No 3 (2015)

Articles
THE ULTIMATE COLLAPSE OF THE HIGH IN PUSHKIN’S LITERARY EXPERIMENTS
Valentinova O.I.
Abstract
In this article, the methodological bases of the conception of causal text typology developed by O.I. Valentinova as a means of tracing the change of consciousness as a result of the change of a relationship between the sign and the meaning are realized in the research of the empirical material which is of great significance for the understanding of Russian culture - historically new contexts emerging in Pushkin’s literary experience. The algorithm of action proposed by the author leads to semiotically significant conclusions that the irreversibility of changes of consciousness is expressed in the change of the principle of organization of the semantic structure of the word, that the semantic structure of the language and word reflects a sharp reduction of the ethical basis in secular consciousness
RUDN Journal of Studies in Literature and Journalism. 2015;(3):7-13
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NIKOLAI GOGOL’S MARDINALIA BIBLE 1820 EDITION: BACK TO THE TOPIC
Golubeva E.I.
Abstract
The article is dedicated to study of Gogol’s marginalia in the Bible of 1820th year edition belonged to him. New marginalia completed the list of previously known marginalia. The article discussed the previous researches of Gogol’s marginalia. The author describes some new marginalia and suggests connection between the marginalia and the facts of biography and creative aspirations of the writer and some Gogol’s works such as “The Overcoat”, “Portrait”, “Dead Souls”. Three marginalia on the pages of the New Testament attracted special attention. It is “fast”, “forgiveness”, the “acquisition”
RUDN Journal of Studies in Literature and Journalism. 2015;(3):14-20
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CROSS-TEXTUAL INTERACTIONS IN THE CROWN OF SONNETS
Hakobyan L.G.
Abstract
The genre form of the crown of sonnets is a supertextual level phenomenon, the unity of which is provided by various kinds of cross-textual connections. In particular, we examine the cross-textual coherence a) between the master-sonnet and 14 texts of the main corpus (the ring of sonnets) and b) between the poetic texts of the main corpus. A special attention is given to the cross-textual repetition as the most characteristic form of connections within the supertextual unit. Two functional types of cross-textual connections in the corona structure, the obligatory and the complementary one, are revealed. The first type provides the cohesion of each of the fourteen texts with the master sonnet, and besides, the circular organization of the main corpus; the second one determines the coherence degree between the texts of the main corpus
RUDN Journal of Studies in Literature and Journalism. 2015;(3):21-29
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NICHOLAI KAVALEROV AS A REPRESENTATIVE OF THE«UNDERGROUND MAN» IN RUSSIAN LITERATURE
Kasatkina K.V.
Abstract
This article is devoted to the comparative analysis of two characters: “Underground man” (“Notes from Underground” by F. M. Dostoevsky) and Nikolai Kavalerov (“Envy” by J. K. Olesha). The narrator of “Notes from Underground” and protagonist of the novel “Envy” share a number of similarities in their world views, behavior, speech, character and psychological traits. Kavalerov has the whole complex of “underground traits”: he combines pride with desire for self-humiliation, he is prone to daydreaming, but is not capable of any practical activity. His relations with people are quite similar to ones of Dostoevsky’s hero. Further analysis shows, that Nikolai Kavalerov is a peculiar transformation of the “underground man” type in historical context of the twenties of XX century.
RUDN Journal of Studies in Literature and Journalism. 2015;(3):30-36
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V. NABOKOB AND M. PROUST: FUNCTIONS OF PASTICHE IN “KAMERA OBSCURA”
Ledenev A.V., Nizhnik A.V.
Abstract
The article discusses the issue of M. Proust’s influence on V. Nabokov and a group of younger Russian Emigre writers. During the 1930s Nabokov struggles to find his own style, and to take the best from his “literary teachers”. Nabokov manages to assimilate some Proust’s literary devices, but at the same time he ironically ridicules the intention of his contemporaries, authors of “Chisla” journal, to become “Russian versions of Proust”. He shows examples of pastiche and parody on different levels of text ranging from plot to “proustian” syntax. He wants to distance himself from blind imitation of Proust (in which he was accused by his rivals from “Chisla”) and to assimilate best parts of his style. That is the main artistic function of “proustian” chapter in the novel “Kamera Obscura”
RUDN Journal of Studies in Literature and Journalism. 2015;(3):37-43
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«ADA OR ARDOR» BY V. NABOKOV: THE FUNCTIONS OF TIME AND SPACE IN ART
Shapiro A.E.
Abstract
The article looks upon the role of memory as a key element of Nabokov’s poetics (based on his novel “Ada or Ardor”), it also analyzes Nabokov’s “theory” of time and space in Nabokov’s art. Scientific novelty of the article is conditioned by the approach to the problem itself: by multilateral means such as intertextual, hermeneutic and literary analysis the article reveals essential characteristics of Nabokov’s attitude towards such key metaphysical concepts as time, memory and space. The ontologic analysis of the philosophical and ethical notions presented here is an advance in comprehension of the rich metaphorical and symbolical structure of one of Nabokov’s most complicated and mysterious novels
RUDN Journal of Studies in Literature and Journalism. 2015;(3):44-53
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THE PAST AND THE FUTURE OF THE RUSSIAN PEOPLEIN A. PLATONOV’S STORIES ABOUT THE GREAT PATRIOTIC WAR
Aleinikov O.U.
Abstract
In article A. Platonov’s stories about the Great Patriotic War in the light of creative strategy of the writer are analyzed. Specifics of an art reflection of the writer about the past and the future of the Russian people, discrepancy of the discourse realized in military prose of A. Platonov with ideology and practice of the Soviet press, a ratio of an art and propaganda discourse become clear. Ways of an embodiment «opinions national», values of democratic consciousness are investigated. A subject of the analysis is the art prognostics of the writer in the conditions of a subacceptable narration
RUDN Journal of Studies in Literature and Journalism. 2015;(3):54-61
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DIPTYCH AS A GENRE MODIFICATION OF THE MODERN DRAMA(based on A. Zenzinov and V. Zabaluev’ play “Cherries have ripened in uncle Vanya’s garden”)
Shunikov V.L.
Abstract
The article considers diptych, a genre modification of the contemporary drama, which may be read as an integral work as well as two interrelated but independent works. Based on A. Zenzinov and B. Zabaluev’ play a scholar describes the structure of diptych which determines a reader’s reception. V. Shunikov specifies different interpretive strategies of drama. He also draws attention to the system of motives which ensures the unity of the play. The scholar believes that diptych demonstrates a relevant problem of correlation of fictive and authentic in the imaginative world in the contemporary literature. The analyzing phenomenon and methodological approach to the genre determine the scientific novelty of the research and its place among the works on the modern drama poetics
RUDN Journal of Studies in Literature and Journalism. 2015;(3):62-70
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MYTHOPOETIC BY P. KRUSANOV: MYTH OF THE TRUTH RULER IN THE NOVEL “ANGEL’S BITE”
Torosyan A.S.
Abstract
Research is devoted to one of the central problems of modern literary criticism - the interaction of literature and myth. The article seeks to prove that the image of the main character in the novel “Angel’s bite” by Petersburg writer Pavel Krusanov sprouting from the myth of the Culture hero. Analyzes the major stages of the formation of the protagonist, the main of which is a initiation rite that has mythological roots, as well as the motive of incest as one of the central themes in archaic texts. During the research the author found that novel “Angel’s bite” by P. Krusanov contains mythological components. Learning mythopoetics of novel “ Angel’s bite “ will enter Krusanov’s work in the overall context of contemporary art mythologism
RUDN Journal of Studies in Literature and Journalism. 2015;(3):71-77
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IMAGES OF THE MAIN CHARACTER’S DOUBLES IN THE NOVEL “UNDERGROUN OR A HERO OF OUR TIME” BY V.S.MAKANIN
Tokarenko A.A.
Abstract
The article deals with the problem of the duality in the novel “Underground or a Hero of our time” byV.S. Makanin. The focus is on the analysis of the images of the main character’s doubles which are the representatives of creative professions. The author reveals their place in the image system of the novel, explores the role they play in the disclosure of the identity of the narrator, his philosophy, his views on the writer’s craft and creation in general.
RUDN Journal of Studies in Literature and Journalism. 2015;(3):78-87
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RUSSIAN LITERATURE AND INNOVATION IN POETICS OF MONGOLIAN LITERATURE IN XX CENTURY
Tseveenii M.
Abstract
This article is about interrelation of the Mongolian literature and the literatures of other nations and some of their influences. In the article the author highlights Russian literature. Because the Mongolian literature of the twentieth century had exclusive relationship with the Russian literature due to historicalcircumstances and fact that both nations` literature were placed in a common condition of artistic and aesthetic development. The author brings examples of poetic elements of the Mongolian literature, particularly poetries with elements adopted under influence of Russian classics. It also emphasizes that the new elements are marked not only in poetry, but also in other genres, including performing arts. The research may attract researchers` interest in the field of comparative literature
RUDN Journal of Studies in Literature and Journalism. 2015;(3):88-92
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“EACH OTHER ECHO”: A. ZHAKSYLYKOV’S NOVEL “THE SINGING STONES” IN LITERARY CORRELATION WITH E.I. BORATYNSKY’S “BASTARD”
Valikova O.A.
Abstract
This paper deals with the fact of development and reconsideration of a symbol of the Russian literature - the Bastard - by the writer A. Zhaksylykov, the author of the novel “Singing Stones”. According toN.V. Pavlovich, images in literature don’t exist separately; they are included in a certain poetic paradigm. In this aspect interliterary correlation testifies to continuity of the esthetic and ontological principles in creation by the Author of an art ensemble. So, the protagonist of the novel “The Singing Stones” is correlated to the symbol of the Russian literature which is creatively mastered by A.S. Pushkin and developed byE.A. Boratynsky - with the Bastard. The intertextual overlapping used by the Author as an artistic touch “allocates” the main character with a variety of additional characteristics, makes it multidimensional and significant.
RUDN Journal of Studies in Literature and Journalism. 2015;(3):93-98
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THE FORMATION OF THE RUSSIAN RADIO MARKET
Pinina T.J.
Abstract
The current article is the short analytical issue of political, social-economic conditions, which led to appearance of radio business market in post-Soviet Russia. This work envelops phases and circumstances of its step by step emerging and structurisation as well and also main players of that market business segment - namely new radio stations, created at the beginning of 90-ies last century. The author considers important in the process of formation of the radio market in the country, the privatization of existing broadcasting structures, the emergence of fundamentally new, taken for a basis the work in a new format and commercialization. However, the article emphasizes that the activities of new radio stations - not just a business or a form of existence in the market conditions, but also the function of promoting new values in the mass consciousness and the formation of a certain model of reality inherent in the global information society
RUDN Journal of Studies in Literature and Journalism. 2015;(3):99-107
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RUSSIAN TELEVISION FOR CHILDREN AND YOUNG PEOPLE TODAY
Bazanova A.E., Gromova K.V.
Abstract
There is the current state of television for children and young people in Russia in the article. The television for children and young people passed a long and hard way of development since the end of the 30th years of the 20th eyelid. In the early 70th years to the middle of the 80th years of the 20th eyelid in the history of television for children and young people was the fullest flowerwhen there were in a large number transfers for children and young people on the Soviet screen. In 1987 with declaration of “publicity” and transition of television to commercial rails the television for children and young people in Russia started deep crisis. And the new stage of revival of television for children and young people in Russia began in 2005 from creation of the first children’s channel «Telenyanya»
RUDN Journal of Studies in Literature and Journalism. 2015;(3):108-114
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TELEVISION: FROM A MIROR AND A SCENE TO THE INTERFACE SCREEN
Shlyago V.О., Kalmykov А.А.
Abstract
The article is devoted to current trends of development of television and journalism in general. It includes change in sociocultural role of journalism and transition from communication type «one-to-many» through polylogue «many-to-many» to dialog «one-to-one». Nowadays spectators get a possibility to create the news product and even affect the agenda. They are don`t only get a wider access to information, they are also able to create the news. New technologies effects the speed of information exchange and hypertext becomes one of the basic formats of television news content. It means media gains hypertext properties, which are distinguishing feature of web-journalism along with the interactivity
RUDN Journal of Studies in Literature and Journalism. 2015;(3):115-121
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NEW TRENDS IN THE CREATION OF TELEVISION ADVERTISING CONTENT
Miroshnichenko G.A.
Abstract
The article discusses the new trends in the creation of television advertising content, identifies innovative approaches in broadcast ads. Due attention is given to the new genre in the creation of promotional products, the analysis of the changed concept of attracting media persons to participate in advertising, the specifics of humorous advertising content. The article reveals the mechanism of production, development and perception of the joke. Describes the language games that enhance the comic effect. Samples of television advertising demonstrates the possibility of new trends in strengthening the attractiveness of communicative content, the efficiency of perception and memorization advertising offers brands
RUDN Journal of Studies in Literature and Journalism. 2015;(3):122-128
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FREEDOM OF JOURNALISTS’ SPEECH AND SAFETY AS ACTUAL PROBLEM OF KAZAKH MEDIA
Grabelnikov A.A., Mambetova I.K.
Abstract
In the article problems of journalists’ speech and safety in former Soviet years in Republic Kazakhstan are explored. The Constitution of Republic states liberty of Media action which is necessary to reflect social processes. Unfortunately freedom of information which is formally consolidated by law is not provided by real mechanism of realization. It affects on functioning of large quantity of media and directly reflected at getting more frequent attack against journalists and also at closing of magazines and adoption of the new amendments to the Criminal Code of RK is caused by this as well.
RUDN Journal of Studies in Literature and Journalism. 2015;(3):129-137
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RADIO FORMAT SHIFTING ON LOCAL COMMERCIAL BROADCASTING STATION
Korovina Y.D.
Abstract
The article «Radio format shifting on regional commercial broadcasting station» is about stylistic integrity issue on local broadcasting stations, which are the network partners of Moscow broadcasting stations. There are two basic differences between local and Moscow formats: in information and advertising blocks, and also directly in music content. There are also different options for local broadcasting as a part of network partnership described here. The ignoring of audience idea in broadcasting formatting is considered to be the reason for format shifting.
RUDN Journal of Studies in Literature and Journalism. 2015;(3):138-146
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“THE AIM OF THE CREATIVITY IS DEVOTION”(jubilee of prof. A.S. Karpov)
Aleynikov O.Y., Kovalenko A.G.
Abstract
The article reveals main periods of biography of well-known Russian researcher of Russian Literature professor A.S. Kaprov. List of his most important achievements and main works are given. The description of his role and activity for new generation of literary researchers is being launched. His biography starting at the end of 1950th is tightly connected with the mainstream of literary criticism of the epoch
RUDN Journal of Studies in Literature and Journalism. 2015;(3):147-149
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NAShI AVTORY
- -.
Abstract
RUDN Journal of Studies in Literature and Journalism. 2015;(3):150-152
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