion is giving about the collapse of corporate connections between writers-contemporaries, and the absence of clearly expressed poetry schools and groups. The processes that originated decades ago explain the fact of the collapse.We substantiate thehypothesis that dialogical relations with classic precursors particularly of the early XX century enrich modern poetry. Sound examples of such dialogue shown in the aspect of intertextuality. The author considers to intertextuality promote the self-expression ofmodern poets and solving many of their creative tasks.The author’s reasoning and conclusions are based on accessing dozens of names famous and little- known poets, on many analytical publications in recent
RUDN Journal of Studies in Literature and Journalism. 2016;(2):69-76
views
TO THE QUESTION OF THE LOCAL TEXT AND ITS FUNCTIONS(on the example of the almaty local text)
Bayanbayeva Z.A.
Abstract
In article definition of the local text as scientific category, in particular scientific developments of idea of scientists about the local text are given is given. Features of the local text in the light of his correlation with Pierre’s theory Nora about places of memory are unveiled, the conclusion about need of syncretism of local history and literary discourses for research work is drawn. In article functions of the local text, significant in formation of semiotics space of the city are in detail stated.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):77-84
views
THE GENESIS OF H. HESSE’S «MAGIC REALITY»
Shervashidze V.V.
Abstract
The article is related to the general characteristics and the differences between “magic idealism” of Novalis and “magic reality” of Hesse. Typological community is determined by the concept of world’s subjectivity in their novels. But the distinction of their methods created two different esoteric models. In Hesse’s novels this model is determined by the synthesis of contrasts. In a contrary, in Novalis novels the disharmony of the world is decided. Despite the typological similarity of the principle of subjectivization, “magical idealism” of NOVALIS and “magical reality” by Hermann Hesse represent different models of the world. The synthesis of the psychoanalytic model of the inner life, the philosophy of Buddhism has created a unique in the European novel of the 20th century model of a world governed by law of equilibrium. Hesse’s novels illuminated Buddhist idea of eternal renewal, of eternal spiritual growth and consciousness.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):85-92
views
THEATRICALITY AS A METHOD OF SELF-IDENTIFICATION OF THE HEROES AT JOHN`S FOWLES NOVEL “THE MAGUS”
Kochergina V.V.
Abstract
The article focuses on the idea of theatrical artwork in the aspect of postmodernism on the example of the novel of John Fowles “The Magus”. The article examines in detail the role principle of behavior of the main characters in terms of the unfoldment of the human personality and psycho behaviour in different situations. The author, basing on the theory of Yuri Lotman on the staging in the literature consistently maintains that the only correct behavior of the characters of the novel - it’s a special game human behavior in real life. Human personality is multidimensional and may be disclosed through a huge number of masks and internal roles. The material of the article may be of interest to literary scholars and lovers of creativity D. Fowles and literature of postmodernism.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):93-99
views
JOHN FOWLES’S NOVELS AS SEARCHES OF THE PERSONAL FREEDOM AT THE CONTEXT OF “ENGLISHNESS”
Zhuchkova A.V.
Abstract
We look into J. Fowles novels in relation to England and «Englishness» and come to the conclusion that one of the leading ideas of his work is the adoption of personal freedom. In the novels “the Sorcerer”, “the Collector”, “the French Lieutenant›s Mistress” Fowles says about justice and freedom. The writer doubts the objective status of the concept of “justice” and instead puts forward the notion of individual freedom. Although the national character is based on the confidence in theirs justice, Fowles speaks of inner personal freedom as the adoption of national characteristics and their overcoming in the process of personal growth.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):100-109
views
THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
Budekhin S.Y.
Abstract
The article is devoted to the reviewing of the Fall motif (as exemplified in the main female character) involved in the Renaissance revenge tragedy of T. Middleton and W. Rowley “The Changeling” (1622). The paper identified the key scenes of the drama to help understand the multidimensional and allusive way of the protagonist.The author identifies a number of metamorphoses in the character of Beatrice-Joanna and analyzes the stages of the heroine’s moral decay in the context of her relationships with the other characters of the play. The author also provides the examples of using literary device of the deception of audience’s expectations. There are some chosen scenes from the text of the drama in the article, which are helping to uncover the motifs of duality and changeling, associated with the character of the main heroine. The system of the characters of T. Middleton and W.Rowley play considered in the context of the most important works of Elizabethan drama.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):110-118
views
NAHAPET KUCHAKS AYRENS ABOUT LOVE IN RUSSIAN TRANSLATIONS
Haeryan Z.G.
Abstract
The article investigates the method of comparative analysis of the poem on the theme of love medieval Armenian poet in Russian translation. It presents translations of Bryusov, V. MikushevichZvyagintsev, which gives them a comprehensive comparative analysis to determine how the poetry of N. Kuchak matches your originals.Translation analysis led to the conclusion that the Russian poets and translators with the utmost precision could come close to the meaning, the style of the poet, as well as convey its poetic personality, revealing at the same time and his inner spiritual world.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):119-127
views
TRAVEL - JOURNALISM ON THE RUSSIAN TELEVISION
Gegelova N.S.
Abstract
In article the current state of the television thematic direction of a travel journalism is considered, it analysis of regional geographic programs of the leading federal TV channels is carried out. Besides, to be put a problem of filling of regional geographic programs by the popular scientific contents, and also the question of preparation of specialized shots connected with it at faculties of journalism in higher education institutions of Russia that will promote more creative realization of this important television direction.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):128-133
views
RHETORICAL FEATURES OF ORATORICAL WORKS OF THE MOSCOW METROPOLITAN MACARIUS (1482-1563)
Il’icheva V.V.
Abstract
The article analyzes the characteristics and traits are determined by oral public monologue speech as the main form of political solemn eloquence on the basis of empirical material rhetorical speech acts renowned hierarch of the Russian Church of the XVI century Macarius - Metropolitan of Moscow, analyzes the means of speech expressiveness of speech inherent in high style; defined peculiarities of the composition construction of oratorical works of that period.Contact religious outlook and state of activity of Metropolitan Macarius left a mark on the subject and the content of his speeches. He claimed the theocratic nature of imperial power and the need for union with the Church authorities Despite the fact that the ancient theory of rhetoric speakers, themes and design techniques of oratorical works borrowed from Byzantium, Metropolitan Macarius sought in its own way to interpret events to create their tradition of oratory, most bringing them to the history of his people.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):134-141
views
THE MAIN TRADITIONAL CHANNELS OF EXTERNAL COMMUNICATION IN CHINA
Wang Y.
Abstract
As a leading country in the region, China wants to be one of the main players in the media, first and foremost for their own image. Therefore the government has decided that China just need to express itself in the “outside world”, and this is well done with the help of government-controlled media pool. There are three major traditional areas in which China conducts its struggle for world public opinion: News Agency Xinhua, Radio of China, International and TV channel CCTV.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):142-150
views
THE NEW BUSINESS MODEL OF MULTIVARIATE MEDIA PRODUCTS FOR GENERATION Z
Muzikant V.L., Sayumi M.
Abstract
The article is on the Russian and the Japanese experience of the reasons of falling circulations online publications and analyzes the effects of the sharp increase in demand for tablet computers, which have become the fastest-growing category of personal electronics and displacing readers and e-books.We consider the “agenda” of publications continue to publish materials about the events and situations in the local life: do not read the press center in the Russian province in the belief that it is too far from the peopleThe material contains a forecast, whether the Internet will be able to occupy a niche, which are traditionally the newspaper whether he will be able to completely replace the function of the print media.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):151-163
views
POLITICAL NEWS IN ELECTRONIC MEDIA OF VIETNAM
Tran D.
Abstract
Development of Internet in Vietnam has brought changes in all aspects of public life. The online newspapers of Vietnam, which are developing quickly and are becoming important sources of information for the population, plays a particularly important and undeniable role in these changes. The article discusses the information policy in delivering political news of two largest Internet newspapers in Vietnam: Vietnamnet and VnExpress. Special attention is concentrated at the case study of the conflict in the South China Sea. The main method of study is content analysis. The author studies the role of the Vietnamese online media in informing the events of the conflict in all its stages and details, the views of Vietnamese and foreign journalists and experts on “many-dash line” policy of China in the South China Sea, the position of such world empires as Russia and the USA in the search of solution.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):164-171
views
A NEW BOOK ABOUT VOLOSHINReview of the book: Pinaev S.M. Poet of the Rhyme or Eternity. Earthly ways and Spiritual donations of Maximillian Voloshin. Moscow. “Azbukovnik” Publishing house, 2015, 800 p
Fedotov O.I.
Abstract
The Review is devoted to the analysis of monography book by famous researcher of Russian poetM. Voloshin. It states the final character of the book, which contains various discourses of Voloshin’s studies: his biography, analyses of poetry and his outlook. Through the context of Silver Age Culture the book gives the sketches of poetical talent, his contribution to the treasuries of World and Russian Poetry. The researcher reveals Voloshin’s significance through controversy with various views of other researchers.
RUDN Journal of Studies in Literature and Journalism. 2016;(2):172-178
views
NAShI AVTORY
- -.
Abstract
RUDN Journal of Studies in Literature and Journalism. 2016;(2):179-181
views

This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies